Awards Watch

20 Weeks To Oscar: The Host & The Show

Taking a little air out of the balloon is always a pleasure. But when you become self-mocking, the brand is being damaged… at least when the brand is the 800-pound gorilla in the category. And Oscar is that.

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15 DOCUMENTARY FEATURES ADVANCE IN 2016 OSCAR® RACE

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that 15 films in the Documentary Feature category will advance in the voting process for the 89th Academy Awards®.  One hundred forty-five films were originally submitted in the category. The 15 films are listed below in alphabetical order by title, with their…

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Atlanta Film Critics Awards

Best Film: La La Land   Best Director: Damien Chazelle (La La Land)   Best Actress: Annette Bening (20th Century Women)   Best Actor: Casey Affleck (Manchester by the Sea)   Best Supporting Actress: Lily Gladstone (Certain Women)   Best Supporting Actor: Mahershala Ali (Moonlight)   Best Screenplay: Kenneth Lonergan (Manchester by the Sea)  …

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DC Film Critics Nominate

DC Film Critics Nominate

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Gurus o’ Gold: Directing, Animated, Screenplay

This week, in a vote taken before the critics groups weighed in on Thursday, the Gurus take on Director, Animated Feature and the two Screenplay categories, in addition to the BP Top 10.

If there are any surprises, it is The Gurus’ unwillingness to take movies set in the 1960s very seriously or that the Top 5 Directors right now are all American.

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NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS

FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS   BEST PICTURE Arrival Fences Hacksaw Ridge Hell or High Water La La Land Lion Loving Manchester by the Sea Moonlight Sully   BEST ACTOR Casey Affleck – Manchester by the Sea Joel Edgerton – Loving Andrew Garfield – Hacksaw Ridge Ryan Gosling – La La…

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20 Weeks To Oscar: The Beginning Is The End

You know it’s already over, right?

No, I’m not saying we know who is going to win Oscars this year. We don’t. But we know who is realistically in the running, and who is not.

To use a sports metaphor, we are in the playoffs. But teams still have to play the games.

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Gurus o’ Gold: Thanksgiving – Episode 2

In the second charts of the week, The Gurus look at Best Picture and offer their suggestions for what you must see this holiday weekend as well as what unexpected nominations would excite them. Have a wonderful holiday!

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Gurus o’ Gold: Thanksgiving – Episode 1

In this first of two pre-Thanksgiving Gurus outings, not a lot of change in Picture and the Supporting acting categories. The only real mover in Picture is… Arrival.

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Gurus o’ Gold: Who Directed That Masterpiece?

The election took The Gurus by surprise this week, but they have consulted with The Oscar Deities and are back in the saddle. This week, Best Picture and Best Director.

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Designing Loving

Designing Loving

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20W2O: Keep To Your Knitting

Oscar punditry reads a lot like the months and months and months of expertise voiced on cable TV and via print/online media for 18 months leading to the November 8 absurdity of a Trump election. And the voices after the results settled in last night reminded me so much of the post-Oscar (and often, pre-Oscar) whining.

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Gurus o’ Gold: The Weekly Watch Begins…

The Gurus are back for the full season (weekly the rest of the way) offering up frontrunners in Best Picture and the 4 acting categories today, with only one major studio (including Dependents) leading in any of the 5 categories.

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20 Weeks To Oscar: The Wars Before The War

I should have written a column last week… but this season is turning into a beautiful bore. And by that I mean that there is some truly wonderful, exceptional work out there and on the way out… and many categories are wide open in terms of exactly who will be nominated… but those excited fish are swimming in a very small barrel.

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Academy Member Robert Bassing Loses Oscar Voting Privileges At Age Of 91; Co-Wrote Home Before Dark In 1958

Academy Member Robert Bassing Loses Oscar Voting Privileges At Age Of 91; Co-Wrote Home Before Dark In 1958

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20 Weeks To Oscar: Settling Into The Starting Gates

By this time next week, the only unseen contenders in the race will be Allied, Collateral Beauty, Hidden Figures, Fences, Passengers, and Silence. And I expect, sight unseen, three of those six titles to be nominated for Best Picture. This is not an insignificant group.

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24 Weeks To Oscar: Lots of Festivals, Few Surprises

So… seven films got Best Picture nominations after festival launches last year… launched from seven different festivals.

In other words… there is no awards magic to any of these festivals (though they all have their own magic). What works is what works. Period. Exclamation point!

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Gurus o’ Gold: Before The Festivals…

Before the Venice Film Festival kicks off the season next Wednesday, The Gurus are putting on their thinking hats and offering a mostly film-blind look toward the future. Each Guru has a different way of approaching this process, but historically, the accuracy of the group this early in the year is surprisingly good. And a film or two always eludes their glance in August. We humbly dip a toe in the water…

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Awards Watch

Quote Unquotesee all »

Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious

“I love it! Shia’s crazy and he’s great. It’s a good combination for me. I don’t know if he’s going to jump up and attack me, or the camera, or the actor, and I kind of enjoy that. He brings something unexpected, all the time. A little frightening, a little grey, so I really enjoy that kind of madness. I think he takes this work very serious, really serious, and sometimes maybe that comes across arrogant or annoying, and I understand that. But it’s nice when someone cares so much. I don’t know how easy it is to be a big movie star, I’ll never understand that world, but to show up and care that much, to me, is a nice deal and I’ll take it. With all the craziness.”
~ Dito Montiel On Shia Labeouf