Awards Watch

364 Days To Oscar: Wrapping Up

This show was 85% of the way to being the kind of show that builds the loyal audience and can then build on that audience. Big congratulations to Reggie Hudlin and David Hill. They did it right… or at least are on the right track.

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Gurus o’ Gold: The Final Vote (including a few last second changes)

A couple of Gurus have last minute changes to their picks. And the entire rundown in every category is here.

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Gurus o’ Gold: Our Best Guess… Our Final Guess

The Academy’s votes are in. And now, The Gurus have spoken as well.

Ten categories have unanimous votes, including 5 of the Top 8. Another five categories have 11 or 12 of the 13 Guru votes. That would suggest a pretty boring evening, with the big unknowns being short films, Costume Design, and Sound. But it has been a season of surprises… so stay close to the TV on Sunday night.

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9 Days To Oscar: Is That All There Is?

Is there anything left to mine this Oscar season?

I really like the group of movies this year… but I am paying very close attention and I can’t find anything to get excited about at this point. If people I like win, I will be happy.

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THE LOOK OF SILENCE’s Adi Rukun Makes His First Written Statement About The 1965 Indonesian Genocide

ADI RUKUN, SUBJECT OF THE OSCAR®-NOMINATED DOCUMENTARY THE LOOK OF SILENCE, RELEASES HIS FIRST WRITTEN STATEMENT ABOUT THE INDONESIAN GENOCIDE OF 1965 FOLLOWING MEETINGS IN WASHINGTON, D.C. Adi Rukun, the optometrist subject of Joshua Oppenheimer’s Oscar®-nominated documentary THE LOOK OF SILENCE, has released his first written statement about the Indonesian genocide of 1965, following meetings…

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Gurus o’ Gold: Battleground Categories Top 3!!!

The Gurus were asked to pick their Top 3 in the 8 Battleground Categories. Only one pick to win has changed… but it’s a big one.

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The Full BAFTAS 2015 List

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Oscar Adds 17 To Presenter List, Bringing Total To 41

Oscars® producers David Hill and Reginald Hudlin announced today a third slate of presenters for the 88th Oscars telecast.

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3 Weeks To Oscar: Exposing The Wizard

Stop me if you’ve heard this…

How is it that the person with their finger on the nuclear button, and some group of producers who get to take home the coolest swag in Hollywood, are on the same short-term-memory track?

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Gurus o’ Gold: 2 Days Before Voting Begins

This week, the Gurus voted in every category for everyone they thought had a chance of winning. This led to some very interesting numbers, including one mad movie with 6 wins, besting everyone in the field by 3. And two categories where everyone is in agreement that there’s no potential upset.

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Gurus o’ Gold: 9 Days Until Voting Begins

The Gurus storm into February looking at the “Top 8″ categories, plus Feature Documentary and Cinematography. Appropriate to this still-unsettled season, The Gurus currently foresee 7 different movies winning those Top 8 prizes, with only the Best Picture leader grabbing 2 of these 8.

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The 20th ADG Awards

“The Martian” “Mad Max: Fury Road” and “The Revenant” Motion Picture Winners at the 20th Annual Art Directors Guild Excellence in Production Design Awards Celebrating “From Silver Screen to Every Screen” “Game of Thrones,” “House of Cards,” “American Horror Story”, “The Big Bang Theory” and “The Muppets” Win for Television Series Josh Brolin Presents David…

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The Complete 22nd Annual SAG Awards List

Outstanding Film and Television Performances Honored at the 22nd Annual Screen Actors Guild Awards® LOS ANGELES (Jan. 30, 2016) —The Screen Actors Guild Awards® presented its coveted Actor® statuettes for the outstanding motion picture and primetime television performances of 2015 at the 22nd Annual Screen Actors Guild Awards® held Saturday, Jan. 30 at the Los…

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“MAD MAX: FURY ROAD,” “THE BIG SHORT” AND “INSIDE OUT” WIN BIG AT THE 66TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST FILM EDITING OF THE YEAR

Beverly Hills, January 29 – “Mad Max: Fury Road” (edited by Margaret Sixel) and “The Big Short” (edited by Hank Corwin, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 66th Annual ACE Eddie Awards tonight where trophies were handed out recognizing the best editing of 2015 in ten…

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20 Weeks To Oscar: The Race & Race – Part 3: All Fixed

This has been an unpleasant week. And yet, there should be unrestrained celebration amongst all Academy members and all believers in efforts to seek greater (and ultimately achieve) racial and gender diversity in all film industry organizations, including The Academy.

So what is the problem?

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Gurus o’ Gold: The Week After Nominations

Things seem to be firming up in the top 8 categories. The Gurus offer their Top 2 in each of the categories, except for Picture. (Also worth noting – voting was done before nominee Rampling made her statements about race and Oscar.)

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20 Weeks To Oscar: The Race & Race – Part 2: Four Suggestions To “Fix” The Academy

This is where we are… the third season in the last six without a “black” film or black actor nominated. That was background… here is the foreground. Three small but perhaps important suggestions about how to “fix” the problem at The Academy. And then one last suggestion that I think may actually be the most actionable and helpful of the lot.

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20 Weeks To Oscar: The Race & Race – Part 1: Expectations

This is the first of a series examining the issue of Race and The Academy Of Motion Picture Arts & Sciences. It follows a Gurus o’ Gold special edition that charted the history of the Gurus voting for Best Picture over the course of the season.

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Gurus o’ Gold Special: The Trajectory Of The Season

With all the controversy around the Oscar voting, we thought we would take a look at how we got to nominations Thursday. The chart shows where the contenders were, in the minds of The Gurus, in the 10 weeks of voting, from August’s pre-festival vote until the week that voting closed. We hope it is enlightening.

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Awards Watch

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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