The Top Tens

The Top Tens: January 7, 2011

True Grit continues to climb up the chart, Toy Story 3 is closing the gap with Inception, and The Social Network stands alone.

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The Top Tens: January 3, 2011

While The Social Network stays put, True Grit and The Fighter are slowly working their way up the chart. More lists still to come.

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Top Tens: January 1, 2011

More lists .. and True Grit moves up into the top ten. While most of the rest of the chart remains the same, there are more than 150 titles on the list .. proving that almost every movie has someone out there who loves it.

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Top Tens: December 31, 2010

There were a couple of technical glitches as the new system settles in – but the lists are starting to add up now. Yes, Social Network stays on top, but Inception and The King’s Speech are moving up the charts.

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The Top Tens: December 24, 2010

The lists keep coming in, but the chart remains (almost) the same. Carlos and The Ghost Writer move up a notch, and the top five stay locked in place. The Social Network stays on top by a wide, wide margin.

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The Top Tens: December 22, 2010

No surprises so far – The Social Network still dominates the top of the list with Winter’s Bone a strong second. The King’s Speech and 127 Hours are back into the top ten and Toy Story is moving up slow and steady.

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The Top Tens: December 17, 2010

With almost 50 lists in, The Social Network still sits on top, but Winter’s Bone is gaining ground. Futher down the list, Black Swan dances into third, Toy Story 3 stays steady in fourth, with Carlos nipping at its heels.

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Top Tens: December 13, 2010

The Social Network sits alone at the top of the chart, with Inception, Winter’s Bone and Toy Story 3 battling it out in the next three spots. But it’s still early in the race…

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Critics Top Tens 2010 (as of Dec 9)

The first Top Ten lists of 2010 are coming in. For the next couple of weeks, MCN will be updating daily as we aggregate lists from all parts of the critical community.

With just 6 lists in, Nolan and Fincher are duking it out for the top slot…

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The Top Ten Chart for the Decade Scoreboard

With 13 mentions, together and individually, the Lord of the Rings Trilogy is the top vote getter.

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The Top Ten Chart for January 6, 2010

132 Critics. 161 Films. 30 New to the List.

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The Top Ten Chart for January 2, 2010

102 Critics. 151 Films. 30 New to the List.

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The Top Ten Chart for December 29, 2009

74 Critics . 125 Films. 20 New to the List.

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The Top Ten Chart for January 6, 2009

Top Ten Lists; 265 Films Listed; 106 Films with one vote; Five films appear on more than 100 lists; Iron Man jumps 10 spots into the Top 20. One Vote Wonders

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Quote Unquotesee all »

“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour