The Hobbit: Battle of the Five Armies The Hobbit: Battle of the Five Armies

The Top Tens

The Top Tens: December 24, 2010

The lists keep coming in, but the chart remains (almost) the same. Carlos and The Ghost Writer move up a notch, and the top five stay locked in place. The Social Network stays on top by a wide, wide margin.

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The Top Tens: December 22, 2010

No surprises so far – The Social Network still dominates the top of the list with Winter’s Bone a strong second. The King’s Speech and 127 Hours are back into the top ten and Toy Story is moving up slow and steady.

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The Top Tens: December 17, 2010

With almost 50 lists in, The Social Network still sits on top, but Winter’s Bone is gaining ground. Futher down the list, Black Swan dances into third, Toy Story 3 stays steady in fourth, with Carlos nipping at its heels.

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Top Tens: December 13, 2010

The Social Network sits alone at the top of the chart, with Inception, Winter’s Bone and Toy Story 3 battling it out in the next three spots. But it’s still early in the race…

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Critics Top Tens 2010 (as of Dec 9)

The first Top Ten lists of 2010 are coming in. For the next couple of weeks, MCN will be updating daily as we aggregate lists from all parts of the critical community.

With just 6 lists in, Nolan and Fincher are duking it out for the top slot…

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The Top Ten Chart for the Decade Scoreboard

With 13 mentions, together and individually, the Lord of the Rings Trilogy is the top vote getter.

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The Top Ten Chart for January 6, 2010

132 Critics. 161 Films. 30 New to the List.

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The Top Ten Chart for January 2, 2010

102 Critics. 151 Films. 30 New to the List.

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The Top Ten Chart for December 29, 2009

74 Critics . 125 Films. 20 New to the List.

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The Top Ten Chart for January 6, 2009

Top Ten Lists; 265 Films Listed; 106 Films with one vote; Five films appear on more than 100 lists; Iron Man jumps 10 spots into the Top 20. One Vote Wonders

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The Top Ten Chart for January 1, 2009

Top Ten Lists; 236 Films Listed; 89 Films with one vote; Both Wall-E and The Dark Knight are listed 21 times at #1; Wall-E appears on almost 70% of all lists; while Milk appears on more lists, both Dark Knight and Slumdog Millionaire rank higher on the lists they appear on; Wall-E has more than…

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Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies