The Top Tens

The Top Ten Lists of 2013: 60 and Counting

With sixty lists counted, Gravity now sits at the top of the list. American Hustle has moved into the top five, and Leviathan has jumped onto the list at #15.

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The Top Tens of 2013: The Big Scoreboard

The first of the Top Ten lists are in and counted. 12 Years a Slave, Gravity and Inside Llewyn Davis lead the chart by a wide margin. But there are still a lot of lists yet to be tallied.

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The 2012 Top Tens: Updated

Another 30 lists … and the top 10 remain the same. A little bit of a shuffle in the next ten, with Looper and Skyfall moving up the chart. The next update may find The Grey stepping forward to take the #20 spot from The Sessions, but Zero Dark Thirty seems safe at the top.

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Critics Top Tens Update

The first 100 lists and Zero Dark Thirty leads the Top Tens by a significant margin. Further down the list, The Dark Knight Rises and The Sessions move into the Top 20, and The Master makes a leap forward. Still lots more lists to come …

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2012 Top Tens: The First of the Lists

As the first lists roll in, Zero Dark Thirty and Amour lead the chart. With just 21 lists, there are more than 85 movies mentioned so far… seems to be a lot of love to go around.

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Critics Top Ten List 2012: David Edelstein, New York

David Edelstein, New York 1. Zero Dark Thirty 2. Lincoln 3. Amour 4. The Gatekeepers 5. The Deep Blue Sea 6. Life of Pi 7. How to Survive a Plague and Ai Weiwei: Never Sorry 8. Pitch Perfect 9. Oslo, August 31st 10. Friends With Kids

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Critics Top Ten List 2012: Richard Corliss, TIME

Richard Corliss, TIME 1. Amour 2. Beasts of the Southern Wild 3. Life of Pi 4. Anna Karenina 5. The Dark Knight Rises 6. Zero Dark Thirty 7. Dark Horse 8. Dragon 9. Frankenweenie 10. Invisible War

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Critics Top Ten List 2012: John Waters, ARTFORUM

John Waters, ARTFORUM 1  The Deep Blue Sea 2 Paradise: Faith 3 Paradise: Love 4 Amour 5 Killer Joe 6 Beasts of the Southern Wild 7 Compliance 8 Marina Abramović: The Artist Is Present 9 Beloved 10 The Imposter  

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The Top Tens of 2011: 210 Lists And Counting

The top 20 stay the top 20, but Drive has moved around The Artist into the third position. The Tree of Life is too far out in front to chase, but overtaking The Descendants may still be possible.

See the individual Top Ten lists here.

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The Top Tens: Updated December 30

164 lists, 220 films, and The Tree of Life continues to sit on the top of the
scoreboard. As new lists come in, The Artist is closing in on the The Descendants and Tinker Tailor Soldier Spy is making a play for the top ten .. stay tuned.

See the individual Top Ten lists here.

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The Top Tens of 2011: December 27

With over 100 top ten lists in, Tree of Life and The Descendants are firmly at the top of the scoreboard, while Drive makes a play for the number three spot.

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The Top Tens of 2011: December 23

Still a lot of lists to go, but it’s still Clooney and Pitt at the top of the chart, with The Tree of Life edging out The Descendants. The girls aren’t far behind, though – Bridesmaids and The Girl with the Dragon Tattoo are quickly catching up.

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2011 Top Tens: The First of the Lists

As the first of the Top Ten Lists start to roll in, George Clooney and Brad Pitt top the leaderboard with The Decendants and The Tree of Life. With Moneyball in the fifth spot, Pitt has two horses in the race. Only 14 lists so far .. a couple of hundred yet to go.

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The Top Tens: January 12, 2011

As we get closer to finishing the 2010, the top of the chart seems solid. Nothing changes in the top ten, but Everyone Else moves up into the rankings.

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Top Tens: January 8, 2011

The top ten shuffle a bit and Inception is now in the number two slot. Black Swan moves up, Toy Story 3 and Winter’s Bone slip back.

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The Top Tens: January 7, 2011

True Grit continues to climb up the chart, Toy Story 3 is closing the gap with Inception, and The Social Network stands alone.

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The Top Tens: January 3, 2011

While The Social Network stays put, True Grit and The Fighter are slowly working their way up the chart. More lists still to come.

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Top Tens: January 1, 2011

More lists .. and True Grit moves up into the top ten. While most of the rest of the chart remains the same, there are more than 150 titles on the list .. proving that almost every movie has someone out there who loves it.

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Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato