Scoreboards

Critics Awards Scoreboard

The Awards season is in full swing. 22 critics groups have voted, and 12 Years a Slave is sitting alone at the top of the Scoreboard.

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2012 Critics Awards Scoreboard

With 29 critics groups voting, Lincoln is at the top of the scoreboard, with Zero Dark Thirty, The Master and Argo just behind. ParaNorman is the animated favorite, while is a wide field for documentaries…

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The 2011-2012 Critics Awards Scoreboard

The Tree of Life leads the Top Tens, but it’s The Artist at the top of the Critics Scoreboard. And The Descendants holds the number two spot on both charts.

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Nominations by Film

Alice in Wonderland, a Walt Disney Pictures Production (Walt Disney) (3 nominations) Art direction Costume design Visual effects Animal Kingdom, a Porchlight Films Production (Sony Pictures Classics) (1 nomination) Jacki Weaver – Performance by an actress in a supporting role Another Year, a Thin Man Films Production (Sony Pictures Classics) (1 nomination) Original screenplay Barney’s…

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2009-2010 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: (500) Days of Summer, A Serious Man, A Single Man, An Education, Avatar, Crazy Heart, District 9, Food Inc., Inglourious Basterds, Invictus, Julie & Julia, Me and Orson Welles, Nine, Precious: Based on the Novel ‘Push’ by Sapphire, Seraphine, Summer Hours, The Blind Side, The Cove, The Fantastic Mr. Fox, The Hurt Locker, The Last Station, The Lovely Bones, The Messenger, The White Ribbon, Up, and Up in the Air

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2008-2009 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: Australia, Changeling, Che, Defiance, Doubt, Frost/Nixon, Gran Torino, Happy-Go-Lucky, Let the Right One In, Man on Wire, Milk, Rachel Getting Married, Revolutionary Road, Seven Pounds, Slumdog Millionaire, The Curious Case of Benjamin Button, The Dark Knight, The Reader, The Road, The Soloist, The Wrestler, Vicky Cristina Barcelona, W., Wall-E, Waltz with Bashir

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2007-2008 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 4 Months 3 Weeks and 2 Days, Assassination of Jesse James, Atonement, Away From Her, Black Book, Body of War, Caution, Charlie Wilson’s War, Crazy Love, Darjeeling Limited, Eastern Promise, Gone Baby Gone, I’m Not There, In the Shadow of the Moon, Juno, King of Kong, La Vie en Rose, Lars and the Real Girl, Lust, Michael Clayton, No Country for Old Men, No End In Sight, Persepolis, Ratatouille, Sicko, Starting Out in the Evening, Sweeney Todd, The Diving Bell and the Butterfly, The Host, The Lives of Others, The Savages, There Will Be Blood

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2006-2007 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: A Scanner Darkly, An Inconvenient Truth, Army of Shadows, Babel, Blood Diamond, Borat, Brick, Cars, Children of Men, Deliver Us from Evil, Dreamgirls, Factotum, Flags of Our Fathers, Flushed Away, For Your Consideration, Half Nelson, Happy Feet, Hard Candy, L’Enfant, Letters from Iwo Jima, Little Children, Little Miss Sunshine, Manufactured Landscapes, Monster House, Notes on a Scandal, Over the Hedge, Pan’s Labyrinth, Riding Alone For Thousands of Miles, Running with Scissors, Shut Up and Sing, Stranger Than Fiction, Thank You for Smoking, The Dead Girl, The Death of Mr. Lazarescu, The Departed, The Devil Wears Prada, The Last King of Scotland, The Lives of Others, The Painted Veil, The Queen, This Film is Not Yet Rated, United 93, Volver

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2005-2006 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 2046, A History of Violence, Brokeback Mountain, Broken Flowers, Cache, Capote, Casanova, Chronicles of Narnia: The Lion The Witch and the Wardrobe, Cinderella Man, Crash, Down to the Bone, Downfall, Enron: Smartest Guys in the Room, Good Night and Good Luck., Grizzly Man, Head-On, Howl’s Moving Castle, Hustle & Flow, Innocent Voices, Junebug, King Kong, Kiss Kiss Bang Bang, Kung Fu Hustle, Mad Hot Ballroom, March of the Penguins, Me You and Everyone We Know, Memoirs of a Geisha, Mother of Mine, Mrs. Henderson Presents, Munich, Murderball, North Country, Paradise Now, Pride and Prejudice, Rent, Sin City, Syriana, The Consistant Gardener, The Corpse Bride, The Squid and the Whale, The Upside of Anger, Transamerica, Tsotsi, Walk the Line, Wallace and Gromit

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2004-2005 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: A Very Long Engagement, Bad Education, Before Sunset, Being Julia, Born Into Brothels: Calcutta’s Red Light Kids, Broadway: The Golden Age by the Legends Who Were There, Closer, Collateral, Control Room, Eternal Sunshine of the Spotless Mind, Fahrenheit 9/11, Finding Neverland, Hero, House of Flying Daggers, Kinsey, Maria Full of Grace, Million Dollar Baby, Moolaade, Ray, Sideways, Super Size Me, Tarnation, The Aviator, The Fog of War, The Incredibles, The Motorcycle Diaries, The Sea Inside, The Story of the Weeping Camel, The Triplets of Belleville, Touching the Void, Vera Drake, We Don’t Live Here Anymore

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2003-2004 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 21 Grams, A Mighty Wind, All the Real Girls, American Splendor, Bad Santa, Bend it Like Beckham, Big Fish, Blue Car, Calendar Girls, City of God, Cold Mountain, Dirty Pretty Things, Elephant, Finding Nemo, Freaky Friday, Girl With a Pearl Earring, House of Sand and Fog, In America, Japanese Story, Kill Bill: Vol. 1, Laurel Canyon, Lost in Translation, Love Actually, Master and Commander: The Far Side of the World, Monsieur Ibrahim, Monster, Morvern Callar, Mystic River, Open Range, Pieces of April, Pirates of the Caribbean: The Curse of the Black Pearl, Raising Victor Vargas, Seabiscuit, Shattered Glass, Soldier’s Girl, Something’s Gotta Give, Spider, The Barbarian Invasions, The Cooler, The Human Stain, The Last Samurai, The Lord of the Rings: The Return of the King, The Magdalene Sisters, The School of Rock, The Secret Lives of Dentists, The Singing Detective, The Station Agent, Thirteen, Under the Tuscan Sun, Veronica Guerin, Virgin, Whale Rider

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Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas