Scoreboards

Critics Awards Scoreboard

The Awards season is in full swing. 22 critics groups have voted, and 12 Years a Slave is sitting alone at the top of the Scoreboard.

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2012 Critics Awards Scoreboard

With 29 critics groups voting, Lincoln is at the top of the scoreboard, with Zero Dark Thirty, The Master and Argo just behind. ParaNorman is the animated favorite, while is a wide field for documentaries…

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The 2011-2012 Critics Awards Scoreboard

The Tree of Life leads the Top Tens, but it’s The Artist at the top of the Critics Scoreboard. And The Descendants holds the number two spot on both charts.

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Nominations by Film

Alice in Wonderland, a Walt Disney Pictures Production (Walt Disney) (3 nominations) Art direction Costume design Visual effects Animal Kingdom, a Porchlight Films Production (Sony Pictures Classics) (1 nomination) Jacki Weaver – Performance by an actress in a supporting role Another Year, a Thin Man Films Production (Sony Pictures Classics) (1 nomination) Original screenplay Barney’s…

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2009-2010 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: (500) Days of Summer, A Serious Man, A Single Man, An Education, Avatar, Crazy Heart, District 9, Food Inc., Inglourious Basterds, Invictus, Julie & Julia, Me and Orson Welles, Nine, Precious: Based on the Novel ‘Push’ by Sapphire, Seraphine, Summer Hours, The Blind Side, The Cove, The Fantastic Mr. Fox, The Hurt Locker, The Last Station, The Lovely Bones, The Messenger, The White Ribbon, Up, and Up in the Air

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2008-2009 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: Australia, Changeling, Che, Defiance, Doubt, Frost/Nixon, Gran Torino, Happy-Go-Lucky, Let the Right One In, Man on Wire, Milk, Rachel Getting Married, Revolutionary Road, Seven Pounds, Slumdog Millionaire, The Curious Case of Benjamin Button, The Dark Knight, The Reader, The Road, The Soloist, The Wrestler, Vicky Cristina Barcelona, W., Wall-E, Waltz with Bashir

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2007-2008 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 4 Months 3 Weeks and 2 Days, Assassination of Jesse James, Atonement, Away From Her, Black Book, Body of War, Caution, Charlie Wilson’s War, Crazy Love, Darjeeling Limited, Eastern Promise, Gone Baby Gone, I’m Not There, In the Shadow of the Moon, Juno, King of Kong, La Vie en Rose, Lars and the Real Girl, Lust, Michael Clayton, No Country for Old Men, No End In Sight, Persepolis, Ratatouille, Sicko, Starting Out in the Evening, Sweeney Todd, The Diving Bell and the Butterfly, The Host, The Lives of Others, The Savages, There Will Be Blood

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2006-2007 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: A Scanner Darkly, An Inconvenient Truth, Army of Shadows, Babel, Blood Diamond, Borat, Brick, Cars, Children of Men, Deliver Us from Evil, Dreamgirls, Factotum, Flags of Our Fathers, Flushed Away, For Your Consideration, Half Nelson, Happy Feet, Hard Candy, L’Enfant, Letters from Iwo Jima, Little Children, Little Miss Sunshine, Manufactured Landscapes, Monster House, Notes on a Scandal, Over the Hedge, Pan’s Labyrinth, Riding Alone For Thousands of Miles, Running with Scissors, Shut Up and Sing, Stranger Than Fiction, Thank You for Smoking, The Dead Girl, The Death of Mr. Lazarescu, The Departed, The Devil Wears Prada, The Last King of Scotland, The Lives of Others, The Painted Veil, The Queen, This Film is Not Yet Rated, United 93, Volver

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2005-2006 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 2046, A History of Violence, Brokeback Mountain, Broken Flowers, Cache, Capote, Casanova, Chronicles of Narnia: The Lion The Witch and the Wardrobe, Cinderella Man, Crash, Down to the Bone, Downfall, Enron: Smartest Guys in the Room, Good Night and Good Luck., Grizzly Man, Head-On, Howl’s Moving Castle, Hustle & Flow, Innocent Voices, Junebug, King Kong, Kiss Kiss Bang Bang, Kung Fu Hustle, Mad Hot Ballroom, March of the Penguins, Me You and Everyone We Know, Memoirs of a Geisha, Mother of Mine, Mrs. Henderson Presents, Munich, Murderball, North Country, Paradise Now, Pride and Prejudice, Rent, Sin City, Syriana, The Consistant Gardener, The Corpse Bride, The Squid and the Whale, The Upside of Anger, Transamerica, Tsotsi, Walk the Line, Wallace and Gromit

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2004-2005 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: A Very Long Engagement, Bad Education, Before Sunset, Being Julia, Born Into Brothels: Calcutta’s Red Light Kids, Broadway: The Golden Age by the Legends Who Were There, Closer, Collateral, Control Room, Eternal Sunshine of the Spotless Mind, Fahrenheit 9/11, Finding Neverland, Hero, House of Flying Daggers, Kinsey, Maria Full of Grace, Million Dollar Baby, Moolaade, Ray, Sideways, Super Size Me, Tarnation, The Aviator, The Fog of War, The Incredibles, The Motorcycle Diaries, The Sea Inside, The Story of the Weeping Camel, The Triplets of Belleville, Touching the Void, Vera Drake, We Don’t Live Here Anymore

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2003-2004 Critics Scoreboard

Follow us as we shadow national and international awards among the following movies: 21 Grams, A Mighty Wind, All the Real Girls, American Splendor, Bad Santa, Bend it Like Beckham, Big Fish, Blue Car, Calendar Girls, City of God, Cold Mountain, Dirty Pretty Things, Elephant, Finding Nemo, Freaky Friday, Girl With a Pearl Earring, House of Sand and Fog, In America, Japanese Story, Kill Bill: Vol. 1, Laurel Canyon, Lost in Translation, Love Actually, Master and Commander: The Far Side of the World, Monsieur Ibrahim, Monster, Morvern Callar, Mystic River, Open Range, Pieces of April, Pirates of the Caribbean: The Curse of the Black Pearl, Raising Victor Vargas, Seabiscuit, Shattered Glass, Soldier’s Girl, Something’s Gotta Give, Spider, The Barbarian Invasions, The Cooler, The Human Stain, The Last Samurai, The Lord of the Rings: The Return of the King, The Magdalene Sisters, The School of Rock, The Secret Lives of Dentists, The Singing Detective, The Station Agent, Thirteen, Under the Tuscan Sun, Veronica Guerin, Virgin, Whale Rider

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Quote Unquotesee all »

“The sad and painful truth is that pretty much everyone in this town knew who Harvey was. I have had long talks with my most liberal friends. Did we know he was a rapist? We didn’t. But did we know that for decades he has been offering actresses big careers in exchange for sexual favors? Yes, we did — and make no mistake, that is its own kind of rape. And did we all — or did any of us — refuse to do business with him on moral grounds? No. We ALL STAYED IN BUSINESS WITH HIM. I have never done business with Harvey but I can tell you with certainty that I would have — because I was recently approached by a film festival he sponsors. They asked me to submit my short film for their consideration and I did it without thinking twice. I am a dyed-in-the-wool feminist and a vocal one at that. So why didn’t I think twice? Because this entire town is built on the ugly principals that Harvey takes to an horrific extreme. If I didn’t work with people whose behavior I find reprehensible, I wouldn’t have a career.”
~ Showrunner Krista Vernoff

From AMPAS president John Bailey:

Dear Fellow Academy Members,

Danish director Carl Dreyer’s 1928 film “The Passion of Joan of Arc” is not only one of the visual landmarks of the silent era, but is a deeply disturbing portrait of a young woman’s persecution in the face of the male judges and priests of the ruling order. The actress Maria Falconetti gave one of the most profoundly affecting performances in the history of cinema as the Maid of Orleans.

Since the decision of the Academy’s Board of Governors on Saturday October 14 to expel producer Harvey Weinstein from its membership, I have been haunted not only by the recurring image of Falconetti and the sad arc of her career (dying in Argentina in 1946, reputedly from a crash diet) but of Joan’s refusal to submit to an auto de fe recantation of her beliefs.

Recent public testimonies by some of filmdom’s most recognized women regarding sexual intimidation, predation, and physical force is, clearly, a turning point in the film industry—and hopefully in our country, where what happens in the world of movies becomes a marker of societal Zeitgeist. Their decision to stand up against a powerful, abusive male not only parallels the cinema courage of Falconetti’s Joan but gives all women courage to speak up.

After Saturday’s Board of Governors meeting, the Academy issued a passionately worded statement, expressing not only our concern about harassment in the film industry, but our intention to be a strong voice in changing the culture of sexual exploitation in the movie business, already common well before the founding of the Academy 90 years ago. It is up to all of us Academy members to more clearly define for ourselves the parameters of proper conduct, of sexual equality, and respect for our fellow artists throughout our industry. The Academy cannot, and will not, be an inquisitorial court, but we can be part of a larger initiative to define standards of behavior, and to support the vulnerable women and men who may be at personal and career risk because of violations of ethical standards by their peers.

Yours,
John