Awards Update

15 Weeks To Oscar: The Tightest, Most Open Acting Races Ever?

This season, i have tried to stay out of the predicting circus tent as much as possible. Individual situations are individual stories. Gurus o’ Gold is Gurus o’ Gold. But with The Revenant debuting widely on Monday, The H8ful Eight rolling out already, and Joy to land sometimes after Thanksgiving, we’re almost there. And I guess it’s time for me to jump in with both feet.

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Gurus o’ Gold: Actresses Rule

This week, The Gurus look at the two Actress races, both of which seem pretty well locked-in for the top 4 slots, but pretty wide open for the 5 spot. Also, as always, the latest Best Picture chart, which remains stubbornly consistent, although soft after the seventh slot.

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Gurus o Gold: Who Could Get In With A Bit More Support?

The Gurus do their weekly Best Picture chart, then answer the question in each of the Top Six categories of what films or performances could get nominated if only they got a bit more of a push. That means different things to different Gurus, but feel the zen and you will know…

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16 Weeks To Oscar: What Works

Three potential field-changers – The Revenant, Joy, and The H8ful Eight – loom out there, largely unseen. But even their stories are already written in many ways, waiting for rewrites as exposure to the light changes things to whatever degree it does.

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Gurus o’ Gold: In The Starting Gate

The Gurus are back to let you know what is what as of this minute. This is the first weekly chart of the season, covering the “Top 6″ categories, Picture, Director, and the four Acting categories. Even this early in the season, things are tight enough that we have two ties.

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18 Weeks To Oscar: Why The Martian Is Currently The Movie To Beat

As I look down the barrel at this season, aiming at Best Picture, it is looking more and more like 2000 or 2006, when the Best Picture statue ended up going to the big, well-made, not terribly shocking, but very entertaining movie over a series of films that critics and “serious film people” liked better. Those two winners were Gladiator and The Departed.

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19 Weeks To Oscar: Season of Less

There were a lot of questions about the role of the festivals when Venice, Telluride, and Toronto didn’t offer the award explosion that media has been hyping into a frenzy for the last few years. In the lull between the end of the New York Film Festival and the Jolie-Pitt-driven opening night of AFI, it’s clear that there is more writing about awards, earlier in the season than ever… but a lot less to write about.

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20 Weeks To Oscar: 20 Weeks To Go

Oh, the lists are flying fast & furious now. It’s open season again. Many possibilities.

In honor of everyone and their brothers (all absolute experts, make no mistake), I will throw some stuff at the wall today, as we are now 20 Weeks To Oscar.

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23 Weeks To Oscar: The Less Things Change

An amazing thing happened at the festivals this last couple weeks…


Okay, perhaps nothing is an exaggeration.

But mostly, nothing.

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26 Weeks To Oscar: Resetting The Field For The Very First Time

It’s early in the awards season… movies come and go. Where do things lay for the Best Picture competitors after Toronto announced its line-up this week?

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Here’s The 2015-16 Award Season Schedule, Including HFPA, SAG, DGA, PGA, WGA, AMPAS

11/18/15 SAG Nomination Ballots Mailed 11/25/15 Golden Globes Nomination Ballots Mailed 12/7/15 SAG Nomination Ballots Due at 12pm PT 12/7/15 Golden Globes Nomination Ballots Mailed TBD WGA Preliminary Screenplay online voting begins 12/8/15 PGA Nomination Polling begins 12/9/15 SAG Awards Nominations announced 12/10/15 Golden Globe Nominations announced 12/14/15 DGA open online voting 12/16/15 SAG Final…

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30 Weeks To Oscar: Trailer Parade (20 Currently Available)

Here are all the trailers currently available – some domestic, some international, one just a clip – for films from the broad contenders list published Monday.

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30 Weeks To Oscar: Setting The Field

So our big list is already at 14. Let’s take it to 25 with titles with serious awards potential from major Oscar-playing distributors…

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48 Weeks To Oscar: Academy In Crisis(?)

The grass always seems greener on the other side. But it is not always the case. In the case of The Academy of Motion Picture Arts & Sciences, it is a sad story of insecurity, fear, oversized yet easily bruised ego, and a lack of perspective on itself.

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51 Weeks To Oscar

The Academy is acting like a supermodel who is deeply worried that her boyfriend is going to leave because she has a zit. And the answer is, men do leave supermodels. And that insecurity haunts the most beautiful and the most plain. But when you are going out there for the show, if people start noticing you are insecure, your career is over. When you are in public, you need to be all in, turned on, rocking the world because you “know” you have what everyone else wants.

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20 Weeks To Oscar… 3 Days Left

The irony of this moment is that with almost nothing left to say, the world’s media suddenly feels compelled to say EVERYTHING all at once.

Here’s the deal, as concisely as I can offer it…

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Gurus o’ Gold: The Final Vote – Every Category (2 of 2)

Page 1 Page 1 Pre-Venice/Telluride/Toronto Best Picture Field Post-Venice/Telluride/Toronto Best Picture Field After New York… Just Before Selma & American Sniper Just After Selma & American Sniper Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time Thanksgiving Week The Rise of Selma Gurus o’ Gold-n-Globes) The Top 8 Categories Heading Into The Holiday Break…

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Gurus o’ Gold: The Final Vote – Every Category (1 of 2)

In the final vote of the season, The Gurus project only three changes in category leaders. They also envision The Grand Budapest Hotel winning the most Oscars, but not Best Picture. Boyhood will be the second most awarded with three. And two each for Birdman and American Sniper.

Are they right? The answers are coming on Sunday…

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Quote Unquotesee all »

“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour