20 Weeks to Oscar

16 Weeks To Oscar: What Works

Three potential field-changers – The Revenant, Joy, and The H8ful Eight – loom out there, largely unseen. But even their stories are already written in many ways, waiting for rewrites as exposure to the light changes things to whatever degree it does.

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18 Weeks To Oscar: Why The Martian Is Currently The Movie To Beat

As I look down the barrel at this season, aiming at Best Picture, it is looking more and more like 2000 or 2006, when the Best Picture statue ended up going to the big, well-made, not terribly shocking, but very entertaining movie over a series of films that critics and “serious film people” liked better. Those two winners were Gladiator and The Departed.

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19 Weeks To Oscar: Season of Less

There were a lot of questions about the role of the festivals when Venice, Telluride, and Toronto didn’t offer the award explosion that media has been hyping into a frenzy for the last few years. In the lull between the end of the New York Film Festival and the Jolie-Pitt-driven opening night of AFI, it’s clear that there is more writing about awards, earlier in the season than ever… but a lot less to write about.

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20 Weeks To Oscar: 20 Weeks To Go

Oh, the lists are flying fast & furious now. It’s open season again. Many possibilities.

In honor of everyone and their brothers (all absolute experts, make no mistake), I will throw some stuff at the wall today, as we are now 20 Weeks To Oscar.

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23 Weeks To Oscar: The Less Things Change

An amazing thing happened at the festivals this last couple weeks…


Okay, perhaps nothing is an exaggeration.

But mostly, nothing.

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26 Weeks To Oscar: Resetting The Field For The Very First Time

It’s early in the awards season… movies come and go. Where do things lay for the Best Picture competitors after Toronto announced its line-up this week?

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30 Weeks To Oscar: Trailer Parade (20 Currently Available)

Here are all the trailers currently available – some domestic, some international, one just a clip – for films from the broad contenders list published Monday.

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30 Weeks To Oscar: Setting The Field

So our big list is already at 14. Let’s take it to 25 with titles with serious awards potential from major Oscar-playing distributors…

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48 Weeks To Oscar: Academy In Crisis(?)

The grass always seems greener on the other side. But it is not always the case. In the case of The Academy of Motion Picture Arts & Sciences, it is a sad story of insecurity, fear, oversized yet easily bruised ego, and a lack of perspective on itself.

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51 Weeks To Oscar

The Academy is acting like a supermodel who is deeply worried that her boyfriend is going to leave because she has a zit. And the answer is, men do leave supermodels. And that insecurity haunts the most beautiful and the most plain. But when you are going out there for the show, if people start noticing you are insecure, your career is over. When you are in public, you need to be all in, turned on, rocking the world because you “know” you have what everyone else wants.

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20 Weeks To Oscar… 3 Days Left

The irony of this moment is that with almost nothing left to say, the world’s media suddenly feels compelled to say EVERYTHING all at once.

Here’s the deal, as concisely as I can offer it…

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20 Weeks To Oscar: One Week Left

So the question… is it the failure of the system that there isn’t more clarity… or the genius?

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20 Weeks To Oscar: What We Talk About When We Talk About Best Picture

The die is likely already cast, even if all the votes are not. My experience of talking to voters is that those who are waiting are trying to see the short film selections and perhaps a doc or foreign language film, not hedging on Best Picture.

But what that answer is… I can make a list… I make a list every week… but do I know? I must admit, I have never felt this far from knowing this far into the season in 17 years of doing this.

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20 Weeks To Oscar: Is The Door Wide Open Again?

Could the Academy’s bizarre preferential balloting system be the defining issue in coming to a Best Picture winner this year?

And let me note again, before going any further, that the existence of the preferential ballot system at The Academy is IDIOTIC and I will forever believe that this was a bad joke foisted on The Academy by an exiting Bruce Davis.

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20 Weeks To Oscar: It’s Gettin’ Hot In Here

There are a lot of theories out there about how to read the tea leaves this season. But for me, the truth is that I have never seen anything quite like it.

PGA and SAG, Birdman. Globes, Boyhood and The Grand Budapest Hotel. LAFCA and NYFCC, Boyhood. Coming up in short order… DGA, BAFTA, WGA.

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20 Weeks To Oscar: Ragin’

I don’t know that I have seen anything like this before. It’s kind of about Oscar season. It’s mostly not. But Oscar has yelled “pull” and now everyone is shooting at the clay pigeons. And the bullets are flying from every direction.

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20 Weeks To Oscar: The Most Shocking Event Of The Week!!!!

The Answers

Clint Eastwood.
Bradley Cooper.
Alexandre Desplat.
The LEGO Movie.
Life Itself.

The Question…

What are six Oscar occurrences today that are legitimately more surprising than Selma “only” getting a Best Picture nod?

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20 Weeks To Oscar: Screenermania!

An industry in which a $2.4 million buy-in ($900,000 before you are nominated for anything) just for DVDs—before ads, books, promo items, appearance costs, etc,—to be considered “serious” about receiving awards is a problem.

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Quote Unquotesee all »

“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour