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MCN Originals

Gurus o’ Gold: Before The Festivals…

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Before the Venice Film Festival kicks off the season next Wednesday, The Gurus are putting on their thinking hats and offering a mostly film-blind look toward the future. Each Guru has a different way of approaching this process, but historically, the accuracy of the group this early in the year is surprisingly good. And a film or two always eludes their glance in August. We humbly dip a toe in the water…

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27 Weeks To Oscar: The Shifting Award Show Cycle

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The market will out. One of the little-discussed reactions to the new instant-information era is the downgrading of many of our favorite (for some, least favorite) parts of the movie year, festivals and award shows. Sundance is a true market festival in the United States and as such has become a consistent launchpad for awards…

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27 Weeks To Oscar: Ohhhhhhh

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29 Weeks To Oscar: Let The Wild Rumpus Start

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364 Days To Oscar: Wrapping Up

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Gurus o’ Gold: The Final Vote (including a few last second changes)

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Gurus o’ Gold: Our Best Guess… Our Final Guess

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9 Days To Oscar: Is That All There Is?

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Gurus o’ Gold: Battleground Categories Top 3!!!

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3 Weeks To Oscar: Exposing The Wizard

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Gurus o’ Gold: 2 Days Before Voting Begins

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Gurus o’ Gold: 9 Days Until Voting Begins

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20 Weeks To Oscar: The Race & Race – Part 3: All Fixed

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Gurus o’ Gold: The Week After Nominations

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20 Weeks To Oscar: The Race & Race – Part 2: Four Suggestions To “Fix” The Academy

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20 Weeks To Oscar: The Race & Race – Part 1: Expectations

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Gurus o’ Gold: Nomination Day (part 1 of 2)

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Gurus o’ Gold: Nomination Day (part 2 of 2)

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20 Weeks To Oscar: Nomination Morning

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6 Weeks To Oscar: Parsing, Peak Award Season, and The Alleged Seven

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Critics Scoreboard
variety

“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor—and send up—the best work of the year. Fasten your seats belts.”
Globes (And NBC) Submit To Gervais Again

Oscar Winners 2015
Birdman/Iñárritu/Redmayne/Moore/Arquette/Simmons
Birdman – Picture/Director/Screenplay/Cinematography
Grand Budapest – Production Design/Make-up/Costumes/Score
Whiplash – Supporting Actor/Editing/Sound Mixing

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

hollywoodreporter.com

“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

“It’s insane to be in the middle of the storm, because in a way, it’s exactly what the ego needs, to be reading about how stupid you were or how great you are, and that’s useless. In a way it’s dangerous.”
Iñárritu Is Keeping Busy During Awards Season

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Quote Unquotesee all »

“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

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