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Gurus o’ Gold: At The Start of The Season 2018/19

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The festival season has started and contenders are getting their first screenings. The Gurus take a close squint and the known-knowns and the maybe-knowns in the first charts of the season. Off to the movies! Let the surprises begin!

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Gurus o’ Gold: Final Guesses

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The Gurus are nearly exhausted, predicting 11 unanimous selections, including all four Acting categories, Directing, Original Screenplay and Animated Feature. The most competitive categories? Best Picture and Best Documentary.

The Gurus also pick three potential upsets each, with Get Out as Best Picture leading the way, followed by both screenplay categories and Supporting Actress.

And with that, The Gurus head back to the mountain to hibernate until September. May The Show Be With You.

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20 Weeks To Oscar: A Week To Go

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Gurus o’ Gold: Top 3

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Gurus o Gold: Counting Down To Oscar Night

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20 Weeks To Oscar: The Big Quiet

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Gurus o’ Gold: Nomination Day (Page 1 of 2)

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Gurus o’ Gold: Nomination Day (Page 2 of 2)

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20 Weeks To Oscar: Nomination Morning

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Gurus o’ Gold: On The Eve of DGA Nominations

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20 Weeks To Oscar: Season of Assumption

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Gurus o’ Gold: The Globes Party On

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Gurus o’ Gold: And The Horses Are In The Gate (And Going On Vacation)…

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Gurus o’ Gold: Precursors Narrow The Field

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Gurus o’ Gold: Now We’ve Seen It All

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20 Weeks To Oscar: Year of the Reconstructed Rom-Com

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Gurus o’ Gold: Thanks

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Gurus o’ Gold: Oscars For The Ages

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20 Weeks To Oscar: Season of a Different Color

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Gurus o’ Gold: Pick The Winners Way Too Early

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Critics Scoreboard
20 Weeks to Oscar

“Champagne and Mezcal will run tonight!”
The Nomination Reactions

“Pardon me, but Home Alone has made enough hundreds of millions of dollars by now and solidified enough of a multigenerational fan base to survive the following review: to hell with it.”
Michael J. Phillips Ka-Fooeys A Christmas Chestnut

variety

“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor—and send up—the best work of the year. Fasten your seats belts.”
Globes (And NBC) Submit To Gervais Again

Oscar Winners 2015
Birdman/Iñárritu/Redmayne/Moore/Arquette/Simmons
Birdman – Picture/Director/Screenplay/Cinematography
Grand Budapest – Production Design/Make-up/Costumes/Score
Whiplash – Supporting Actor/Editing/Sound Mixing

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

hollywoodreporter.com

“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

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Quote Unquotesee all »

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda