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48 Weeks To Oscar: Academy In Crisis(?)

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The grass always seems greener on the other side. But it is not always the case. In the case of The Academy of Motion Picture Arts & Sciences, it is a sad story of insecurity, fear, oversized yet easily bruised ego, and a lack of perspective on itself.

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51 Weeks To Oscar

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The Academy is acting like a supermodel who is deeply worried that her boyfriend is going to leave because she has a zit. And the answer is, men do leave supermodels. And that insecurity haunts the most beautiful and the most plain. But when you are going out there for the show, if people start noticing you are insecure, your career is over. When you are in public, you need to be all in, turned on, rocking the world because you “know” you have what everyone else wants.

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20 Weeks To Oscar… 3 Days Left

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Gurus o’ Gold: The Final Vote – Every Category (2 of 2)

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Gurus o’ Gold: The Final Vote – Every Category (1 of 2)

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20 Weeks To Oscar: One Week Left

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Gurus o’ Gold: 6 Days Of Voting Left

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20 Weeks To Oscar: What We Talk About When We Talk About Best Picture

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Gurus o’ Gold: Final Voting Starts This Week (2 of 2)

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Gurus o’ Gold: Final Voting Starts This Week (1 of 2)

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20 Weeks To Oscar: Is The Door Wide Open Again?

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20 Weeks To Oscar: It’s Gettin’ Hot In Here

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Gurus o’ Gold: A Week After Nominations… Any Changes?

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20 Weeks To Oscar: Ragin’

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Gurus o’ Gold: Nomination Day (1 of 2)

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Gurus o’ Gold: Nomination Day (2 of 2)

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20 Weeks To Oscar: The Most Shocking Event Of The Week!!!!

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Oscar Nominations: The Nominee Reactions

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20 Weeks To Oscar: Screenermania!

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20 Weeks To Oscar: The Trouble With Endings (spoilers)

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20 Weeks to Oscar

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

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“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

“It’s insane to be in the middle of the storm, because in a way, it’s exactly what the ego needs, to be reading about how stupid you were or how great you are, and that’s useless. In a way it’s dangerous.”
Iñárritu Is Keeping Busy During Awards Season

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Quote Unquotesee all »

“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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