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Gurus o’ Gold: Our Final Votes

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In this final look at the field before Oscar Sunday, The Gurus bet heavy on La La Land. Also, a long list of categories where The Gurus think upsets are still possible, though the only La La upset with any traction is Huppert over Stone (and still, all voting Gurus went Stone and only 5 consider the upset possible). Plus, the Gurus are still fuzzy on the shorts.

Thanks for joining us for another season. We predict we will see you again in August.

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20 Weeks To Oscar: 4 Days Away…

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It wasn’t complex. It wasn’t full of surprises. And nothing in its nature has suggested any real change at The Academy or inside The Industry.

The Academy is still old and white. Young people still tend to spark what is new about the industry. But the process of “becoming” for non-actors tends not to be an overnight event.

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Gurus o’ Gold: Final Voting Has Begun… The Gurus Weigh In

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20 Weeks To Oscar: Cash & Carrying Gold

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Gurus o’ Gold: Pick Your Top Two

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20 Weeks To Oscar: The Simple Case For Moonlight

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Gurus o’ Gold: First Take At Ranking The Nominees

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20 Weeks To Oscar: The Simple Case FOR La La Land

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Nomination: Reaction

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20 Weeks To Oscar: Right Before The Noms

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Gurus o’ Gold: Last Guesses Before Nominations

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20 Weeks To Oscar: The 4 Kinds Of Best Picture Winners

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Gurus o’ Gold: Let The Ballots Be Filled

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Gurus o’ Gold: Doc & Foreign Faves

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20 Weeks To Oscar: The (Shock) Corridor

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Gurus o’ Gold: ChristmaChanukah Time!

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20 Weeks To Oscar: The Golden Goose & Those Lovely Eggs

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Gurus o’ Gold: What Films Are On The Edge & Who Will Win Golden Globes?

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20 Weeks To Oscar: #GlobesSoWhite

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Gurus o’ Gold: Top 8 Categories A Few Days Before The Globes Nominations

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Gurus
Critics Scoreboard

“Champagne and Mezcal will run tonight!”
The Nomination Reactions

“Pardon me, but Home Alone has made enough hundreds of millions of dollars by now and solidified enough of a multigenerational fan base to survive the following review: to hell with it.”
Michael J. Phillips Ka-Fooeys A Christmas Chestnut

variety

“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor—and send up—the best work of the year. Fasten your seats belts.”
Globes (And NBC) Submit To Gervais Again

Oscar Winners 2015
Birdman/Iñárritu/Redmayne/Moore/Arquette/Simmons
Birdman – Picture/Director/Screenplay/Cinematography
Grand Budapest – Production Design/Make-up/Costumes/Score
Whiplash – Supporting Actor/Editing/Sound Mixing

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

hollywoodreporter.com

“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

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Quote Unquotesee all »

“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray