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Gurus o’ Gold: At The Start of The Season 2018/19

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The festival season has started and contenders are getting their first screenings. The Gurus take a close squint and the known-knowns and the maybe-knowns in the first charts of the season. Off to the movies! Let the surprises begin!

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Gurus o’ Gold: Final Guesses

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The Gurus are nearly exhausted, predicting 11 unanimous selections, including all four Acting categories, Directing, Original Screenplay and Animated Feature. The most competitive categories? Best Picture and Best Documentary.

The Gurus also pick three potential upsets each, with Get Out as Best Picture leading the way, followed by both screenplay categories and Supporting Actress.

And with that, The Gurus head back to the mountain to hibernate until September. May The Show Be With You.

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20 Weeks To Oscar: A Week To Go

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Gurus o’ Gold: Top 3

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Gurus o Gold: Counting Down To Oscar Night

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20 Weeks To Oscar: The Big Quiet

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Gurus o’ Gold: Nomination Day (Page 1 of 2)

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Gurus o’ Gold: Nomination Day (Page 2 of 2)

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20 Weeks To Oscar: Nomination Morning

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Gurus o’ Gold: On The Eve of DGA Nominations

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20 Weeks To Oscar: Season of Assumption

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Gurus o’ Gold: The Globes Party On

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Gurus o’ Gold: And The Horses Are In The Gate (And Going On Vacation)…

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Gurus o’ Gold: Precursors Narrow The Field

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Gurus o’ Gold: Now We’ve Seen It All

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20 Weeks To Oscar: Year of the Reconstructed Rom-Com

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Gurus o’ Gold: Thanks

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Gurus o’ Gold: Oscars For The Ages

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20 Weeks To Oscar: Season of a Different Color

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Gurus o’ Gold: Pick The Winners Way Too Early

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Critics Scoreboard
20 Weeks to Oscar

“Champagne and Mezcal will run tonight!”
The Nomination Reactions

“Pardon me, but Home Alone has made enough hundreds of millions of dollars by now and solidified enough of a multigenerational fan base to survive the following review: to hell with it.”
Michael J. Phillips Ka-Fooeys A Christmas Chestnut

variety

“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor—and send up—the best work of the year. Fasten your seats belts.”
Globes (And NBC) Submit To Gervais Again

Oscar Winners 2015
Birdman/Iñárritu/Redmayne/Moore/Arquette/Simmons
Birdman – Picture/Director/Screenplay/Cinematography
Grand Budapest – Production Design/Make-up/Costumes/Score
Whiplash – Supporting Actor/Editing/Sound Mixing

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

hollywoodreporter.com

“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

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Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray