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Gurus o’ Gold: Directing, Animated, Screenplay

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This week, in a vote taken before the critics groups weighed in on Thursday, the Gurus take on Director, Animated Feature and the two Screenplay categories, in addition to the BP Top 10.

If there are any surprises, it is The Gurus’ unwillingness to take movies set in the 1960s very seriously or that the Top 5 Directors right now are all American.

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NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS

FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS   BEST PICTURE Arrival Fences Hacksaw Ridge Hell or High Water La La Land Lion Loving Manchester by the Sea Moonlight Sully   BEST ACTOR Casey Affleck – Manchester by the Sea Joel Edgerton – Loving Andrew Garfield – Hacksaw Ridge Ryan Gosling – La La…

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20 Weeks To Oscar: The Beginning Is The End

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Gurus o’ Gold: Thanksgiving – Episode 2

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Gurus o’ Gold: Thanksgiving – Episode 1

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Gurus o’ Gold: Who Directed That Masterpiece?

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20W2O: Keep To Your Knitting

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Gurus o’ Gold: The Weekly Watch Begins…

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20 Weeks To Oscar: The Wars Before The War

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20 Weeks To Oscar: Settling Into The Starting Gates

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24 Weeks To Oscar: Lots of Festivals, Few Surprises

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Gurus o’ Gold: Before The Festivals…

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27 Weeks To Oscar: The Shifting Award Show Cycle

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27 Weeks To Oscar: Ohhhhhhh

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29 Weeks To Oscar: Let The Wild Rumpus Start

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364 Days To Oscar: Wrapping Up

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Gurus o’ Gold: The Final Vote (including a few last second changes)

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Gurus o’ Gold: Our Best Guess… Our Final Guess

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9 Days To Oscar: Is That All There Is?

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Gurus o’ Gold: Battleground Categories Top 3!!!

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Critics Scoreboard

“Pardon me, but Home Alone has made enough hundreds of millions of dollars by now and solidified enough of a multigenerational fan base to survive the following review: to hell with it.”
Michael J. Phillips Ka-Fooeys A Christmas Chestnut

variety

“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor—and send up—the best work of the year. Fasten your seats belts.”
Globes (And NBC) Submit To Gervais Again

Oscar Winners 2015
Birdman/Iñárritu/Redmayne/Moore/Arquette/Simmons
Birdman – Picture/Director/Screenplay/Cinematography
Grand Budapest – Production Design/Make-up/Costumes/Score
Whiplash – Supporting Actor/Editing/Sound Mixing

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

hollywoodreporter.com

“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

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Quote Unquotesee all »

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest