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MCN Originals

51 Weeks To Oscar

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The Academy is acting like a supermodel who is deeply worried that her boyfriend is going to leave because she has a zit. And the answer is, men do leave supermodels. And that insecurity haunts the most beautiful and the most plain. But when you are going out there for the show, if people start noticing you are insecure, your career is over. When you are in public, you need to be all in, turned on, rocking the world because you “know” you have what everyone else wants.

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20 Weeks To Oscar… 3 Days Left

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The irony of this moment is that with almost nothing left to say, the world’s media suddenly feels compelled to say EVERYTHING all at once.

Here’s the deal, as concisely as I can offer it…

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Gurus o’ Gold: The Final Vote – Every Category (2 of 2)

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Gurus o’ Gold: The Final Vote – Every Category (1 of 2)

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20 Weeks To Oscar: One Week Left

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Gurus o’ Gold: 6 Days Of Voting Left

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20 Weeks To Oscar: What We Talk About When We Talk About Best Picture

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Gurus o’ Gold: Final Voting Starts This Week (2 of 2)

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Gurus o’ Gold: Final Voting Starts This Week (1 of 2)

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20 Weeks To Oscar: Is The Door Wide Open Again?

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20 Weeks To Oscar: It’s Gettin’ Hot In Here

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Gurus o’ Gold: A Week After Nominations… Any Changes?

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20 Weeks To Oscar: Ragin’

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Gurus o’ Gold: Nomination Day (1 of 2)

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Gurus o’ Gold: Nomination Day (2 of 2)

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20 Weeks To Oscar: The Most Shocking Event Of The Week!!!!

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Oscar Nominations: The Nominee Reactions

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20 Weeks To Oscar: Screenermania!

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20 Weeks To Oscar: The Trouble With Endings (spoilers)

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20 Weeks To Oscar: SNUB!

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Critics Scoreboard
20 Weeks to Oscar

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

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“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

“It’s insane to be in the middle of the storm, because in a way, it’s exactly what the ego needs, to be reading about how stupid you were or how great you are, and that’s useless. In a way it’s dangerous.”
Iñárritu Is Keeping Busy During Awards Season

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Quote Unquotesee all »

“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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