Author Archive

“Sixteen Into the Spider-Verse Easter Eggs and References You Might Have Missed”

Friday, December 14th, 2018

“Sixteen Into the Spider-Verse Easter Eggs and References You Might Have Missed”

Thirty-Five Filmmakers On The Toughest Effect They Ever Pulled Off

Friday, December 14th, 2018

Thirty-Five Filmmakers On The Toughest Effect They Ever Pulled Off

Ethan Hawke On A Good Year

Friday, December 14th, 2018

“I love it when people notice, that’s very meaningful. Sometimes depression comes when you’ve killed yourself for something, and it seems like it didn’t matter. But every now and then something clicks, and Boyhood happens, or First Reformed connects. When it happens, it makes you a believer.”
Ethan Hawke On A Good Year

Post-Les Moonves, CBS Grants Producers Guild $2 Million To “Combat Sexual Harassment in the Entertainment Industry”

Friday, December 14th, 2018

[pr]  LOS ANGELES (December 14, 2018) — The Producers Guild of America (PGA) announced today that its charitable arm, the Producers Guild of America Foundation 501(c)(3), has received a grant of $2 million from CBS in support of its landmark new program, the “Independent Production Safety Initiative,” which will provide free anti-sexual harassment training and legal consultation for independent film, television, and digital productions.

“We are grateful to CBS for supporting the Producers Guild’s efforts to combat sexual harassment in our industry,” said PGA Presidents Gail Berman and Lucy Fisher. “In speaking to a broad cross-section of our membership, it became evident many independent producers felt strongly that their productions would greatly benefit from professional, in-person anti-sexual harassment training.  However, most independent productions lack sufficient financial and institutional resources to gain access to such training. The PGA Foundation’s ‘Independent Production Safety Initiative’ is a groundbreaking new program created to answer that need by providing free training to independent productions. We believe it will make an immediate impact toward improving the professional lives of thousands of workers in our industry.”

 Additionally, for any qualifying independent production which participates in the PGA Foundation program, there also will be access of up to two hours of free consultation with a legal expert versed in the field of harassment law. These hours may be used at any point as needed during the production process to address any issues or circumstances that arise.

“The inclusion of legal consultation hours is a critical element of the ‘Independent Production Safety Initiative,’” said PGA President Emeritus and Chair of the Anti-Sexual Harassment Task Force, Lori McCreary. “Unique and often complicated circumstances can arise over the course of any given production, so providing access to an attorney lets producers know they will not be left on their own if incidents of harassment occur. This expert legal counsel will reinforce producers’ knowledge and authority around workplace harassment and reporting procedures.”

 The PGA Foundation’s “Independent Production Safety Initiative” will use funds from its CBS grant to pay for on set, in-person, anti-sexual harassment training as well as up to two hours of legal consultation to any qualifying independent film, television, or digital production. A qualifying production will be defined as one which includes more than 20 individuals among its cast and crew, but does not have access to a company human resources or legal department. To assist productions with 20 or fewer cast and crew members, the program will provide complimentary access to group training sessions, which will be held on a quarterly basis across a variety of production centers across the U.S.

The “Independent Production Safety Initiative” program builds on the work of the PGA’s Anti-Sexual Harassment Task Force, which was established in 2017 in response to reports of widespread misconduct in the entertainment industry. In January 2018, The PGA released its Anti-Sexual Harassment Guidelines, making it the first organization in the entertainment industry to provide concrete protocols to combat sexual harassment. Additional details about the PGA Foundation’s “Independent Production Safety Initiative” and its submission procedures will be available on the Producers Guild website in early 2019.

ABOUT THE PRODUCERS GUILD OF AMERICA (PGA)

The Producers Guild of America is a non-profit trade organization which protects and promotes the interests of all members of the producing team in film, television and new media. Representing more than 8,000 producers, the PGA works to safeguard the careers of its members and improve the producing community at large by encouraging the enforcement of workplace labor laws and sustainable production practices, creating fair and impartial standards for the awarding of producing credits, facilitating health benefits for its membership, and hosting educational opportunities for new and experienced producers alike.

# # #

CBS Paid Eliza Dushku $9.5 Million To Settle Contract After Sexual Harassment by Co-Star

Thursday, December 13th, 2018

“The settlement of these claims reflects the projected amount that Ms. Dushku would have received for the balance of her contract as a series regular, and was determined in a mutually agreed upon mediation process at the time.”
CBS Paid Eliza Dushku $9.5 Million To Settle “Bull” Contract After Co-Star Michael Weatherly Joked About Threesomes And Rape

“China will permit as many as 41 imported films this year, as many as seven more than the target of 34.”

Thursday, December 13th, 2018

“China will permit as many as 41 imported films this year, as many as seven more than the target of 34.”

No

Thursday, December 13th, 2018

Sondra Locke Was 74

Thursday, December 13th, 2018

Sondra Locke Was 74

“‘They don’t care': Facebook fact-checking in disarray as journalists push to cut ties; Journalists paid to help fix Facebook’s fake news problem say they have lost trust in the platform”

Thursday, December 13th, 2018

“‘They don’t care': Facebook fact-checking in disarray as journalists push to cut ties; Journalists paid to help fix Facebook’s fake news problem say they have lost trust in the platform

BYOB: Who’s Going To See The Man About The Mule?

Thursday, December 13th, 2018

Clint+Eastwood5

The Day After

Thursday, December 13th, 2018

Baltimore Collective Opens Beyond Video, A Nonprofit Film Rental Shop

Thursday, December 13th, 2018

Baltimore Collective Opens Beyond Video, A Nonprofit Film Rental Shop

Panos Cosmatos

Thursday, December 13th, 2018

“I didn’t want to miss this opportunity to play with Nicolas Cage. We had long conversations where we formulated the progression of his character from scene to scene to scene. He starts off as this sort of normal, if a little bit tortured man. And then after what happens to Mandy, he kind of becomes like an animal creature. And in the third act he takes the character and he modifies it into a sort of a demigod of wrath who is enacting revenge on the mortal plain, like a sort of golem, or something, a golem.  So, yeah, I found him to be an incredibly thoughtful and methodical actor and he’s capable of going through these more expressionistic realms.”
Panos Cosmatos On Making Mandy

Sundance Institute Announces 2019 January Screenwriters Lab Fellows

Thursday, December 13th, 2018

Los Angeles, CA — Fifteen screenwriters from countries including the U.S., Lebanon, South Africa, Turkey, and the United Kingdom will bring twelve projects to the Sundance Institute Screenwriters Lab, taking place January 18-23, 2019 at the Sundance Mountain Resort in Utah. The Lab provides an immersive environment that encourages all participants to embrace a spirit of creative risk-taking and collaboration, and imparts vital lessons in the art and craft of screenwriting while building a robust creative community. Through one-on-one story sessions with Creative Advisors, Fellows take part in an artistically rigorous process that facilitates the deep exploration needed to fully realize their material. The Lab is the first step in a year-round continuum of customized creative and tactical support for each project and team.

The January Screenwriters Lab has been created and organized under the leadership of Sundance Institute’s Feature Film Program Founding Director Michelle Satter and Labs Director Ilyse McKimmie. The team of Creative Advisors includes Artistic Director Dana StevensMichael Arndt, Thomas Bidegain, Todd Graff, Phil Hay, Erik Jendresen, Richard LaGravenese, Jenny Lumet, Malia Scotch Marmo, Walter Mosley, Nicole Perlman, Susan Shilliday, Zach Sklar, Elena Soarez, Veena Sud, Robin Swicord, Joan Tewkesbury and Tyger Williams. This year’s Lab is dedicated to the memory of two cherished Creative Advisors: Tom Rickman and Audrey Wells.

“We’re inspired by this new group of filmmakers, each of whom brings their singular vision to stories that illuminate the human condition by deploying humor, genre conventions, and unforgettable characters,” said Satter. “We’re committed to building bridges for stories from all parts of the world, and are thrilled to provide a safe gathering space for creativity, learning, and community. Our support will extend beyond the boundaries of this Lab to sustain these artists creatively and strategically throughout their journeys.”

Ten films supported by the Feature Film Program (FFP) will premiere at the 2019 Sundance Film Festival. In Dramatic Competition, those films include Before You Know It, co-written by Hannah Pearl Utt and Jen Tullock and directed by Hannah Pearl Utt; Brittany Runs a Marathon, written and directed by Paul Downs Colaizzo; The Farewell, written and directed by Lulu Wang; Honey Boy, written by Shia LeBeouf and directed by Alma Ha’rel; The Last Black Man in San Francisco, co-written by Joe Talbot and Rob Richert and directed by Joe Talbot; Share, written and directed by Pippa Bianco; and The Sound of Silence, co-written by Michael Tyburski and Ben Nabors and directed by Michael Tyburski. The NEXT section includes the FFP films Selah and the Spades, written and directed by Tayarisha Poe, and The Wolf Hour, written and directed by Alistair Banks Griffin. Lastly, the Premieres section will feature The Mustang, co-written by Laure Clermont de Tonnerre, Mona Fastvold, and Brock Norman Brock, and directed by Laure Clermont de Tonnerre.

The Sundance Institute Feature Film Program is supported by the Annenberg Foundation; Alfred P. Sloan Foundation; YouTube; Will and Jada Smith Family Foundation; Time Warner Foundation; Universal Filmed Entertainment Group; Amazon Studios; Hollywood Foreign Press Association; National Endowment for the Arts; Sandra and Malcolm Berman Charitable Foundation; Ray and Dagmar Dolby Family Fund; NHK/NHK Enterprises, Inc.; John S. and James L. Knight Foundation; SAGindie; Grazka Taylor; Philip Fung – A3 Foundation; Directors Guild of America; Writers Guild of America West; Rosalie Swedlin and Robert Cort; and the Deborah Reinisch and Michael Theodore Fund.

The projects and fellows selected for the 2019 January Screenwriters Lab are:

The American Society of Magical Negroes (U.S.A.) / Kobi Libii (director and screenwriter): Omar, a young black man, is recruited into an undercover society of Magical Negroes who secretly conjure literal magic to make white people’s lives easier. Once he realizes they are using supernatural means to do the very thing he’s felt obligated to do his whole life, he attempts to buck the system and put his own dreams first.

Kobi Libii is an actor/writer/comedian, currently writing and performing on Comedy Central’s upcoming Klepper. Past acting credits include The Opposition with Jordan Klepper (Comedy Central), Transparent (Amazon), Girls (HBO), Jessica Jones (Netflix), and Madam Secretary (CBS), among others. In addition to his television work, Libii has written and performed sketch and improvised comedy all over the country, touring with Broadway’s Next Hit Musical, One Night Stand and in the Resident Company at Chicago City Limits. Libii has a bachelors in Theater from Yale University and studied comedy at Second City Chicago.

Costa Brava Lebanon (Lebanon) / Mounia Akl (co-writer/director) and Clara Roquet (co-writer): The Badri family lives an idyllic life of isolation in the Lebanese mountains, far away from a country drowning in garbage and pollution. When the government decides to build a landfill right outside their house, tensions amongst the family members explode, revealing the rot was not only outside their home.

Mounia Akl is a Lebanese director and screenwriter with a bachelor’s degree in Architecture from ALBA and and MFA from Columbia University. Her short film, Submarine, was in the Official Selection of the 69th Cannes Film Festival (Cinéfondation) and at the Toronto International Film Festival. In 2017, Akl was chosen to represent Lebanon at the Cannes Film Festival as part of the Directors’ Fortnight Factory with her short film, El Gran Libano, co-directed with Neto Villalobos. With Costa Brava Lebanon, Akl completed the Torino Film Lab and the Cannes Film Festival’s Cinéfondation Residency. The film will be produced by Abbout Productions.

Clara Roquet is a Spanish writer and director. She is the co-writer of the films 10.000KM, directed by Carlos Marques-Marcet, and Petra, directed by Jaime Rosales, which premiered at this year’s Directors’ Fortnight. Her short film El Adiós,which she also directed, won the 2016 Student BAFTA, was nominated for the European Film Awards, and was acquired by HBO. Her previous collaboration with Mounia Akl include co-writing the short film Submarine.

Dandelion Seed (U.S.A.) / Ru Kuwahata (co-writer/co-director) and Max Porter (co-writer/co-director): In 1993, Kayo, a Japanese foreign exchange student, finds magic and wonder in everyday things, including those found at Michael Jackson’s Neverland Ranch, which happens to be right next door to her boarding school. When disturbing allegations against Jackson come to light, Kayo’s innocence and desire to belong are tested, as she tries to find her place in this unfamiliar social structure.

Ru Kuwahata and Max Porter are an Oscar-nominated animation directing duo living in Providence, Rhode Island. Known for their distinctive mixed-media narratives, their films have screened in over 900 festivals around the world, including Sundance Film Festival, Clermont-Ferrand, and Annecy International Animated Film Festival. Their most recent short, Negative Space, was nominated for the 90th Academy Awards and has garnered 125 prizes.

El Otro Lado (The Other Side) (U.S.A.) / Barbara Cigarroa (writer/director): Set in Brownsville, Texas, during the child migration crisis, Lucy, a low-income Mexican American teen, is confronted with her own need for escape when her father decides to sponsor two undocumented minors for money. This project is the recipient of the Sundance Institute Delta Air Lines & Aeromexico Latinx Fellowship.

Barbara Cigarroa is a Mexican-American filmmaker from South Texas. She resides in New York City and holds an MFA in Screenwriting from Columbia University and a BA in English from Yale University. Cigarroa’s screenplay, El Otro Lado (The Other Side), was a featured project at IFP’s 2018 No Borders Co-Production Market. Her short film Dios Nunca Muere had its world premiere at the 2018 NewYork Film Festival, and she was invited to be a member of the 2018 NYFF Artist Academy. Her short film Marta Rosa was also an official selection at dozens of international film festivals, including Austin, New Orleans, and Palm Springs, where it won Panavision’s Best North American Short under 15 minutes.

Farewell Amor (U.S.A.) / Ekwa Msangi (writer/director): After 17 years in exile, Walter’s wife and daughter are reunited with him in the U.S., now absolute strangers. Crammed together in a tiny Brooklyn apartment, struggling to overcome the personal and political hurdles between them, they rely on the muscle memory of Angolan dance to rediscover what has been lost.

Ekwa Msangi has written and directed several shorts, including the award-winning comedy Soko Sonko (The Market King), recipient of the Ousmane Sembene Short Film Development Award. Her most recent short film, Farewell Meu Amor, stars Tony Award-nominee Sahr Ngauja. Her feature screenplay Farewell Amor has been supported by the 2018 Jerome Foundation Grant, Tribeca All Access Fellowship, IFP/No Borders Fellowship, 2018 Cine Qua Non Lab Fellowship, and Joan Darling’s Directors Workshop with mentorship from Keith Gordon.

Goliath (U.S.A.) / Anthony Onah (writer/director): After a brilliant African American scientist discovers a leading pesticide may be harmful, paranoia and rage threaten to consume him as he battles its manufacturer, the most powerful chemical company in the world. Based on a true story. This project is the recipient of the Alfred P. Sloan Fellowship.

Anthony Onah is a Nigerian American filmmaker who grew up in the Philippines, England, Nigeria, Togo, and the U.S. His debut feature, The Price, premiered at the 2017 SXSW Film Festival in the Narrative Feature Competition, and was released in theaters in November 2017. Onah graduated from Harvard, where he studied biochemistry and neuroscience, then earned an MFA in film directing from UCLA. He was named to Filmmaker Magazine’s list of “25 New Faces of Independent Film” in 2015, and is an alum of the Sundance Institute Catalyst Forum.

Pretty Red Dress (United Kingdom) / Dionne Edwards (writer/director): South London, present day. Travis, a black man newly released from prison, returns to a turbulent home life with his longtime girlfriend Candice and their androgynous daughter Kenisha. The family’s precarious balance is sent spinning when they discover him cross-dressing, calling all of their relationships into question.

Dionne Edwards is a screenwriter and director. Her short film We Love Mosesscreened at over 50 festivals worldwide, including the London Film Festival and the Toronto International Film Festival, and has won multiple awards, including Short Film of the Year at the Critics’ Circle Film Awards in 2018. This year, Edwards shadowed director Reinaldo Marcus Green (Monsters and Men) on the third season of the Netflix series Top Boy. She also directed That Girl, a 30-minute drama in Channel 4’s ‘On the Edge’ series.

Story Ave (U.S.A.) / Aristotle Torres (co-writer/director) and Bonsu Thompson (co-writer): After running away from his rough home life, a teenage graffiti artist holds up an unsuspecting old man in a robbery gone right that changes both of their lives forever.

Aristotle Torres is a writer, director, and producer from the Bronx, NY. Torres founded By Any Means, a multi-media artist collective, and directed content for NaS, KanYe West, The Roots, and Ludacris, among others. He produced the feature Are We Not Cats which premiered at the 2016 Venice Film Festival and won the audience award at Sitges 2016. Torres’ short film Story Ave screened at several regional festivals across the US and will have its international premiere at Festival Sayulita in Mexico City in 2019. He recently wrote and directed his third short film, The Chair, a Mandarin thriller shot on location in Taiwan.

Bonsu Thompson is a writer, producer, and Brooklynite. He co-wrote the short film Story Ave, has created digital documentaries (BET.com’s Prelude,) and has helped lead media entities in roles including Editor-in-Chief of The Source, Creative Consultant for MTV2, and Music Editor for XXL magazine.

This Land is Your Land (U.S.A.) / Adrienne Rush (writer): A young aspiring artist tracks down her favorite painter, now a recluse living in rural Michigan, in hopes of becoming his assistant and finding her voice. While slowly gaining his trust and helping to care for his two young daughters, she clashes with a local militia, sparking a violent rupture that threatens her new world and everyone in it.

Hailing from Virginia, Adrienne Rush was raised under a strict “no television allowed” policy. Consequently, she spent most of her college years in a room with an HBO subscription and went on to receive her MFA in Screenwriting from FSU’s College of Motion Picture Arts. Rush has been the recipient of a Humanitas Prize and recently contributed to a forthcoming series for Amazon Studios created by Barry Jenkins.

A Thousand and One Nights (U.S.A.) / A.V. Rockwell (writer/director): An orphan with a mysterious past and the free-spirited hairdresser who takes him in embark on a search for identity and stability in a rapidly changing New York City.

A.V. Rockwell is an award-winning filmmaker from Queens, NY.  Her previous short films include The GospelB.L.B., and KIDS. Rockwell has received fellowships from Tribeca Film Institute, the John S. Guggenheim Foundation, and the Sundance Institute. Her latest short film Feathers was recently acquired for distribution by Fox Searchlight and will screen at the 2019 Sundance Film Festival.

Wit Gesigte (Pale Faces) (South Africa) / Chantel Clark (writer/director): In the late 18th century, in the Dutch Cape Colony, the brilliant and rebellious daughter of an exiled Imam hopes to escape her father’s shadow when she is enlisted by a freed slave to teach a mysterious Dutch officer’s children. At his remote estate, the dark secrets underlying the power of the colonial occupation begin to unravel.

Chantel Clark is a South African director and screenwriter based in New York City. A recent MFA graduate of the Film Program at Columbia University, her thesis film Our Albertinia was awarded a 2018 National Board of Review Student Grant, as well as the first Columbia University/Big Sky Edit Visionary Award. She is also the recipient of a Katharina Otto-Bernstein Thesis Film Fund Grant and was selected for inclusion in the ASCAP Foundation’s 2018 Film Scoring program in collaboration with Columbia University. Wit Gesigte (Pale Faces) will be her feature directorial debut.

Yurt (Dormitory) (Turkey) / Nehir Tuna (writer/director): Forced to leave the comfort of his middle class lifestyle at his father’s behest, eleven-year-old Ahmet is sent to an all-boys religious dormitory where he must navigate familial expectations, his religious obligations, and the childhood to which he so desperately clings.

Nehir Tuna is a Turkish screenwriter and director. He has written and directed seven short films, including The Shoes, a prequel to his forthcoming feature Yurt (Dormitory)Yurt has been supported by Nipkow Programm in Berlin and !f Sundance Screenwriters Lab. Tuna is currently in the MFA Graduate Film Program at Columbia University and holds an MFA in directing from Rochester Institute of Technology.

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Sorry to Bother You, Eighth Grade, Won’t You Be My Neighbor?, Hereditary, RBG, Call Me By Your Name, Get Out, The Big Sick, Top of the Lake, Winter’s Bone, Dear White People, Brooklyn, Little Miss Sunshine, 20 Feet From Stardom, Beasts of the Southern WildFruitvale Station, I’m Poppy, America to Me, Leimert Park, Spring AwakeningA Gentleman’s Guide to Love and Murder and Fun Home.

“Rain Man at 30: damaging stereotype or ‘the best thing that happened to autism’?”

Thursday, December 13th, 2018

Rain Man at 30: damaging stereotype or ‘the best thing that happened to autism’?”

Cybill Shepherd Says Her CBS Series Was Cancelled After She Refused Now-Disgraced Les Moonves’ Sexual Advances

Thursday, December 13th, 2018

Cybill Shepherd Says Her CBS Series Was Cancelled After She Refused Now-Disgraced Les Moonves’ Sexual Advances

FX Calculates Sum Of 2018 Scripted, Original Series: 495 Total, 160 Streaming; 146 Broadcast; 144 Basic Cable; 45 Pay Cable

Thursday, December 13th, 2018

FX Calculates Sum Of 2018 Scripted, Original Series: 495 Total, 160 Streaming; 146 Broadcast; 144 Basic Cable; 45 Pay Cable

Natalie Portman Slams Israel’s Nation-State Law

Thursday, December 13th, 2018

Natalie Portman Slams Israel’s Nation-State Law

Tin House Magazine Ends After 20 Years

Thursday, December 13th, 2018

“It has been an honor to work with such smart, dedicated colleagues, and to publish the most exciting, vital voices of our time.”
Tin House Magazine Ends After 20 Years 

Minding the Gap’s Bing Liu On Identifying Abuse In Our Culture

Thursday, December 13th, 2018

“There’s a lot of validation — and not just as a filmmaker but in our stories. It’s just crazy how difficult it is to validate your own story. We see that going on now with what we saw with Kavanaugh’s hearings. It’s such a hurdle to validate abuse and trauma, especially when no one talks about it, there’s a power structure. It feels good to have people really respond to my story, to my mom’s story, to Keire, and to Zack and Nina’s stories.”
Minding the Gap‘s Bing Liu On Identifying Abuse In Our Culture