
Photo
Gallery

Dancers
do the impossible. And yet we all want to be them. They are that
beautiful, that vulnerable, and that expressive. They are the
essence of what we mean by ethereal. Their lives, of course, are
the same messy stew that we all experience, complete with the
complications of families, lovers, friendships, and work.
I want The Company to show this world with all of its contradictions.
Here are worldclass artists who, for the most part, are poorly
paid and live hand to mouth; often in very
unglamorous conditions. They take immaculate care of their bodies
while smoking countless cigarettes, downing endless cups of coffee
and working punishing hours. Their daily reality includes bloody
feet, bludgeoned ambitions, and the work itself--in all of its
demanding beauty.
What thrilled me most about making this film was simply being
allowed into this particular tribe of artists, dreamers and human
beings. On a daily basis, and in the most impossible and dramatic
terms, dancers face what we all face: biological clocks and the
force of gravity telling us NO. Yet for some part of their working
lives dancers literally prevail over those forces. The fact that
they (like the rest of us) will all ultimately be trumped by time
doesnt diminish or compromise their efforts. It only enriches
them
..and us.
I am privileged to have been allowed into the world of the dancers
of the JOFFREY BALLET and privileged to have the opportunity of
sharing it in this film.
-- Robert Altman
|
|
.
The
Company
__________
Director: Robert Altman
__________
Country: USA/Germany
Year: 2003
Time: 112 minutes
Distributor: Sony Classics
__________
Cast:
Sarah Polley, Scott Speedman, DNeve Campbell, Malcolm McDowell,
James Franco and the
Joffrey Ballet of Chicago
__________
Executive
Producer: Jane Barclay, Sharon Harel, Hannah Leader, John Wells,
Roland Pellegrino, Dieter Meyer, Stefan Jones, Jonas McCord
Producer: David Ley, Joshua Astrachan, Neve Campbell, Robert
Altman, Christine Vachon, Pamela Koffler
Screenplay: Barbara Turner
Cinematography: Andrew Dunn
Editor: Geraldine Peroni
Production Designer: Gary Baugh
Sound: Michael Barry, Eliza Paley,
Peter Glossop
Music: Van Dyke Parks
|
| |
|
|