Movie Search Results

MCN Articles Search Results

Critics Top Ten List 2011: Adrian Martin

Adrian Martin Mysteries of Lisbon (Raúl Ruiz) The Tree of Life (Terrence Malick) We Need to Talk about Kevin (Lynne Ramsay) Road to Nowhere (Monte Hellman) Bridesmaids (Paul Feig) Attenberg (Athina Rachel Tsangari) Drive (Nicolas Winding Refn) Sleeping Beauty (Julia Leigh) Friends with Benefits (Will Gluck) Journals of Musan (Park Jung-bum)

Read the full article » No Comments »

Critics Top Ten List 2011: Ray Pride

Ray Pride Movie City News The Interrupters 1. Margaret 2. Drive 3. Melancholia 4. Take Shelter / Tree of Life 5. Tinker Tailor Soldier Spy 6. A Separation 7. Martha Marcy May Marlene 8. Shame 9. Road to Nowhere / Certified Copy 10. Aurora / Tuesday, After Christmas

Read the full article » No Comments »

Critics Top Ten List 2011: Rodrigo Perez

Rodrigo Perez Playlist 1. Shame 2. Rampart 3. Beginners 4. Like Crazy 5. Certified Copy 6. The Skin I Live In 7. A Separation 8. Moneyball 9. Beats Rhymes & Life: The Travels Of A Tribe Called Quest 10. The Ides Of March

Read the full article » No Comments »

Critics Top Ten List 2011: Quentin Tarantino

Quentin Tarantino 1. Midnight In Paris 2. Rise Of The Planet Of The Apes 3. Moneyball 4. The Skin I Live In 5. X-Men: First Class 6. Young Adult 7. Attack The Block 8. Red State 9. Warrior 10. The Artist / Our Idiot Brother 11. The Three Musketeers

Read the full article » No Comments »

Critics Top Ten List 2011: Cinema Scope

Cinema Scope 1. This Is Not a Film 2. The Turin Horse 3. L’Apollonide—Souvenirs de la maison close 4. Dreileben 5. Once Upon a Time in Anatolia 6. The Tree of Life 7. Kill List 8. It’s the Earth Not the Moon 9. Sleeping Sickness 10. The Kid With A Bike

Read the full article » No Comments »

Critics Top Ten List 2011: Mal Vincent

“One of the funniest and most humane comedy-dramas of the year, this is about a young man who is presumably dying of cancer. Sure, the minute you read that sentence, you plan to stay away. You shouldn’t, and a surprising number of you didn’t. “

Read the full article » No Comments »

Critics Top Ten List 2011: Peter Martin

My Top 10 released in the US.

Read the full article » No Comments »

Critics Top Ten List 2011: Stephen Bradley

“There wasn’t a film this year that boasted more style or had a firmer idea how to effectively employ that style than “Drive.”

Read the full article » No Comments »

Critics Top Ten List 2011: Gene Triplett

“You can dress up a turkey in IMAX, 3-D and ear-shattering Surround Sound and throw it up on the biggest screen in town, but if there’s no great story, direction or acting to go with the visual feast, it’s still just a big fat turkey that gobbles loudly. Here are 10 that weren’t turkeys in 2011. ”

Read the full article » No Comments »

Critics Top Ten List 2011: Susan Tavernetti

“Infectiously joyful and charming, this black-and-white love letter to the movies reminds us that cinema is a universal language — no dialogue needed.”

Read the full article » No Comments »

Critics Top Ten List 2011: Tyler Hanley

“Mastermind director Martin Scorsese’s longstanding affection for all things cinema is colorfully showcased in the enchanting “Hugo.” Scorsese paints a rich tapestry in adapting the Brian Selznick novel “The Invention of Hugo Cabret,” presenting a vibrant 1930s Paris with exceptional costuming, set design and cinematography.”

Read the full article » No Comments »

Critics Top Ten List 2011: Peter Canavese

“No studio release this year was more ambitious, emotional or elegant than Terrence Malick’s searching epic about our place in a family, a town, a galaxy, the universe.”

Read the full article » No Comments »

Critics Top Ten List 2011: Keith Cohen

Number One: Hugo

Read the full article » No Comments »

Critics Top Ten List 2011: Carol Hemphill

“This picture begins by shocking. Before the end, it becomes twisted and grotesque; a disturbing vision fully realized by Pedro Almodovar.”

Read the full article » No Comments »

Critics Top Ten List 2011: Kent Tentschert

“One of the most beautiful films of the year. This fictional account of Butch Cassidy’s later life is sad, poignant and emotional.”

Read the full article » No Comments »

Critics Top Ten List 2011: Brandy McDonnell

Brandy McDonnell The Oklahoman 1. The Artist 2. Drive 3. War Horse 4. Buck 5. The Girl With the Dragon Tattoo 6. Project Nim 7. Hanna 8. Hugo 9. Shame 10. The Way

Read the full article » No Comments »

Critics Top Ten List 2011: Sara Vizcarrondo

Sara Vizcarrondo Box Office Magazine Tinker Tailor Soldier Spy Tabloid Certified Copy Drive No Strings Attached Martha Marcy May Marlene Rise Of The Planet Of The Apes Fright Night Love Exposure Tucker & Dale vs. Evil

Read the full article » No Comments »

Critics Top Ten List 2011: Scott Renshaw

Scott Renshaw Charleston City Paper 1. Certified Copy 2. The Muppets 3. Martha Marcy May Marlene 4. We Need to Talk About Kevin 5. A Separation 6. Like Crazy 7. The Tree of Life 8. Drive 9. The Last Lions 10. Meek’s Cutoff

Read the full article » No Comments »

Critics Top Ten List 2011: Anders Wright

Anders Wright San Diego City Beat The Descendants The Double Hour Drive Extremely Loud and Incredibly Close Of Gods and Men Hugo Into the Abyss Midnight in Paris Project Nim The Tree of Life Warrior

Read the full article » No Comments »

Critics Top Ten List 2011: Orlando Weekly

Justin Stout, Rob Boylan, William Goss Orlando Weekly 1. The Tree of Life 2. The Descendants 3. Circumstance 4. Hesher 5. Hugo 6. Source Code 7. Being Elmo, Buck 8. Hanna 9. 50/50 10. Take Shelter

Read the full article » No Comments »

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas