Night Moves
MCN Originals

Gurus o’ Gold: Pre-Venice/Telluride/Toronto Best Picture Field

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It’s time for another award season to begin. And The Gurus o’ Gold are back. This week, a look at the field before the fall festivals launch. Each Guru was asked to pick 15 titles, in no order, that they see as the top contenders for Best Picture this season. Besides setting the field, it is worth noting that in the last four seasons, every film that has gone on to win Best Picture has been selected on this chart by all the Gurus or by all Gurus except for one. Take that for what it’s worth.

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The Weekend Report

Weekend Est 3 2014-08-24 at 9.55.59 AM

Guardians of the Galaxy rocketed back to the top of the movie going hart with an estimated $17.7 million, fending off a trio of foes. Of the freshmen, only the YA adaptation of If I Stay demonstrated any real commercial strength with a third place entry of $16.4 million. The combo of football and “inspiration” tallied $8.8 million for When the Game Stands Tall and mostly firing blanks, Sin City: A Dame to Kill For, plugged $6.3 million.

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The Gronvall Report: Ira Sachs On LOVE IS STRANGE

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Irony is a weapon that’s most effective when wielded lightly, rather than with sledgehammer force. In the engrossing, richly textured indie drama Love is Strange, directed, co-written, and co-produced by Ira Sachs, Ben (John Lithgow) and George (Alfred Molina), New Yorkers who’ve been lovers for 39 years, tie the knot under their state’s recent Marriage Equality Act. But shortly after their nuptials George loses his teaching job at a Manhattan parochial school because of that institution’s opposition to gay unions. Instead of binding them closer, their wedding now drives Ben and George apart, as their sudden financial hardship forces them to sell their co-op and find separate, temporary lodgings with others.

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Friday Box Office Estimates

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The DVD Wrapup: Only Lovers Left Alive, Spider-Man 2, Fading Gigolo and more

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The Weekend Report

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The DVD Wrapup: Railway Man, Boredom, Cold Lands and more

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Digital Cinema May End Greek Open-Air Cinemas

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Quote Unquotesee all »

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…