By Ray Pride Pride@moviecitynews.com

Academy Announces Three New At-Large Governors


The Academy Board of Governors has confirmed the appointment of three new governors-at-large, DeVon Franklin (Executives Branch), Rodrigo García (Directors Branch) and Janet Yang (Producers Branch). They will each serve a three-year term, beginning July 1. This furthers the Academy’s A2020 initiative, which seeks to support inclusion and increase representation within its membership and the greater film community.

“The Board looks forward to welcoming DeVon, Janet and Rodrigo. They are each well-positioned to support our continuing global outreach efforts,” said Academy President John Bailey. “We are grateful to our three outgoing at-large governors, Gregory Nava, Jennifer Yuh Nelson and Reginald Hudlin, for their dedicated service to the Academy over the last three years.”

In addition to the governors-at-large, the Academy’s 17 branches are each represented by three governors, who may serve up to three consecutive three-year terms. The Board of Governors sets the Academy’s strategic vision, preserves the organization’s financial health and assures the fulfillment of its mission.

The Academy’s 2019-2020 Board of Governors will be announced in June.

# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 9,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

Comments are closed.

Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier