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By MCN Editor

John Singleton


3 Responses to “John Singleton”

  1. Js Partisan says:

    He had a hand in changing cinema, and here’s hoping that’s a continued legacy for years to come. Rest in Power, Mr. Singleton.

  2. leahnz says:

    51 is so young.
    a wee ‘power of movies’ anecdote:
    ‘boyz n the hood’ is one of my son’s fave movies, he must have been around 14 when he watched my dvd and moped around afterwards in a sad for days, i think it was one of those formative movie experiences that only happens when we’re young and impressionable.
    ff to just after singleton’s stroke he happened to be here at home with three of his good mates and he suggested they watch ‘boyz’ in honour of singleton (two of them had never seen it before) and yikes, not a dry eye in the house afterwards – i didn’t know what to do so i brought them cake and glasses of milk. :'(
    RIP JSingleton and thanks for your unique voice (solid action director as well, perhaps underappreciated for this?)

  3. Glamourboy says:

    A true story….he was on my list of directors for an upcoming project I am producing. A producing partner even pitched him on a conference call to money people…the next day I read about his stroke. I would have loved to have worked with him.

    On Facebook someone wrote….I wish they would have let him make more movies. I wonder who ‘they’ was….was he in movie jail for some reason?

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott