By Ray Pride Pride@moviecitynews.com

Who’s A Hero: A Review of Captain Marvel

CaptainMarvel5c804f98f1070Sometimes silly, largely disposable yet lightly likable, the bulk of “Captain Marvel” is set in 1995 but exists for this moment. Its love for its heroine radiates outward, through the busy narrative and out into the streets afterward. Self-realization: what’s there not to admire about the sense of self that Carol Danvers (Brie Larson) beams with at the end of “Captain Marvel” on her way to “Avengers: Endgame”?

There is a not-so-surprising romance at the center of “Captain Marvel”: an embrace of military service, in the shape of the U. S. Air Force, as a singular path to self-realization, only a race to the sky, above the sky. (America, fuck yeah, etc.) [Read more.]

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“That’s the joke of Prune, that we just pretend to be a restaurant. But we’re actually an institute for living. We hide behind the fried eggs, and we hide behind the marrow bones, but really what we’re doing here is trying to change the whole goddamn world, one lamb chop at a time. It’s slow going, but I think we’re getting there.”
~ Gabrielle Hamilton

“I’m into pleasure rebellion,” she says, lighting a cigarette. “I’ve shared all my misery and tragedy but in my personal life I’m a cheerleader, an optimist. That aspect of myself is not shared. Once you are free from trauma, you are going to luxuriate in pleasure and happiness – personal pleasure. A divine gluttony, I should say.”
Lydia Lunch