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Ray Pride

By Ray Pride Pride@moviecitynews.com

BYOBlog

"CLIMAX"

“CLIMAX”

10 Responses to “BYOBlog”

  1. movieman says:

    I was looking forward to “Greta” despite the mixed-to-negative reviews coming out of TIFF last fall.

    It starts out like gangbusters, but quickly deteriorates into abject stupidity.

    I spent the last 40 minutes groaning in my seat.

    Huppert is, of course, fun to watch, but it proves that after this and 2007’s “The Brave One” Neil Jordan should stay as far away from NYC as possible.

    WOM should be brutal.

    Does anyone know whether Focus is planning to open “Captive State” as wide as “Greta” in two weeks? On the basis of the trailer, it looks like the most commercial Focus movie since “Atomic Blonde.”
    Seems like a missed opportunity not to take it as wide as possible before “Us” hits on the 22nd.
    Esp since it’s only competition (on March 15th) is a kiddie ”toon and yet another star-crossed YA romance. Double “yawn” on both counts.

  2. Stella's Boy says:

    I like The Brave One. It’s underrated. Foster is great and it’s got more going on than your typical male vigilante movie. I still want to see Greta but reviews are all over the place. I’ll keep expectations in check and yeah box office won’t be good. I barely saw any ads.

    For a long time I thought Captive State was a wide release but it appears to be limited now. Saw the trailer a few times in late 2018 but haven’t seen it this year.

    Lords of Chaos is pretty good. Some of the most brutal and unflinching I’ve seen in a while. I had to look away several times. Just gruesome. It’s a little too long but I didn’t know anything about it and it’s a pretty crazy and fascinating story. No idea how accurate it is but I was absorbed throughout. Culkin is great and the rest of the cast solid. Not a pleasant experience but glad I saw it.

  3. movieman says:

    SB- A similar (-ish) movie to “The Brave One” that I went to the mat for last decade was Jane Campion’s NYC-lensed “In the Cut” which most critics (and certainly audiences) loathed. I thought it was a minor Campion masterpiece.
    At least “Brave” had sociological/feminist ambition/pretensions.
    “Greta” just wants to be a high-style “Single White Female”-esque guilty pleasure. But, sadly, it fails. And I really wanted to love it.
    I’m interested in “Lords of Chaos:” is it only available On Demand?
    It was on my Netflix queue with a late February release date, but was relegated last week to my “We Have No Idea When This is Coming Out: Sorry” queue w/ no add’l information.

  4. Stella's Boy says:

    Brave One isn’t perfect but it’s got a lot on its mind and is interesting, and not only because the vigilante is female. Feel like it was unfairly dismissed as just another dumb revenge movie. I should give In the Cut another chance. Don’t remember exactly how I felt after seeing it back when it was released. Just all the fuss and hatred.

    I paid $4.99 to watch Lords of Chaos on VOD. It’s also in one theater where I live. Flawed but worth a look. Will stick with me. The violence really hits you hard. Looked up some reviews out of curiosity and a few are quite negative, and the narrative is messy, but most of the movie worked for me.

  5. movieman says:

    I hope to see “Chaos” eventually.
    Seems foolish to pay for a VOD right now w/ a stack of library DVDs sitting in my bedroom (including more holy grails like 1966’s “The Group,” 1967’s “Custer of the West” and 1968’s “The Magus”).
    “In the Cut” is worth another look: recall it being sexy as hell (for a 21st century studio release).

  6. Stella's Boy says:

    It can be fun to revisit something like that many years later with no expectations and no strong memory of how you feel about it.

  7. Christian says:

    I hate to say it about someone who starred in my favorite movie of 2010, “Let Me In,” but I think “Greta” revealed that I may now have a Chloe Grace Moretz Problem.

    Sure, the screenplay grows increasingly absurd, but that aside, every time Maika Monroe was on screen, I found myself wishing the movie was about her character rather than about Moretz’s character.

    Now, I haven’t seen Monroe in anything since “It Follows,” in which I thought she gave an iconic performance for horror-film lovers. (I just checked, and she has numerous credits since “It Follows.”). Also, I don’t usually have strong preferences about actors; I’m more of a director snob/auteurist. I just wasn’t all that interested, frankly, in Moretz in this film, and I found myself wondering if her performance was one of the film’s larger problems.

  8. Sideshow Bill says:

    I quite liked Lords Of Chaos. Agree the violence was overwhelming at times. And the tone shifts can be jarring but I remember when this was all happening and reading the news. This whole story is bananas. And those guys were assholes and I’m glad the movie depicted them as such. Yea, some had mental problems but doesn’t fully forgive them being such dicks to each other. Good film.

  9. Sideshow Bill says:

    Also, while I haven’t seen it yet, doesn’t Neil Jordan’s BYZANTIUM have a good reputation?

  10. movieman says:

    “Byzantium” has a 65% RT rating.
    I remember liking it at the time, but don’t know anyone else who saw it. A typically nonexistent IFC “release.”
    On the plus side, “Greta” opened on more screens than any Jordan movie since “The Brave One.”

    March 1-3, 2019
    Weekend

    1 1 How to Train Your Dragon: The Hidden World Uni. $30,046,000 -45.4% 4,286 +27 $7,010 $97,696,275 $129 2

    2 N Tyler Perry’s A Madea Family Funeral LGF $27,050,000 – 2,442 – $11,077 $27,050,000 – 1

    3 2 Alita: Battle Angel Fox $7,000,000 -43.3% 3,096 -706 $2,261 $72,231,308 $170 3

    4 3 The LEGO Movie 2: The Second Part WB $6,615,000 -31.7% 3,458 -375 $1,913 $91,670,040 – 4

    5 11 Green Book Uni. $4,711,000 +121.4% 2,641 +1,388 $1,784 $75,920,611 $23 16

    6 4 Fighting with My Family MGM $4,691,284 -40.0% 2,855 +144 $1,643 $14,945,905 – 3

    7 5 Isn’t It Romantic WB (NL) $4,645,000 -34.8% 3,325 -119 $1,397 $40,299,003 – 3

    8 N Greta Focus $4,585,000 – 2,411 – $1,902 $4,585,000 – 1

    9 6 What Men Want Par. $2,700,000 -48.6% 2,018 -371 $1,338 $49,641,004 $20 4

    10 7 Happy Death Day 2U Uni. $2,516,000 -48.5% 2,331 -881 $1,079 $25,282,610 $9 3

    11 16 Spider-Man: Into The Spider-Verse Sony $2,100,000 +137.5% 2,404 +1,661 $874 $187,386,210 $90 12

    12 9 The Upside STX $2,070,000 -34.9% 1,607 -541 $1,288 $102,868,620 $37.5 8

    13 20 A Star is Born (2018) WB $1,885,000 +208.9% 1,235 +490 $1,526 $212,914,339 $36 22

    14 N Apollo 11 Neon $1,650,000 – 120 – $13,750 $1,650,000 – 1

    15 8 Cold Pursuit LG/S $1,650,000 -48.6% 1,765 -555 $935 $29,911,215 – 4

    16 19 Bohemian Rhapsody Fox $975,000 +56.1% 839 +415 $1,162 $214,466,597 $52 18

    17 12 Glass Uni. $895,000 -49.4% 756 -690 $1,184 $109,465,250 $20 7

    18 22 The Favourite FoxS $825,000 +48.1% 742 +454 $1,112 $33,217,039 – 15

    19 14 Total Dhamaal FIP $460,000 -53.5% 208 +6 $2,212 $1,756,926 – 2

    20 13 The Prodigy Orion $424,298 -62.2% 533 -798 $796 $14,377,863 $6 4

    21 38 Free Solo NGE $364,100 +149.9% 238 +148 $1,530 $16,947,781 – 23

    22 24 Arctic BST $362,124 -27.4% 268 +11 $1,351 $1,626,666 – 5

    23 18 Vice Annapurna $249,411 -60.6% 262 -440 $952 $47,569,021 – 10

    24 26 Ralph Breaks the Internet BV $233,000 -38.0% 204 -202 $1,142 $200,195,690 $175 15

    25 33 Mary Poppins Returns BV $206,000 +6.0% 245 +11 $841 $171,218,892 $130 11

    26 N Furie WGUSA $145,400 – 14 – $10,386 $145,400 – 1

    27 29 Cold War (2018) Amazon $143,616 -52.3% 128 -131 $1,122 $4,368,187 – 11

    28 36 If Beale Street Could Talk Annapurna $137,546 -7.8% 126 -1 $1,092 $14,643,560 – 12

    29 35 Never Look Away SPC $136,474 -10.8% 122 +42 $1,119 $671,886 – 14

    30 N Climax A24 $121,655 – 5 – $24,331 $121,655 – 1

    31 41 Capernaum SPC $72,087 -43.8% 58 -57 $1,243 $1,370,062 – 12

    32 48 The Iron Orchard Santa Rita $65,450 +42.7% 42 +34 $1,558 $121,140 – 2

    33 51 Birds of Passage Orch. $64,652 +76.6% 31 +21 $2,086 $165,837 – 3

    34 42 Stan & Ollie SPC $52,926 -57.8% 71 -57 $745 $5,075,931 – 10

    35 37 The Wife SPC $36,942 -75.2% 78 -126 $474 $9,524,213 – 29

    36 N Transit MBox $35,368 – 2 – $17,684 $35,368 –
    1
    37 53 To Dust Good Deed $23,872 +28.3% 23 +6 $1,038 $100,221 – 4

    38 N The Wedding Guest IFC $20,156 – 4 – $5,039 $20,156 – 1

    39 46 Lords of Chaos G&S $18,668 -65.5% 28 -43 $667 $218,415 – 4

    40 N Giant Little Ones VE $13,500 – 1 – $13,500 $13,500 – 1

    41 62 Ruben Brandt, Collector SPC $12,577 +87.2% 15 +12 $838 $34,314 – 3

    42 N Chokehold Ammo $3,900 – 3 – $1,300 $3,900 – 1

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“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

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One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump

“The scene opens the new movie. It was something Ridley Scott told me a long time ago, when I was on my eighth draft of Blade Runner. He thinks it’s my fault, which it probably is, but it’s also his fault, because he kept coming up with new ideas. This time, he said to me, “What did Deckard do before he was doing this?” I said, “He was doing what he was doing, but not on such a high level. He was retiring androids that weren’t quite like Nexus Sixes, like Nexus Fives, kind of dumb androids.” He said, “So, why don’t we start the movie like that?” He always had a new beginning he wanted to try. Let’s start it on a train, let’s start it on a plane. Let’s start in the snow. Let’s start in the desert. I was writing all that. He said, “What if Deckard is retiring an old version of Nexus?” Right away I was feeling him, like fate, and he said, “There’s a cabin, with soup bubbling on the stove …” When he said soup boiling on the stove, I said, “Don’t say any more! Let me get home.” I wrote a scene that night. Just three or four pages. Deckard retires this not-very-bright droid, and you feel sorry for him. It’s like Steinbeck, Of Mice and Men. It’s just those two guys, with Deckard as the George character and the droid as the Lennie, and Deckard doesn’t want to do it. But then the droid gets mad, and then Deckard has to do it. The audience thinks he killed someone—he reaches into the guy’s mouth and pulls off his whole jaw and we see it says made by tyrell industries or whatever. I wrote that scene and took it to Ridley. I was proud of it. I remember standing and watching him read the whole thing. He loved it, but no. There are a lot of scenes that didn’t get in, but I never forgot that one. I wrote it as the beginning to this new short story called “The Shape of the Final Dog.” I’d always wanted to have a dog that wasn’t real, so I wrote one into the scene at the cabin. After Deckard retires the droid, he’s getting ready to take off and he wants the dog to come with him. The dog rolls over and keeps barking with his mouth closed. The dog’s an android dog. I thought, If there’s ever a new Blade Runner, we’ll have to use this scene. Three weeks go by, and I’m working on the story and it’s ready to hand in. The phone rings. Someone with a posh English accent says, “Would you be available in ten minutes for a call with Ridley Scott?” These people are so important they don’t waste their time on voicemail. I said, “I’ll be here.” Ten minutes go by and Ridley calls. “Hampton! Did you know, I think we’ve got it together to do Blade Runner a second time?” I said, “You finally got so hard up you’re calling me.” I knew they’d been looking for a year. People had been telling me, “You’ve got to call Ridley,” but I was a little chagrined or embarrassed. I thought, He’ll call me if he wants. Ridley said, “We’re interested in whether you have any ideas.” I said, “Funny you should ask that question. Let me read you a paragraph.” I walk over there with the phone and I read him the opening paragraph. And he says, “Fuck me. Can you come to London tomorrow?”
~ Hampton Fancher