By Ray Pride Pride@moviecitynews.com

Best Of Lists Begin: Richard Brody, The New Yorker

“The word “resistance” has been central to political, intellectual, and, for that matter, moral life in the past two years, as policies of a sadistic fury and bullying remarks to match have issued from the seat of American power. Resistance takes many forms, including cinematic ones. But the cinema of resistance isn’t necessarily overtly political (though it may well be that, too—as in many of this year’s best films). Movies of resistance offer, foremost, aesthetic resistance: they resist the making of images and the telling of stories that take their own power for granted.”
Best Of Lists Begin: Richard Brody, The New Yorker

Leave a Reply

Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama