By MCN Editor editor@moviecitynews.com

Academy Shortlists Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film, Visual Effects

[pr] LOS ANGELES, CA — The Academy of Motion Picture Arts and Sciences today announced shortlists in consideration for the 91st Oscars in nine categories: Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.

DOCUMENTARY FEATURE
Fifteen films will advance in the Documentary Feature category for the 91st Academy Awards.  One hundred sixty-six films were originally submitted in the category.  Members of the Documentary Branch vote to determine the shortlist and the nominees.

“Charm City”
“Communion”
“Crime + Punishment”
“Dark Money”
“The Distant Barking of Dogs”
“Free Solo”
“Hale County This Morning, This Evening”
“Minding the Gap”
“Of Fathers and Sons”
“On Her Shoulders”
“RBG”
“Shirkers”
“The Silence of Others”
“Three Identical Strangers”
“Won’t You Be My Neighbor?”

DOCUMENTARY SHORT SUBJECT
Ten films will advance in the Documentary Short Subject category for the 91st Academy Awards.  One hundred four films had originally qualified in the category.  Members of the Documentary Branch vote to determine the shortlist and the nominees.

“Black Sheep”
“End Game”
“Lifeboat”
“Los Comandos”
“My Dead Dad’s Porno Tapes”
“A Night at the Garden”
“Period. End of Sentence.”
“’63 Boycott”
“Women of the Gulag”
“Zion”

FOREIGN LANGUAGE FILM
Nine films will advance to the next round of voting in the Foreign Language Film category for the 91st Academy Awards.  Eighty-seven films had originally been considered in the category.

Los Angeles-based Academy members from all branches screened the original submissions in the category between mid-October and December 10.  The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.  Academy members eligible to participate in the Nominations round of voting will view the shortlisted films.  Members must see all nine films before casting their ballots.

Colombia, “Birds of Passage”
Denmark, “The Guilty”
Germany, “Never Look Away”
Japan, “Shoplifters”
Kazakhstan, “Ayka”
Lebanon, “Capernaum”
Mexico, “Roma”
Poland, “Cold War”
South Korea, “Burning”

MAKEUP AND HAIRSTYLING 
Seven films will advance in the Makeup and Hairstyling category for the 91st Academy Awards.  All members of the Academy’s Makeup Artists and Hairstylists Branch will be invited to view 10-minute excerpts from each of the seven shortlisted films on Saturday, January 5, 2019.  Members will vote to nominate three films for final Oscar® consideration.

“Black Panther”
“Bohemian Rhapsody”
“Border”
“Mary Queen of Scots”
“Stan & Ollie”
“Suspiria”
“Vice”

MUSIC (ORIGINAL SCORE)
Fifteen scores will advance in the Original Score category for the 91st Academy Awards.  One hundred fifty-six scores were eligible in the category.  Members of the Music Branch vote to determine the shortlist and the nominees.

“Annihilation”
“Avengers: Infinity War”
“The Ballad of Buster Scruggs”
“Black Panther”
“BlacKkKlansman”
“Crazy Rich Asians”
“The Death of Stalin”
“Fantastic Beasts: The Crimes of Grindelwald”
“First Man”
“If Beale Street Could Talk”
“Isle of Dogs”
“Mary Poppins Returns”
“A Quiet Place”
“Ready Player One”
“Vice”

MUSIC (ORIGINAL SONG)
Fifteen songs will advance in the Original Song category for the 91st Academy Awards.  Ninety songs were eligible in the category.  Members of the Music Branch vote to determine the shortlist and the nominees.

“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
“Treasure” from “Beautiful Boy”
“All The Stars” from “Black Panther”
“Revelation” from “Boy Erased”
“Girl In The Movies” from “Dumplin’”
“We Won’t Move” from “The Hate U Give”
“The Place Where Lost Things Go” from “Mary Poppins Returns”
“Trip A Little Light Fantastic” from “Mary Poppins Returns”
“Keep Reachin’” from “Quincy”
“I’ll Fight” from “RBG”
“A Place Called Slaughter Race” from “Ralph Breaks the Internet”
“OYAHYTT” from “Sorry to Bother You”
“Shallow” from “A Star Is Born”
“Suspirium” from “Suspiria”
“The Big Unknown” from “Widows”

ANIMATED SHORT FILM
Ten films will advance in the Animated Short Film category for the 91st Academy Awards.  Eighty-one films had originally qualified in the category.  Members of the Short Films and Feature Animation Branch vote to determine the shortlist and the nominees.

“Age of Sail”
“Animal Behaviour”
“Bao”
“Bilby”
“Bird Karma”
“Late Afternoon”
“Lost & Found”
“One Small Step”
“Pépé le Morse”
“Weekends”

LIVE ACTION SHORT FILM
Ten films will advance in the Live Action Short Film category for the 91st Academy Awards.  One hundred forty films had originally qualified in the category.  Members of the Short Films and Feature Animation Branch vote to determine the shortlist and the nominees.

“Caroline”
“Chuchotage”
“Detainment”
“Fauve”
“Icare”
“Marguerite”
“May Day”
“Mother”
“Skin”
“Wale”

VISUAL EFFECTS
Ten films remain in the running in the Visual Effects category for the 91st Academy Awards.  The Visual Effects Branch Executive Committee determined the shortlist.  All members of the Visual Effects Branch will be invited to view 10-minute excerpts from each of the shortlisted films on Saturday, January 5, 2019.  Following the screenings, members will vote to nominate five films for final Oscar consideration.

“Ant-Man and the Wasp”
“Avengers: Infinity War”
“Black Panther”
“Christopher Robin”
“First Man”
“Jurassic World: Fallen Kingdom”
“Mary Poppins Returns”
“Ready Player One”
“Solo: A Star Wars Story”
“Welcome to Marwen”

Nominations voting begins on Monday, January 7, 2019 and concludes on Monday, January 14, 2019.

Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.

The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 9,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

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“But okay, I promise you now that if I ever retire again, I’m going to ensure that I can’t walk it back. I’ll post a series of the most disgusting, offensive, outrageous statements you can ever imagine. That way it will be impossible for me to ever be employed again. No one is going to take my calls. No one is going to want to be seen with me. Oh, it will be scorched earth. I will have torched everything. I’m going to flame out in the most legendary fashion.”
~ Steven Soderbergh

I feel strongly connected to young cinephile culture. The thing about filmmaking—and cinephilia—is that you can’t keep hanging out with your own age group as you get older. They drop off, move somewhere. You can’t put together a crew of sixty-somethings. It’s the same for cinephilia: my original set of cinephile friends are watching DVDs at home or delving into 1958 episodes of ‘Gunsmoke,’ something like that. The people who are out there tend to be young, and I happen to be doing the same thing still, so it’s natural that I move in their circles.

In terms of the filmmaking, there was a gear shift: my first movies focused on people around my age, and I followed them for three films. Until The Unspeakable Act, I was using the same actors, not because of an affinity for people at a specific age, but because of my affinity for the actors. I like to work with actors a second time, especially if I don’t feel confident casting a new film. But The Unspeakable Act was a different script, and I had to cast all new people. Even for the older roles, I couldn’t get the people I’d worked with before. But when it was over, the same thing happened: I wanted to work with Tallie again in the worst way, and I started the process all over again.

I think Rohmer did something similar around the time of Perceval and Catherine de HeilbronnHe developed new groups of people that he liked to work with. These gear shifts are natural. Even if you want to follow certain actors to the end of their life (which I kind of do) the variety of ideas that you generate makes it necessary to change. And once you’ve made the change, you’ve got all these new people around.”
~ Dan Sallitt