By Ray Pride Pride@moviecitynews.com

“There is a moment in Ocean’s 8 when Anne Hathaway throws up. Just full-on vomits. Her character, movie star and Met Gala co-chair, is poised and unattainable, but it’s in the moment that she throws up that she becomes the standout character in a film of all-star actresses. The comedy up to that point is all one-liners and snark. But it’s Anne Hathaway’s full-body convulsions in a floor length gown that remind you that while Hathaway isn’t the first to throw up for comedic effect, she might be the funniest person to ever do it. It’s a small moment, but it counts.”

“There is a moment in Ocean’s 8 when Anne Hathaway throws up. Just full-on vomits. Her character, movie star and Met Gala co-chair, is poised and unattainable, but it’s in the moment that she throws up that she becomes the standout character in a film of all-star actresses. The comedy up to that point is all one-liners and snark. But it’s Anne Hathaway’s full-body convulsions in a floor length gown that remind you that while Hathaway isn’t the first to throw up for comedic effect, she might be the funniest person to ever do it. It’s a small moment, but it counts.”

Comments are closed.

Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray