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David Poland

By David Poland

Friday Estimates by The Royal Wedded Klady


12 Responses to “Friday Estimates by The Royal Wedded Klady”

  1. Doug R says:

    See the Deadpool 2 thread for my SPOILERIFIC BO joke.

  2. Bulldog68 says:

    I think this weekend has solidified BP’s victory over IW on the domestic race. With a Solo getting more eyeballs next weekend, I don’t think IW has $100m left in the tank. Maybe Memorial Day will help, but I think BP remained too strong for IW to cover that ground. Nice problem to have though, whether both your movies will make $700m.

  3. JS Partisan says:

    I’ll take that bet, BD. Memorial Day should help, and it’s getting number three all time.

  4. movieman says:

    Very disappointed in “Disobedience.”
    Like the “Chorus Line” song, I felt nothing.
    And I’ve enjoyed a lot of movies about insular Hassidic communities and lesbians.
    Weird how McAdams and Nivola’s British accents fade in and out from scene to scene. No continuity person(s) on set?
    A major letdown from Lelia, esp. after his Oscar-winning “Fantastic Woman.”

    But very much enjoyed “RBG” which I saw at a packed (!) house (w/ myriad demographics!) this afternoon.
    A fascinating true-life story that I didn’t know all that well, and a terrific appetizer for Mimi Leder’s upcoming Focus RBG biopic.

  5. Non-Revisionist says:

    Movieman, it’s RBG. And Natalie Portman isn’t playing her in the upcoming movie. Felicity Jones is.

  6. Arisp says:

    As a film going experience, A QUIET PLACE, which I just saw, is leaps and bounds more enjoyable than either of the current Marvel sausages. Wow what a fun film – with real stakes, unlike any of the comic book pablum.

  7. movieman says:

    Correction made, N-R.
    I guess I was typing faster than I was proof-reading.

    Felicity Jones? Oy.
    I guess the project has undergone some casting changes since first announced.
    (Btw, Portman would have been brilliant.)

    Is this Leder’s first theatrical release since 2000’s “Pay It Forward”?

  8. Sideshow Bill says:

    There is room in my heart for A Quiet Place, Infinity War and Phantom Thread. Or First Reformed which I am dying to see. Why do we have to separate everything?

  9. JS Partisan says:

    Bill, it totally came across as a whole, “I hate things that are popular,” post. It’s totally not getting how this all should work. The first movie was a train. A literal train. Seriously, being a snob about film is just weird.

  10. Hcat says:

    It’s not like A quiet place is anyway unpopular. That it continues to drop under 40 is remarkable.

  11. Hcat says:

    Arise, if you want real stakes you should check out the white knuckle ride that is Book Club, where every single character and 60% of the audience could die at any moment.

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“When books become a thing, they can no longer be fine.

“Literary people get mad at Knausgård the same way they get mad at Jonathan Franzen, a writer who, if I’m being honest, might be fine. I’m rarely honest about Jonathan Franzen. He’s an extremely annoying manI have only read bits and pieces of his novels, and while I’ve stopped reading many novels even though they were pretty good or great, I have always stopped reading Jonathan Franzen’s novels because I thought they were aggressively boring and dumb and smug. But why do I think this? I didn’t read him when he was a new interesting writer who wrote a couple of weird books and then hit it big with ‘The Corrections,’ a moment in which I might have picked him up with curiosity and read with an open mind; I only noticed him once, after David Foster Wallace had died, he became the heir apparent for the Great American Novelist position, once he had had that thing with Oprah and started giving interviews in which he said all manner of dumb shit; I only noticed him well after I had been told he was An Important Writer.

“So I can’t and shouldn’t pretend that I am unmoved by the lazily-satisfied gentle arrogance he projects or when he is given license to project it by the has-the-whole-world-gone-crazy development of him being constantly crowned and re-crowned as Is He The Great American Writer. What I really object to is this, and if there’s anything to his writing beyond it, I can’t see it and can’t be bothered. Others read him and tell me he’s actually a good writer—people whose critical instincts I have learned to respect—so I feel sure that he’s probably a perfectly fine, that his books are fine, and that probably even his stupid goddamned bird essays are probably also fine.

“But it’s too late. He has become a thing; he can’t be fine.”
~ Aaron Bady

“You know how in postproduction you are supposed to color-correct the picture so everything is smooth and even? Jean-Luc wants the opposite. He wants the rupture. Color and then black and white, or different intensities of color. Or how in this film, sometimes you see the ratio of the frame change after the image begins. That happens when he records from his TV onto his old DVCAM analog machine, which is so old we can’t even find parts when it needs to be repaired. The TV takes time to recognize and adjust to the format on the DVD or the Blu-ray. Whether it’s 1:33 or 1:85. And one of the TVs he uses is slower than the other. He wants to keep all that. I could correct it, but he doesn’t want me to. See, here’s an image from War and Peace. He did the overlays of color—red, white, and blue—using an old analog video effects machine. That’s why you have the blur. When I tried to redo it in digital, I couldn’t. The edges were too sharp. And why the image jitters—I don’t know how he did that. Playing with the cable maybe. Handmade. He wants to see that. It’s a gift from his old machine.”
~ Fabrice Aragno