By The Daily Buzz davidpoland@sbcglobal.net

The Daily Buzz from Sundance (Day 6)

Wednesday, January 24, 2018

Our Hot Topics Roundtable features Sean Means, longtime movie critic at the Salt Lake Tribune and Maria Smith, executive creative director of M&C Saatchi LA. We’re joined by Slamdance co-founder Dan Mirvish, also director of Slamdance closing-night film Bernard and Huey, from a long-neglected Jules Feiffer script. Director Charlie Bims and actress Julie Sokolowski joins us to talk about their Slamdance feature Human Affairs.

Tuesday, January 23, 2018
Today’s episode starts with a hot-topics roundtable discussion with Joshua Rothkopf, Jim Brunzell And Andrew Fish. Our second panel covers Akicita: The Battle for Standing Rock, with documentarians Gingger Shankar and Cody Lucich, as well as a figure who was onsite at Standing Rock. We conclude with Quiet Heroes‘ Jared Ruga and Amanda Stoddard.

Monday, January 22, 2018

Episode 4 covers a variety of interesting and pertinent topics for any audience members invested in furthering their own film careers. We start off by speaking with Carrie Lozano and Simon Tilburry of the IDA, International Documentary Association. They mention that their organization has many grants and a membership that has helped many independent film makers over time. We then speak with the director of Fake Tattoos, Pascal Plante and end with the director and cast of Funny Story ft Michael Gallagher, Matthew Glave, Jana Wintimitz, Emily Bett Rickards.

Sunday, January 21, 2018

Day Three ranges across film genres and guests. We start off with the Russo brothers who are here at the Sundance film festival to receive the Founders Award from Slamdance, along with Peter Baxter from Slamdance. We move on to speak with Rainbow Experiment director Christina Kallas and Isaiah Blake, a part of the cast. Closing the podcast: the We the Animals feature team.

Saturday, January 20, 2018

Day 2 of Sundance 2018 is up and running, and filled to the brim with snow! Today’s episode starts with City Weekly’s Scott Renshaw, a juror for Slamdance film competitions. We also have Anote Tong and Matthieu Rytz of the film Anote’s Ark discussing the literal sinking of the island of Kiribati and raising awareness around climate change, and ends with a moving feature film White Rabbit with director Daryl Wein and cast Vivian Bang and Nana Ghana.

Friday, January 19, 2018

It’s officially Day One of Sundance 2018, and the first episode for The Daily Buzz is packed with amazing films. This episode begins with a heartwarming tribute to the late Irene Cho, the founder of Daily Buzz; moves on to a fascinating account of the lives and training of service dogs in Pick of the Litter, made by Dana Nachman and Don Hardy; and ends with a packed panel with Nick Offerman, Kersey Clemons and Brett Haley for Hearts Beat Loud.

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“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott