By Ray Pride Pride@moviecitynews.com

National, NY, LA, Boston Film Critics Groups DQ All Disney Films For Year-End Award Consideration

A STATEMENT FROM THE LOS ANGELES FILM CRITICS ASSOCIATION, THE NEW YORK FILM CRITICS CIRCLE, THE BOSTON SOCIETY OF FILM CRITICS AND THE NATIONAL SOCIETY OF FILM CRITICS

Nov. 7, 2017 — The members of the Los Angeles Film Critics Association, the New York Film Critics Circle, the Boston Society of Film Critics and the National Society of Film Critics jointly denounce the Walt Disney Company’s media blackout of the Los Angeles Times. Furthermore, all four critics’ organizations have voted to disqualify Disney’s films from year-end awards consideration until said blackout is publicly rescinded.

On Nov. 3, The Times published a statement that its writers and editors had been blocked from attending advance screenings of Disney films, in response to The Times’ news coverage of Disney’s business arrangements with the City of Anaheim. Disney’s actions, which include an indefinite ban on any interaction with The Times, are antithetical to the principles of a free press and set a dangerous precedent in a time of already heightened hostility toward journalists.

It is admittedly extraordinary for a critics’ group, let alone four critics’ groups, to take any action that might penalize film artists for decisions beyond their control. But Disney brought forth this action when it chose to punish The Times’ journalists rather than express its disagreement with a business story via ongoing public discussion. Disney’s response should gravely concern all who believe in the importance of a free press, artists included.

The New York Film Critics Circle will vote on its annual awards Thursday, Nov. 30; the Los Angeles Film Critics Association will vote Sunday, Dec. 3; the Boston Society of Film Critics will vote Sunday, Dec. 10; and the National Society of Film Critics will vote Saturday, Jan. 6.

Claudia Puig
President, Los Angeles Film Critics Association

Eric Kohn
Chair, New York Film Critics Circle

Tom Meek
President, Boston Society of Film Critics

Liz Weis
Executive Director, National Society of Film Critics

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BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo