By Ray Pride Pride@moviecitynews.com

One-Hundred-Seventy Documentary Features Submitted For Oscar

One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards.

The submitted features, in alphabetical order:

“Abacus: Small Enough to Jail”
“Aida’s Secrets”
“Al Di Qua”
“All the Rage”
“All These Sleepless Nights”
“AlphaGo”
“The American Media and the Second Assassination of President John F. Kennedy”
“And the Winner Isn’t”
“Angels Within”
“Architects of Denial”
“Arthur Miller: Writer”
“Atomic Homefront”
“The B-Side: Elsa Dorfman’s Portrait Photography”
“Bang! The Bert Berns Story”
“Bending the Arc”
“Big Sonia”
“Bill Nye: Science Guy”
“Birthright: A War Story”
“Bobbi Jene”
“Bombshell: The Hedy Lamarr Story”
“Born in China”
“Born to Lead: The Sal Aunese Story”
“Boston”
“Brimstone & Glory”
“Bronx Gothic”
“Burden”
“California Typewriter”
“Can’t Stop, Won’t Stop: A Bad Boy Story”
“Casting JonBenet”
“Chasing Coral”
“Chasing Trane”
“Chavela”
“Citizen Jane: Battle for the City”
“City of Ghosts”
“Clive Davis: The Soundtrack of Our Lives”
“Cries from Syria”
“Cruel & Unusual”
“Cuba and the Cameraman”
“Dawson City: Frozen Time”
“Dealt”
“The Death and Life of Marsha P. Johnson”
“Destination Unknown”
“Dina”
“Dolores”
“Dream Big: Engineering Our World”
“A Dying King: The Shah of Iran”
“Eagles of Death Metal: Nos Amis (Our Friends)”
“Earth: One Amazing Day”
“11/8/16”
“Elian”
“Embargo”
“Eric Clapton: Life in 12 Bars”
“Escapes”
“Everybody Knows… Elizabeth Murray”
“Ex Libris – The New York Public Library”
“Extraordinary Ordinary People”
“Faces Places”
“The Farthest”
“The Final Year”
“Finding Oscar”
“500 Years”
“Food Evolution”
“For Ahkeem”
“The Force”
“The Freedom to Marry”
“From the Ashes”
“Gaga: Five Foot Two”
“A German Life”
“Get Me Roger Stone”
“Gilbert”
“God Knows Where I Am”
“Good Fortune”
“A Gray State”
“Hare Krishna! The Mantra, the Movement and the Swami Who Started It All”
“Harold and Lillian: A Hollywood Love Story”
“Hearing Is Believing”
“Hell on Earth: The Fall of Syria and the Rise of ISIS”
“Human Flow”
“I Am Another You”
“I Am Evidence”
“I Am Jane Doe”
“I Called Him Morgan”
“Icarus”
“If You’re Not in the Obit, Eat Breakfast”
“The Incomparable Rose Hartman”
“An Inconvenient Sequel: Truth to Power”
“Intent to Destroy”
“Jane”
“Jeremiah Tower The Last Magnificent”
“Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton”
“Joan Didion: The Center Will Not Hold”
“Joshua: Teenager vs. Superpower”
“Karl Marx City”
“Kedi”
“Keep Quiet”
“Kiki”
“LA 92”
“The Last Dalai Lama?”
“The Last Laugh”
“Last Men in Aleppo”
“Legion of Brothers”
“Let It Fall: Los Angeles 1982 – 1992”
“Let’s Play Two”
“Letters from Baghdad”
“Long Strange Trip”
“Look & See”
“Machines”
“Man in Red Bandana”
“Mr. Gaga: A True Story of Love and Dance”
“Motherland”
“Mully”
“My Scientology Movie”
“Naples ’44”
“Neary’s – The Dream at the End of the Rainbow”
“Night School”
“No Greater Love”
“No Stone Unturned”
“Nobody Speak: Trials of the Free Press”
“Nowhere to Hide”
“Obit”
“Oklahoma City”
“One of Us”
“The Paris Opera”
“The Pathological Optimist”
“Prosperity”
“The Pulitzer at 100”
“Quest”
“Rancher, Farmer, Fisherman”
“The Rape of Recy Taylor”
“The Reagan Show”
“Restless Creature: Wendy Whelan”
“Risk”
“A River Below”
“Rocky Ros Muc”
“Rumble: The Indians Who Rocked the World”
“Santoalla”
“School Life”
“Score: A Film Music Documentary”
“Served Like a Girl”
“The Settlers”
“78/52”
“Shadowman”
“Shot! The Psycho Spiritual Mantra of Rock”
“Sidemen: Long Road to Glory”
“The Skyjacker’s Tale”
“Sled Dogs”
“Soufra”
“Spettacolo”
“Step”
“Stopping Traffic: The Movement to End Sex-Trafficking”
“Strong Island”
“Surviving Peace”
“Swim Team”
“Take Every Wave: The Life of Laird Hamilton”
“Take My Nose… Please!”
“They Call Us Monsters”
“32 Pills: My Sister’s Suicide”
“This Is Everything: Gigi Gorgeous”
“Tickling Giants”
“Trophy”
“Twenty Two”
“Unrest”
“Vince Giordano – There’s a Future in the Past”
“Voyeur”
“Wait for Your Laugh”
“Wasted! The Story of Food Waste”
“Water & Power: A California Heist”
“Whitney. “Can I Be Me””
“Whose Streets?”
“The Work”

Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December.

Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.

The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.

# # #

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The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda