By MCN Editor editor@moviecitynews.com

“Farrow was also caught in the pincers of an NBC News edict. He had been told by executives that he didn’t have enough reporting to go on air with his story, according to four sources, and he had been told by the network to stop reporting. NBC tried to stop the interview with the woman accusing Weinstein of rape. The network insisted he not use an NBC News crew for the interview, and neither was he to mention his NBC News affiliation. That was how Ronan Farrow wound up paying out of his own pocket for a camera crew to film an interview.” HuffPost Editor Lydia Polgreen And Yashar Ali Paint Spike Of Harvey Weinstein Expose As Largely By Hand Of NBC News President Noah Oppenheim (Screenwriter Of Jackie)

“Farrow was also caught in the pincers of an NBC News edict. He had been told by executives that he didn’t have enough reporting to go on air with his story, according to four sources, and he had been told by the network to stop reporting. NBC tried to stop the interview with the woman accusing Weinstein of rape. The network insisted he not use an NBC News crew for the interview, and neither was he to mention his NBC News affiliation. That was how Ronan Farrow wound up paying out of his own pocket for a camera crew to film an interview.”
HuffPost Editor Lydia Polgreen And Yashar Ali Paint Spike Of Harvey Weinstein Expose As Largely By Hand Of NBC News President Noah Oppenheim (Screenwriter Of Jackie)

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch