By Ray Pride Pride@moviecitynews.com

Scorsese Joins The Online “MasterClass” Gig

Academy® Award Winning Director Martin Scorsese’s First Ever Online Class

The filmmaker behind GOODFELLAS, CASINO, GANGS OF NEW YORK, and THE DEPARTED talks about film and filmmaking on MasterClass.com

SAN FRANCISCO, SEPTEMBER 22, 2017 – MasterClass, the premier online education platform, announced today that Academy® Award-winning filmmaker Martin Scorsese will have his first ever online class. The class is open for pre-enrollment starting today.

Before he was the Oscar-winning director of GoodfellasRaging Bull, and Taxi Driver, Martin Scorsese was just a kid from New York who spent a lot of time at the movies.  A lifetime of watching great films inspired him to make some of America’s greatest films. Now he’s bringing you into his world to share his insights into the history of film and filmmaking.

With a career that spans more than fifty years, Scorsese is one of the most influential and revered filmmakers working today.  In 1990, he started The Film Foundation, a non-profit organization dedicated to film preservation and restoration. The Foundation’s preservation, education, and exhibition programs have helped raise awareness about the importance of film preservation, and in the process has  saved over 750 films.  Scorsese’s passion is renowned and his directorial achievements have received numerous awards, including: Academy Award, Palme d’Or, Emmy, Grammy, Golden Globe, BAFTA, DGA, Silver Lion. In addition, Scorsese has received awards for lifetime achievement from the AFI, BAFTA, DGA, and many more.

“I was excited by this project because it gave me a chance to pass down my own inspirations and experiences and practices and evolutions, not as a blueprint for how to make movies but as a guidepost, an offering to young people attempting to find their own way. It was so important for me to have people that passed down their own knowledge when I was young, and MasterClass has given me an opportunity to try it myself,” said Martin Scorsese, MasterClass instructor.

“Scorsese is one of the most influential filmmakers of all-time, but he’s also an eternal student. What makes him such a great teacher isn’t just his mastery, but his love of learning. This is a once in a generation opportunity,” said David Rogier, CEO and Co-Founder of MasterClass.

MasterClass is an online education company which provides classes from world-renowned instructors, making it possible for anyone to learn from the best. Each class offers a unique learning experience which includes video lessons from the instructor, interactive exercises, course materials, peer interaction and more. All classes are available online for individual purchase at www.masterclass.com.

# # # 

ABOUT MASTERCLASS

Established in 2015, the San Francisco-based company was founded on the idea that everyone should have “access to genius.” The premier online education platform provides affordable, engaging, and inspirational online classes taught by world-renowned instructors, making it possible for anyone to learn from the best. Each class offers a unique learning experience which includes video lessons, interactive exercises, a series of course materials, peer interaction, and more. MasterClass’ current roster of courses includes Christina Aguilera (singing), Kevin Spacey (acting), Usher (performance), Gordon Ramsay (cooking), Serena Williams (tennis), James Patterson (writing), Dustin Hoffman (acting), Werner Herzog (filmmaking), Aaron Sorkin (screenwriting), Reba McEntire (country music), Deadmau5 (music production), Hans Zimmer (film scoring), Shonda Rhimes (writing for television), Steve Martin (comedy), David Mamet (dramatic writing), and Jane Goodall (conservation). Most recently, the company announced pre-enrollment for Frank Gehry (design and architecture), Diane von Furstenberg (how to build a fashion brand), Garry Kasparov (chess), and Herbie Hancock (jazz). For more information, please visit www.masterclass.com.

Leave a Reply

Quote Unquotesee all »

“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner