By Ray Pride Pride@moviecitynews.com

Here Comes The 53rd Chicago Int’l Film Festival

[PR] Mimi Plauché, recently named Artistic Director of Cinema/Chicago and the Chicago International Film Festival, today announced the first 25 films to be shown at the 53rd annual event, running October 12 – 26, 2017.

The roster of films is wih an array of electrifying, challenging and entertaining feature and documentary films, including likely awards-season contenders, the work of highly acclaimed directors, indie treasures and discoveries. Within the first 25 films, a range of countries are represented, including Argentina, Brazil, China, Lebanon, Slovakia, and the United States (including two films from Chicago-based filmmakers). In addition to the Festival’s established sections, this year’s programming will also include architecture and design films in conjunction with the Chicago Architectural Biennial and a special focus on International Film Noir.  

“It’s another great year for film, from dark comedies that make us laugh in spite of ourselves, to intense psychological thrillers that expose our deep-seated anxieties, to politically minded documentaries that dare us to engage with the world in deeper ways,” said Plauché. “From Brazil to Iran, Senegal to Chicago, we are welcoming back Festival favorites, distinguished masters, and rising talents.”

Concurrently, Cinema/Chicago President and CEO Michael Kutza unveiled the 2017 Festival poster. The winning design, created by Netherlands-born, German resident Edwin Smeenge, a self-taught painter and graphic designer, was chosen from 172 entries from more than 30 countries and features the Festival’s new tagline, “Because Life Is a Movie.”

“Edwin’s image of a curious face looking out from the dark is perfect,” Kutza says. “It precisely captures the sense of curiosity, adventure and discovery that our audiences bring to the Festival. It also works so well as we have our international Film Noir section at this year’s Festival.”

The Chicago International Film Festival First 25 Films:

Blade of the Immortal
Mugen no jûnin
Director: Takashi Miike

Japan

 

A disgraced samurai partners with an orphan girl to take revenge on the swordsmen who slaughtered her family. Based on the manga series by Hiroaki Samura, the hundredth feature from Japanese maverick Takashi Miike has heart, humor and a helluva body count courtesy of show-stopping action sequences that see the director at his bloody best. Japanese with subtitles. 140 min.

The Cakemaker

Director: Ofir Raul Graizer

Israel, Germany

 

This tender drama about a closeted love affair unfolds through the eyes of Tomas, a Berlin pastry chef who learns that Oren, his Israeli lover, has died in a car accident in Jerusalem. Unmoored by his loss, Thomas journeys to Israel to begin the process of healing, inserting himself into the life of Oren’s wife and young son. This expertly crafted film is a moving portrait of grief and catharsis. Hebrew, German with subtitles.104 min.

Chasing the Blues

Director: Scott Smith

United States

 

Rival music collectors scheme against one another to con a woman out of a rare blues record—and end up serving two decades in jail. Once Alan Thomas is a free man, he heads by bus to retrieve the precious album. A rollicking Chicago-made comedy featuring Saturday Night Live alumnus Jon Lovitz,Chasing the Blues is a funny, surprising trip about the extremes to which people will go to pursue their obsessions.
77 min.

 

The Experimental City
Director: Chad Freidrichs

United States

 

From the acclaimed director of The Pruitt-Igoe Myth comes the fascinating true story of the MXC (Minnesota Experimental City). A futuristic metropolis designed to eradicate the waste of urban living, the planned community encountered resistance when local citizens and environmentalists rose up in protest. Freidrichs chronicles the clash between scientific progress and American values. 95 min.

Faces Places
Visages Villages
Directors: Agnès Varda, JR
France

The New Wave living legend teams up with street photographer JR for a road trip through the French countryside, chronicling the ordinary folk they encounter (farmers, waitresses, factory workers). A beautiful meditation on the journey through life and the kindred spirits you meet along the way. French with subtitles. 89 min.

Félicité
Director: Alain Gomis

France, Belgium, Senegal 

 

Single mother and chanteuse Félicité ekes out a living performing in a rough Kinshasa bar. Her fiercely guarded independence is threatened after her son is involved in a life-threatening accident. A love letter to persistence and the power of song, Félicité is buoyed by one woman’s irrepressible spirit in the face of overwhelming odds. Lingala, French with subtitles. 123 min.


Fortunata

Director: Sergio Castellitto

Italy

 

On the outskirts of Rome, a hairdresser with dreams of opening her own salon strikes up an affair with her daughter’s therapist. Jasmine Trinca won the acting prize in Cannes’ Un Certain Regard section for her portrayal of a woman determined to live life on her own terms and who is unafraid to make mistakes. Italian with subtitles. 103 min. 

Gemini

Dir. Aaron Katz.

United States

 

In this intoxicating L.A.-set neo-noir, Lola Kirke (Gone Girl) stars as Jill, a personal assistant to a Hollywood starlet (Zoe Kravitz). When the young actress is found dead, Jill sets out to investigate the murder and prove her own innocence. But Gemini is much more than its mystery plot and cool, sleek surfaces: Indie auteur Katz has wrapped his engaging thriller around a sly riff on celebrity and identity in the City of Angels. 93 min.

 

God’s Own Country
Director: Francis Lee

United Kingdom

 

An unlikely yet passionate romance between a frustrated young farmer and a migrant worker forms the spine of writer-director Lee’s astonishingly accomplished first feature. Set against the breathtaking backdrop of the north English countryside, the tender love story unfolds in sharply drawn, deeply considered detail. Small moments carry great weight. 104 min.

Goodbye Christopher Robin

Director: Simon Curtis

United Kingdom

Domhnall Gleeson stars as beloved children’s author A.A. Milne in this moving tale centering on his relationship with his young son Christopher Robin (Will Tilston), whose toys inspired the magical world of Winnie-the-Pooh. Along with his mother Daphne (Margot Robbie) and his nanny Olive (Kelly Macdonald), Christopher Robin and his family are swept up in the international success of the books, which bring hope and comfort to England after the First World War. 119 min. 

Have a Nice Day

Hao ji le

Director: Liu Jian

China

 

In Southern China, driver Xiao Zhang steals one million yen from his mobster boss to finance a trip to South Korea for a girlfriend who needs to have a botched cosmetic surgery repaired. That ill-considered act sets into motion a violent series of events leading to an electrifying climax in Liu’s animated black comedy, all of it rendered in a precise, artful comic-book palette and punctuated with pop music. Mandarin with subtitles. 74 min.


The Insult

L’insulte
Director: Ziad Doueiri

Lebanon, France

 

In this ripped-from-the-headlines drama, a trivial contretemps between a Lebanese Christian and a Palestinian construction worker comes to a head in a highly publicized national trial. Politically engaged Lebanese filmmaker Doueiri (West Beirut) delves into his country’s contentious history and offers sly comment on male pride. Arabic with subtitles. 110 min

 

In the Fade
Aus dem Nichts
Director: Fatih Akin

Germany, France

 

Diane Kruger won the Best Actress prize at the Cannes Film Festival for her searing performance as a Hamburg woman whose world is torn apart by grief and anger after neo-Nazi sympathizers murder her Kurdish husband and six-year-old son. From the award-winning filmmaker Faith Aiken (Head-On), comes a powerful take on the revenge drama and a study of a woman driven to the edge. German with subtitles. 106 min.

The Line

Ciara 
Director: Peter Bebjak

Slovakia, Ukraine

 

His daughter is pregnant and his gang is in revolt, leaving cigarette smuggler Adam squeezed from all sides in this fast-paced thriller. The Line is an exemplary crime picture featuring muscular direction, a savvy screenplay, spectacularly photographed locations and a propulsive score. Slovak, Ukranian with subtitles. 112 min.

No Date, No Signature 
Bedoune Tarikh, Bedoune Emza
Director: Vahid Jalilvand

Iran

 

A seemingly minor traffic collision has far-reaching consequences in this story of a well-meaning doctor haunted by the death of a child he might have prevented. In only his second feature, Jalilvand coaxes brilliantly understated performances from a superb cast for this compelling, considered meditation on guilt and grief. Farsi with subtitles. 100 min.

Paris Square

Plaça Paris
Director: Lúcia Murat

Brazil, Argentina

 

Psychotherapist Camila has arrived in Brazil to study the effects of violence on society. Glória, hoping to work through her troubled past growing up in a favela, comes to Camila as patient and case-study subject. The doctor-patient relationship becomes increasingly strained as social tensions rise to the surface and power dynamics begin to shift in this taut psychological thriller. Portuguese with subtitles. 110 min.

Princess Cyd
Director: Stephen Cone

United States

 

A sporty 16-year-old girl visits her middle-aged novelist aunt, and the two opposites must strive to find common ground. From the Chicago-based director of Henry Gamble’s Birthday Party comes a charming coming-of-age tale about generational difference, sexual identity, spirituality—and the delicate process of opening up to human intimacy. 96 min.

 

Sammy Davis, Jr.: I’ve Gotta Be Me

Director: Sam Pollard

United States

 

Singer, dancer, and actor; “Rat Pack” legend; civil rights activist; Jewish convert; Nixon supporter—the life of Sammy Davis, Jr. defies easy categorization. Charting the performer’s surprising journey across the major flashpoints of contemporary American history, Oscar-nominated filmmaker Sam Pollard culls together a captivating exploration of the man and his talents. 113 min.

Spoor
Pokot
Director: Agnieszka Holland in collaboration with Kasia Adamik

Poland

 

The acclaimed filmmaker returns to the big screen with a genre-bending, ecologically-minded thriller following a retiree and avowed defender of animal rights living in Southern Poland. The outspoken woman believes she knows who is behind a recent spate of murders in the wilderness near her home, yet she’s dismissed by her neighbors, who view her with deep suspicion. Polish with subtitles. 128 min.

The Square

Director: Ruben Östlund

Sweden, Germany, France

 

In his Palme d’Or-winning follow-up to 2014’s Force Majeure, Ruben Östlund hilariously satirizes the art world with the outrageous story of a museum curator who finds himself in hot water after falling victim to a con artist and approving a questionable media campaign that unexpectedly goes viral. The film features uproarious performances from Claes Bang, Elisabeth Moss, Dominic West and Terry Notary. English, Swedish, Danish with subtitles. 142 min.

Thelma

Director: Joachim Trier

Norway, Sweden, France

 

In Trier’s follow-up to the critically acclaimed Louder Than Bombs, shy college student Thelma moves away from her religious family to attend college in Oslo. After experiencing a violent seizure, she becomes powerfully attracted to Anja, another woman on campus. As her passion becomes all-consuming and her behavior increasingly reckless, her seizures—a manifestation of some inexplicable paranormal abilities—intensify. Soon, Thelma must confront the terrifying implications of her powers. Norwegian with subtitles. 116 min.


Three Billboards Outside Ebbing, Missouri

Director: Martin McDonagh

United States, United Kingdom

Frances McDormand stars in this darkly comic drama as Mildred Hayes, a woman who paints three signs leading into her town with a controversial message directed at the chief of police (Woody Harrelson). The bold move—designed to prompt him to find the culprit in her daughter’s murder—only exacerbates the battle between Mildred and Ebbing’s law enforcement. 110 min.

Under the Tree

Undir trénu
Director: Hafsteinn Gunnar SigurDsson

Iceland, Poland, Denmark

 

Two neighboring households are locked in a bitter dispute over a tree. As the disagreement escalates, property is damaged, pets disappear, security cameras are installed and the complaining neighbor acquires a chainsaw. Part-family drama, part-dark comedy, part-thriller, Under the Tree plants itself squarely in a class of its own. Icelandic with subtitles. 90 min.

The Workshop
L’Atelier

Director: Laurent Cantet

France

In this gripping thriller, Parisian crime author Olivia develops a troubling relationship with a combative student from her writing group. His tales of imagined violence and his support for extremist ideologies raise alarm bells, but her intellectual curiosity draws her ever closer as the film veers toward a blistering conclusion. French with subtitles. 114 min.

 

Short Series Films:


Turtles are Always Home

Director: Rawane Nassif 

Qatar/Lebanon

 

500,000 Years
Director: Chai Siris

Thailand

 

Highlights from this year’s shorts program include Turtles are Always Home (Qatar/Lebanon), a personal portrait about the search for home in a transient world, and 500,000 Years (Thailand), an eerie documentary about a traveling cinema, a religious shrine, and the ghostly world of the dead.

Festival and Ticket Information

The 53rd Chicago International Film Festival runs Oct. 12 – 26 at the AMC River East. Featuring more than 150 films, with a vast diversity of offerings, with numerous competitive categories and several highlight programs such as Black Perspectives, Cinemas of the Americas, Out-Look, After Dark and the City & State program, showcasing films made in Chicago and throughout Illinois. 

The complete Festival schedule will be announced September 19, 2017. Festival passes ($105 – $260) are now on sale. Individual tickets ($7 to $20) and Special Event tickets ($30 to $150) will go on sale September 20 for Cinema/Chicago Members and on September 22 for the general public. Discounted parking is available at AMC River East 21 (322 E. Illinois Street). For more information, visit www.chicagofilmfestival.com or call 312-683-0121.    

About Cinema/Chicago
Cinema/Chicago, the parent organization of the Chicago International Film Festival, is a year- round non-profit arts and education organization dedicated to fostering better communication between people of diverse cultures through the art of film and the moving image. Year-round programs include the Chicago International Film Festival, the Chicago International Television Festival, CineYouth Festival, International Screenings Program, and Education Program. For more information visit chicagofilmfestival.com

#          #          

Comments are closed.

Quote Unquotesee all »

“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner