By Ray Pride Pride@moviecitynews.com

Focus Features Live-Streaming Three Older Features On Facebook Live On Friday

 

[PR] A trio of film favorites from Focus Features will be streamed on Facebook Live over the next three Friday nights in August and September. #FocusFridays will take place each Friday night on the Focus Features Facebook Page, beginning 6:00 PM PT.

The lineup of movies:
Friday, August 25: The Motorcycle Diaries (2004) won the Academy Award for Best Original Song (“Al Otro Lado del Río”). Following an inspiring journey of self-discovery and tracing the youthful origins of a revolutionary heart, the Latin American continent is unveiled in all its glory as two friends experience life at its fullest.

Friday, September 1: The Constant Gardener (2005) sweeps audiences along one man’s emotional and global journey to uncover the truth behind a personal loss and a worldwide conspiracy. For her performance opposite Ralph Fiennes, Rachel Weisz won the Screen Actors Guild, Golden Globe, and Academy Award.

Friday, September 8: Eternal Sunshine of the Spotless Mind (2004) earned Golden Globe Award nominations for its stars Jim Carrey and Kate Winslet, in an unforgettable love story, a tumultuous relationship seen through a maze of memories. Winner of the Academy Award for Best Original Screenplay.

#FocusFridays is the latest celebration part of Focus 15 (www.focusfifteen.com), the initiative commemorating the founding 15 years ago of worldwide film company Focus Features, whose films have garnered 105 Academy Award nominations and won 21 Oscars. Film buffs and movie fans can sign up at Focus Insider for invites to retrospective screenings, limited-edition soundtracks and posters giveaways, and all Focus 15 updates through www.focusfeatures.com/subscribe.

Focus Features (www.focusfeatures.com) acquires and produces specialty films for the global market, and holds a library of iconic movies from fearless filmmakers. Current and upcoming domestic releases from Focus include Sofia Coppola’s The Beguiled, winner of the Best Director award at the 2017 Cannes International Film Festival; the breakneck action-thriller Atomic Blonde, directed by David Leitch and starring Charlize Theron and James McAvoy; Victoria & Abdul, directed by Stephen Frears and starring Judi Dench as Queen Victoria;Darkest Hour, directed by Joe Wright and starring Gary Oldman as Winston Churchill; the untitled Entebbe project, a gripping political thriller directed by José Padilha and starring Rosamund Pike and Daniel Brühl; Jason Reitman’s new comedy Tully, starring Charlize Theron and written by Diablo Cody; and the untitled new film from Paul Thomas Anderson starring Daniel Day-Lewis.

Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBCUniversal is a subsidiary of Comcast Corporation.

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch