By Ray Pride Pride@moviecitynews.com

Annapurna Pictures Will Be Released By Fox Home Entertainment

[PR]  Kathryn Bigelow’s DETROIT to be First Film Released Under New Agreement

Annapurna and Twentieth Century Fox Film announced a multi-year home entertainment deal. Under the terms of the new partnership, Fox will service the U.S. home entertainment rights for all Annapurna-produced pictures across physical, Digital HD and TVOD platforms.

Kathryn Bigelow’s DETROIT will be the first film released under the agreement. The crime thriller set against the backdrop of the 1967 Detroit Rebellion is set for theatrical release on August 4, 2017.

“We are very excited to partner with Twentieth Century Fox Film to extend the reach of our films beyond the in-theater experience,” said Erik Lomis, President of Distribution, Annapurna. “We are confident that our films are in the best possible hands, and we look forward to a strong collaboration to bring them to market.”

Added Mary McLaren, Worldwide Chief Operating Officer, Twentieth Century Fox Home Entertainment, “Annapurna is taking their approach to creating critically and commercially acclaimed films to the next level, and we are excited to partner with them to deliver these powerful stories to broader audiences across the United States.”

The new deal continues to grow Annapurna’s distribution operation, which has in recent months announced international distribution partnerships with Metro-Goldwyn-Mayer (MGM), eOne, Longride, Mars Distribution, and Eagle Pictures/Leone Film Group.

Twentieth Century Fox Film also expands its Home Entertainment footprint, which already includes the studios’ own theatrical releases, as well as that of MGM, DreamWorks Animation, eOne, EuropaCorp, Lucasfilm, MGM, Pathe and Warner Brothers. Twentieth Century Fox Home Entertainment has offices in 16 countries worldwide, giving consumers access to Fox content in more than 100 countries.

ABOUT ANNAPURNA

Annapurna, founded by Megan Ellison, focuses on creating sophisticated, high-quality content that is critically and commercially conscious while still appealing to a diverse audience. By upholding Ellison’s vision to put filmmakers and artists first and preserve their authentic creative voices no matter the genre or medium, in 5 years, the company has garnered a total of 32 Academy Award nominations for their projects, including ZERO DARK THIRTY, JOY, THE MASTER, FOXCATCHER, and THE GRANDMASTER. Ellison is also one of only four honorees ever to receive two Best Picture nominations in the same year, with HER and AMERICAN HUSTLE, both earning nods in 2014. Currently, Annapurna is preparing for the release of Kathryn Bigelow’s DETROIT, its first distribution title, that will hit theaters on August 4, 2017. Other upcoming releases for 2017 include Angela Robinson’s PROFESSOR MARSTON AND THE WONDER WOMEN. The company is also in production on Paul Thomas Anderson’s untitled new period film starring Daniel Day-Lewis and is in pre-production on the film adaptation of Maria Semple’s WHERE’D YOU GO, BERNADETTE, to be directed by Richard Linklater.  Annapurna’s most recent projects include Mike Mills’ 20TH CENTURY WOMEN, which was nominated for two Golden Globes and earned Mills a Best Original Screenplay Academy Award nomination, as well as SAUSAGE PARTY, WIENER-DOG, and EVERYBODY WANTS SOME and THE BAD BATCH. Bigelow also directed and partnered with Annapurna on the animated short LAST DAYS, about illegal elephant poaching and the ivory trade.

ABOUT TWENTIETH CENTURY FOX HOME ENTERTAINMENT

Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film. TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions as well as all third party distribution partners on DVD, Blu-ray, 4K Ultra HD, Digital HD, and VOD (video-on-demand). Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets and digital stores throughout the world.

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“The Motion Picture Academy, at considerable expense and with great efficiency, runs all the nominated pictures at its own theater, showing each picture twice, once in the afternoon, once in the evening. A nominated picture is one in connection with which any kind of work is nominated for an award, not necessarily acting, directing, or writing; it may be a purely technical matter such as set-dressing or sound work. This running of pictures has the object of permitting the voters to look at films which they may happen to have missed or to have partly forgotten. It is an attempt to make them realize that pictures released early in the year, and since overlaid with several thicknesses of battered celluloid, are still in the running and that consideration of only those released a short time before the end of the year is not quite just.

“The effort is largely a waste. The people with votes don’t go to these showings. They send their relatives, friends, or servants. They have had enough of looking at pictures, and the voices of destiny are by no means inaudible in the Hollywood air. They have a brassy tone, but they are more than distinct.”All this is good democracy of a sort. We elect Congressmen and Presidents in much the same way, so why not actors, cameramen, writers, and all rest of the people who have to do with the making of pictures? If we permit noise, ballyhoo, and theater to influence us in the selection of the people who are to run the country, why should we object to the same methods in the selection of meritorious achievements in the film business? If we can huckster a President into the White House, why cannot we huckster the agonized Miss Joan Crawford or the hard and beautiful Miss Olivia de Havilland into possession of one of those golden statuettes which express the motion picture industry’s frantic desire to kiss itself on the back of its neck? The only answer I can think of is that the motion picture is an art. I say this with a very small voice. It is an inconsiderable statement and has a hard time not sounding a little ludicrous. Nevertheless it is a fact, not in the least diminished by the further facts that its ethos is so far pretty low and that its techniques are dominated by some pretty awful people.

“If you think most motion pictures are bad, which they are (including the foreign), find out from some initiate how they are made, and you will be astonished that any of them could be good. Making a fine motion picture is like painting “The Laughing Cavalier” in Macy’s basement, with a floorwalker to mix your colors for you. Of course most motion pictures are bad. Why wouldn’t they be?”
~ Raymond Chandler, “Oscar Night In Hollywood,” 1948

“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson