By Ray Pride Pride@moviecitynews.com

Film Festival Alliance Sets New Leadership

Dallas, TX (April 20, 2017) – Following a successful fourth annual conference in conjunction with the Art House Convergence in January, the Film Festival Alliance (FFA) has officially announced a newly elected Board of Directors, building on FFA’s established foundation to become North America’s preeminent film festival service organization, strengthening this vital segment of the film exhibition industry, and providing even more robust resources to help mission-driven film festivals meet their community needs.

The newly elected Board of Directors includes President Dan Brawley (Cucalorus Film Festival), Vice President Andrew Rodgers (Denver Film Society), Treasurer Anne Chaisson  (Hamptons International Film Festival and FFA founding member), Secretary Judy Laster (Woods Hole Film Festival, FFA founding member) and Jon Gann (Founder DC Shorts Film Festival, Past Program Director, FFA.)

Members at large include Beth Barrett (SIFF), Clint Bowie (New Orleans Film Society), Mark Fishkin (Califiornia Film Institute) and Josh Leake (Portland Film Festival.)

FFA has hired Lela Meadow-Conner (Tallgrass Film Association) to serve in a consulting role as the Acting Executive Director. A founder of Wichita’s Tallgrass Film Festival, its former Executive Director, and current Creative Director, she brings her entrepreneurial spirit and love of film festivals to the FFA. The alliance’s founding members created a strong framework and the group is committed to constructing a productive and valuable organization for all film festival folks. “It’s important to us that we are an inclusive group for all film festival professionals and that we recognize our common threads, and appreciate those characteristics that make every festival unique,” said Meadow-Conner.

“Along with developing the best programming for our fifth annual conference in January, 2018, we’ll be focusing on learning from our members how best we can help service our industry and advocate for film festivals of all sizes and genres across the country,” said Brawley.

Film festival professionals may join as an individual member or as an organization. For membership information, go to: www.filmfestivalalliance.org.

ABOUT FILM FESTIVAL ALLIANCE
Originally founded in 2010 as a program of IFP, FFA was established in 2015 as an independent non-profit organization to develop and foster collaboration among mission-driven film festivals around the world and create a sustainable professional environment for the presentation of film and media programs. Through integrity, collaboration, courage, inclusion and creativity, FFA champions the vital role of film festivals, filmmakers and cinema culture in the 21st Century and beyond. Founding festivals include Sundance Institute, Full Frame Documentary Institute, SXSW and Milwaukee Film.

Contact:
Dan Brawley, President
dan@cucalorus.org

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“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles