By Rose Kuo rkuo@me.com

A Farewell To Jonathan Demme

Screen Shot 2017-04-26 at 4.48.47 PM

Jonathan Demme is the only person I have ever known who could decline an invitation you made in such a way that you still experienced the joy of his presence, even in his absence. Jonathan enthusiastically agreed to serve as a filmmaker-mentor during my tenure as the executive director of the Film Society of Lincoln Center. He would pass on red carpet walks and skip the fancy gala dinners. Instead, he would slip in quietly to a theater to see the new film by an unknown filmmaker, and afterwards, enthusiastically share his excitement about the discovery.

Many will write about his accomplishments as a distinguished filmmaker of Oscar-winning films like Silence of the Lambs, Beloved, and Philadelphia, and my personal favorite, Stop Making Sense, the music documentary about the Talking Heads. I remember him as an artist who brought a holistic approach to sharing his creative gift with others. He engaged with anyone who had a passion for film, art or music—young and old, neophyte and jaded veteran. All held his rapt attention, experienced his endless patience for listening deeply, and benefited from his wisdom and random acts of kindness.

His brought a kinder and gentler sensibility to the world he occupied.

Sometimes, he would write a note to point out an omission when he noticed an artist had been overlooked, or to suggest something he had seen. He loved to lend support to new work and emerging filmmakers. And he was always, always willing to devote time to mentoring and helping young talent. He will be remembered mostly for his many achievements as a film director, but I am sure he would feel no slight to be remembered as simply a great human being.

So in afterlife, as in his life, Jonathan will make us feel his presence, even in his absence. And his presence and influence was, fortunately for all of us, everywhere.

Rest in peace, JD.

2 Responses to “A Farewell To Jonathan Demme”

  1. Thomas Zorthian says:

    I first became aware of Demme when I saw Last Embrace on cable. I loved the stylistic flourishes of that film and noted the director’s name. I decided that I wanted to see more from this auteur. I was filled with joy and awe when I saw Something Wild at the theater. When The Silence of the Lambs came around, it cemented my faith in Mr. Demme. I was shocked when I read of his untimely demise, but am thankful for all the great films that he gave us. A luta continua.

  2. Ed SAXON says:

    Gorgeous and so very true.

Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz