By Ray Pride Pride@moviecitynews.com

True/False Film Fest Awards Claire Simon Its True Vision Award

[PR] The True/False Film Fest is proud to announce that Claire Simon will receive this year’s True Vision Award in honor of her achievement in and contribution to the field of nonfiction filmmaking.

True Vision is the only award given out at the fest. Simon is the 14th recipient of this honor. Last year, the award was given to Iranian director Mehrdad Oskouei. Other winners of the True Vision Award include Laura Poitras (2010), James Marsh (2011), and Adam Curtis (2015).

Simon will be appearing at the fest with her newest film, The Graduation, as well as a selection of her previous work. The Graduation observes a team of judges interviewing prospective candidates to La Fémis, France’s most prestigious film school. A former instructor at the school, Simon gained unguarded access to heated behind-the-scenes debates, which she captures with characteristic grace and insight.

Of The Graduation, True/False senior programmer Chris Boeckmann says, “Claire tends to focus on small-scale stories, but they invariably resonate in grand ways. She is both attuned to the poetry of everyday gestures and the large societal forces that shape our behavior.”

Simon, a French director born in London who began as an editor, will be making her first appearance at True/False. She has made a dozen features in a 30-year career playing at the line between documentary and fiction.

In her startling 1992 breakthrough, Récréations (also featured at T/F), Simon embeds with a class of young children. Her camera studies their dynamics during recess, the only time of the day they exert autonomy. Simon finds genuine drama here plus some primal truths.

The idiosyncratic path Simon has followed since Récréations is full of unpredictable, exhilarating turns.

In Coûte que Coûte (1995), Simon rooted the cutthroat capitalist world in the struggle of a man trying to keep a catering business afloat. Simon has also mined her own life: her daughter’s love travails in 800 km de différence / Romance (2001) as well as a friend reflecting back on her life in the ambling masterpiece Mimi (2002), also playing at T/F. Constructed from seven years of real-life dialogue collected by Simon, God’s Offices (2008) features celebrated actors as family-planning counselors.

The True/False Film Fest will take place March 2-5 in downtown Columbia, Missouri. For more information, please visit truefalse.org.

The award is given with support from Restoration Eyecare. The award is designed and cast in bronze by local Mid-Missouri artist Larry Young.

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“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles