By Ray Pride Pride@moviecitynews.com

True/False Film Fest Awards Claire Simon Its True Vision Award

[PR] The True/False Film Fest is proud to announce that Claire Simon will receive this year’s True Vision Award in honor of her achievement in and contribution to the field of nonfiction filmmaking.

True Vision is the only award given out at the fest. Simon is the 14th recipient of this honor. Last year, the award was given to Iranian director Mehrdad Oskouei. Other winners of the True Vision Award include Laura Poitras (2010), James Marsh (2011), and Adam Curtis (2015).

Simon will be appearing at the fest with her newest film, The Graduation, as well as a selection of her previous work. The Graduation observes a team of judges interviewing prospective candidates to La Fémis, France’s most prestigious film school. A former instructor at the school, Simon gained unguarded access to heated behind-the-scenes debates, which she captures with characteristic grace and insight.

Of The Graduation, True/False senior programmer Chris Boeckmann says, “Claire tends to focus on small-scale stories, but they invariably resonate in grand ways. She is both attuned to the poetry of everyday gestures and the large societal forces that shape our behavior.”

Simon, a French director born in London who began as an editor, will be making her first appearance at True/False. She has made a dozen features in a 30-year career playing at the line between documentary and fiction.

In her startling 1992 breakthrough, Récréations (also featured at T/F), Simon embeds with a class of young children. Her camera studies their dynamics during recess, the only time of the day they exert autonomy. Simon finds genuine drama here plus some primal truths.

The idiosyncratic path Simon has followed since Récréations is full of unpredictable, exhilarating turns.

In Coûte que Coûte (1995), Simon rooted the cutthroat capitalist world in the struggle of a man trying to keep a catering business afloat. Simon has also mined her own life: her daughter’s love travails in 800 km de différence / Romance (2001) as well as a friend reflecting back on her life in the ambling masterpiece Mimi (2002), also playing at T/F. Constructed from seven years of real-life dialogue collected by Simon, God’s Offices (2008) features celebrated actors as family-planning counselors.

The True/False Film Fest will take place March 2-5 in downtown Columbia, Missouri. For more information, please visit truefalse.org.

The award is given with support from Restoration Eyecare. The award is designed and cast in bronze by local Mid-Missouri artist Larry Young.

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“Last night’s Oscar bizarreness was not just bizarre but bizarre in a way that is typical of this entirely bizarre time. The rhythm of the yes-they-won-oh-my-God-no-they-didn’t event, with La La Land replaced by Moonlight as Best Picture, was weirdly like that of… Election Night. First, a more or less expected, if “safe,” result was on its way—though Hillary Clinton never got all the way to the stage, so to speak, the result did seem safely in hand at 7pm., according to the polling—and the expected and safe people were ready to deliver their touching but obviously polished pieces. Then the sudden confusion and visible near-panic of people running around in the backgroun, with the same slightly horrified spirit that one felt on Election Night as shocking results began emerging from exurban counties in Florida. Then, yes—can this be happening?—the revised and unexpected result.

“In this case, obviously, the result was positive to all but the poor La La Land producers, with their earnest and spouse-approved speeches already delivered. Moonlight was no Donald Trump of cinema, and obviously a popular favorite. But the rhythm of the night was disconcertingly the same, and the sheer improbability of the happenstance scarily alike. Nothing like this has remotely happened before. This wasn’t just a minor kerfuffle. This was a major malfunction. Trump cannot be President. People don’t say “Grab ’em by the pussy” and get elected President. Can’t happen. In the same way, while there have been Oscar controversies before—tie votes and rejected trophies—never before has there been an occasion when the entirely wrong movie was given the award, the speeches delivered, and then another movie put in its place. That doesn’t happen. Ever.

“And so both of these bizarre events put one in mind of a simple but arresting thesis: that we are living in the Matrix, and something has gone wrong with the controllers. This idea was, I’m told, put forward first and most forcibly by the NYU philosopher David Chalmers: what is happening lately, he says, is proof that we are living in a computer simulation and that something has recently gone haywire within it. The people or machines or aliens who are supposed to be running our lives are having some kind of breakdown. There’s a glitch, and we are in it. There may be not merely a glitch in the Matrix. There may be a Loki, a prankster, suddenly running it.”
~ Adam Gopnik

“I think they were focused so hard on politics that they didn’t get the act together at the end,” President Trump said. “It was a little sad. It took away from the glamour of the Oscars. It didn’t feel like a very glamorous evening. I’ve been to the Oscars. There was something very special missing, and then to end that way was sad.”
~ Trump Offers Breitbart Exclusive On His Thinking About Oscar