“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By David Poland firstname.lastname@example.org
Friday Estimates by Still Lego’d Len
Slow-fading IP and soft originals define this box office weekend. The Lego Batman Movie will be a modest success, degree depending on international. But it’s already 20% or so off of The Lego Movie and that is with Batman, a character that almost always wins. Estimates of what The Ninjago Movie might do should probably be revised well below $100 million. That may cause a push at WB to push the recently pushed back Lego Movie sequel to a closer date again.
Fifty Shades Darker is not a disaster, financially. But domestically, it is a gray shadow of the original and the promise of the franchise. Some Big international markets seem sure to be off by significant percentages as well. Film #3 is already shot and really, there is nothing to be done to fix what is wrong here. So expect lower numbers the third time, but again, not to the point of not being profitable.
The Great Wall didn’t die… but is not strong. Matt Damon’s brand gets a boost from this opening at all.
Ice Cube is looking at his worst opening in over a decade with Fist Fight. The only one nearly as soft was Lottery Ticket, which was a non-spin-off spin-off of the Barbershop brand, but at WB, where selling to the “urban” audience is not generally a strength. I have to say, I was the target audience for this movie… but I’m not sure anyone selling it knew that.
A Cure For Wellness openly sickly. Fox spent on it. But you didn’t really get the sense they were all in on this one. Perhaps they should have pushed it into August, after Valerian, hoping that release established a commercial branding of Dane DeHaan, which it might. (He’s great… but not an opener.)
No $10k per-screen openers on the limited/exclusive scene this weekend.