By Ray Pride Pride@moviecitynews.com

Oscar Scraps Dawn Nominations Presser For Online Live Stream And Featured Placement On ABC’s “Good Morning America”

 

[PR] We’ve got exciting news.

To welcome our new class of nominees, several Oscar®-winning and nominated Academy members including Jennifer Hudson, Brie Larson, Emmanuel Lubezki, Jason Reitman and Ken Watanabe will join Academy President Cheryl Boone Isaacs to reveal the 89th Oscars® Nominations, on Tuesday, January 24, beginning at 5:18 a.m. PST/8:18 a.m. EST/1:18 p.m. GMT/9:18 p.m. CST.

In a departure from our tradition of a live audience at the Academy, this year’s nominations will be announced via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, a satellite feed, and local broadcasters, including “Good Morning America.”

To support your coverage, downloads and editorial content for the 24 Oscar award categories will be available on Oscar.com and Oscars.org immediately following the announcement. Satellite coordinates and announcement details will be available in the coming days, including interview opportunities.

We invite you to celebrate our 89th Academy Awards® with us, and to share in a terrific new Oscar season.

Thank you,
Academy Communications

 

 

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film.  In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

 

FOLLOW THE ACADEMY
www.oscars.org
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One Response to “Oscar Scraps Dawn Nominations Presser For Online Live Stream And Featured Placement On ABC’s “Good Morning America””

  1. pat says:

    I bet Ken Watanabe is going to spend January 25 apologizing for mispronouncing Hidden Fences a half dozen times.

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Who are the critics speaking to?
Nobody seems able to answer the question of how you can make theatre criticism more appealing, more clickworthy. One answer is to be a goddamn flamethrower every week, be a bombthrower, to write scorched-earth reviews. Just be completely hedonistic and ego-driven in your criticism, become a master stylist, and treat everything in front of you onstage as fodder for your most delicious and vicious language. That’s one road. And people may enjoy your writing. The thing that’s sacrificed is any sense of a larger responsibility, and any aesthetic consistency. I don’t think anyone is following that model right now—just being a complete jerk.

Well, Rex Reed is still writing.
Ah. Well, you can also be a standard bearer, and insist that work doesn’t measure up to your high standards. But I think the art makes the standards. I’m not going to sit there and say, “This is the way you do Shakespeare.” I believe that every play establishes its own standards, and our job is to just evaluate it. But everybody’s looking for the formula for how to talk about culture so that people who don’t have any time to read want to read about it. Is there something beyond thumbs-up, thumbs-down criticism? I would hope there’s a way to talk about a theatre event in real time—meaning while it’s still going on—in a way that’s engaging, funny, witty, and evaluates the elements of the thing. But it’s like if you had a friend who was like, “Gee, are you working out? You look great. But that’s a terrible haircut.” Nobody wants that person around.
~ Time Out’s 17-Year Theatre Critic, David Cote, Upon His Exit

“Now I am awake to the world. I was asleep before. When they slaughtered Congress, we didn’t wake up. When they blamed terrorists and suspended the Constitution, we didn’t wake up either. They said it would be temporary. Nothing changes instantaneously. In a gradually heating bathtub you’d be boiled to death before you knew it.”
“The Handmaid’s Tale,” Bruce Miller