By Ray Pride Pride@moviecitynews.com

Houston Film Critics Society Awards

La Land Land
Director — Damien Chazelle
ScreenplayHell Or High Water
Actor — Casey Affleck, Manchester by the Sea
Actress — Natalie Portman, Jackie
Supporting Actor — Jeff Bridges, Hell Or High Water
Supporting Actress — Viola Davis, Fences
Animated FilmKubo and the Two Strings
DocumentaryO.J.: Made in America
Foreign FilmThe Handmaiden
CinematographyLa La Land
Technical AchievementLa La Land
Texas Independent Film AwardTower
Outstanding Cinematic Contribution — Alamo Drafthouse
Lifetime Achievement — Margo Martindale
Worst Picture of 2016: Zoolander 2

2 Responses to “Houston Film Critics Society Awards”

  1. Movieman says:

    No “Supporting Actor” award?

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch