By Ray Pride Pride@moviecitynews.com

Globes 2016

BEST MOTION PICTURE – DRAMA
MOONLIGHT

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
ISABELLE HUPPERT
ELLE

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
CASEY AFFLECK
MANCHESTER BY THE SEA

BEST MOTION PICTURE – MUSICAL OR COMEDY
LA LA LAND
Marc Platt Productions / Impostor Pictures / Gilbert Films; Lionsgate

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
EMMA STONE
LA LA LAND

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
RYAN GOSLING
LA LA LAND

BEST MOTION PICTURE – ANIMATED
ZOOTOPIA
Walt Disney Animation Studios; Walt Disney Studios Motion Pictures

BEST MOTION PICTURE – FOREIGN LANGUAGE
ELLE (FRANCE)
SBS Productions; Sony Pictures Classics

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
VIOLA DAVIS
FENCES

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY
MOTION PICTURE
AARON TAYLOR-JOHNSON
NOCTURNAL ANIMALS

BEST DIRECTOR – MOTION PICTURE
DAMIEN CHAZELLE
LA LA LAND

BEST SCREENPLAY – MOTION PICTURE
DAMIEN CHAZELLE
LA LA LAND

BEST ORIGINAL SCORE – MOTION PICTURE
JUSTIN HURWITZ
LA LA LAND

BEST ORIGINAL SONG – MOTION PICTURE
“CITY OF STARS”
LA LA LAND
Music by: Justin Hurwitz
Lyrics by: Benj Pasek, Justin Paul

BEST TELEVISION SERIES – DRAMA
THE CROWN
Left Bank Pictures in association with Sony Pictures Television; Netflix

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
CLAIRE FOY
THE CROWN

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
BILLY BOB THORNTON
GOLIATH

BEST TELEVISION SERIES – MUSICAL OR COMEDY
ATLANTA
FX Productions; FX

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY
TRACEE ELLIS ROSS
BLACK-ISH

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
DONALD GLOVER
ATLANTA

BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY
Fox 21 Television Studios and FX Productions; FX

BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
SARAH PAULSON
THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY

BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR MOTION PICTURE MADE FOR
TELEVISION
TOM HIDDLESTON
THE NIGHT MANAGER

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
OLIVIA COLMAN
THE NIGHT MANAGER

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES,
LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION
HUGH LAURIE
THE NIGHT MANAGER

WINNERS BY MOTION PICTURE
DISTRIBUTOR AND TELEVISION
NETWORK

MOTION PICTURE DISTRIBUTOR
Lionsgate 7
Sony Pictures Classics 2
A24 1
Amazon Studios 1
Focus Features 1
Paramount Pictures 1
Walt Disney Studios Motion Pictures 1
TELEVISION NETWORK
FX 4
AMC 3
Netflix 2
ABC 1
Amazon Video 1
WINNERS BY MOTION PICTURE
AND TELEVISION SERIES OR PROGRAM

MOTION PICTURE
La La Land 7
Elle 2
Fences 1
Manchester by the Sea 1
Moonlight 1
Nocturnal Animals 1
Zootopia 1

TELEVISION SERIES OR PROGRAM
The Night Manager 3
Atlanta 2
The Crown 2
The People v. O.J. Simpson:
American Crime Story
2
black-ish 1
Goliath 1

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“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West