By David Poland email@example.com
Weekend Estimates by Klady One
Is there any more to say?
The most interesting stat of the day, to me, is the report that La La Land audience is that more than half the audience this weekend was under 30. I am not a great truster of exit polling for movies, but if this is true, it bodes really well for the commercial upside of this film. It tells us that the film will play nationally above and beyond Oscar-motivated audiences. The Oscar-only version of La La is a $40 million grosser. This version could be well over $100m domestic. And I bet the international is shockingly strong, both in Europe and Asia.
There really is no comp that directly matches with the release strategy on La La. The closest I can see is Chicago. It went from a 77 screen opening to 304 screens. La La went 5 to 200. Of course, Lionsgate took its musical out 16 days earlier too. So it feels kinda like a slower, earlier expansion with a similar target ($171 million domestic).
Silver Linings Playbook tried a similar trajectory (16 to 357) in 2012, though with a November launch… and a disappointing expansion that let to treading water until awards legitimacy could come.
I would guess that La La can pile up another $20 million by end of business, January 2, right around $25 million total domestic. It could be more if they add more screens in more markets. I don’t know their precise plan. The big question is how aggressive they will be in the 3 weeks between this holiday and the Oscar nominations announcements on the 24th of January. I don’t think The Globes will help a ton because there is no facility for celebrating what is so great about this film, aside from an Emma Stone speech. I would be looking to fill that window with unique stunts… like live performances of songs from the film on the late night talk show circuit that don’t try to replicate the film, but riff on the spirit.
No change on the Rogue One front. Nor on Collateral Beauty, Will Smith’s worst opening on more than 100 screens (and worse, really, that either of those 2 openings).
Arrival had its worst hold yet (after amazing weekly holds), so that’s a little unhappy for them.
Fences had a nice opening on 4. Nice, but not overwhelming.
Lion expanded a little, did okay. The Orchard had a nice number for Neruda.
A lot of awards chatter movies under $1000 per for the weekend. That isn’t great.
Here is a little chart of the exclusive openings for awards wannabes this year and the results.