By Ray Pride Pride@moviecitynews.com

New York Online Film Critics Bask In Moonlight

 


PICTURE
Moonlight

DIRECTOR
Barry Jenkins for Moonlight

ACTOR
Casey Affleck for Manchester by the Sea

ACTRESS
Isabelle Huppert for Elle
 
SUPPORTING ACTOR
Mahershala Ali for Moonlight
 
SUPPORTING ACTRESS
Viola Davis for Fences
 
SCREENPLAY
Barry Jenkins for Moonlight
 
BREAKTHROUGH PERFORMER
Ruth Negga for Loving

DEBUT DIRECTOR
Robert Eggers for The Witch

ENSEMBLE
Moonlight
 
DOCUMENTARY
13th
 
FOREIGN LANGUAGE
The Handmaiden
 
ANIMATED
Kubo and the Two Strings

CINEMATOGRAPHER
James Laxton for Moonlight
 
USE OF MUSIC
Justin Hurwitz (composer) for La La Land

TOP 12 FILMS (ALPHABETICAL)
Arrival
(Paramount)
Fences (Paramount)
Free State of Jones (STX Entertainment)
Hell or High Water (CBS Films)
I, Daniel Blake (IFC Films)
Jackie (Fox Searchlight)
La La Land (Lionsgate)
Loving (Focus Features)
Manchester by the Sea (Amazon/Roadside Attractions)
Moonlight (A24)
O.J.: Made in America (ESPN)
Toni Erdmann (Sony Pictures Classics)

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“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish

“It’s the job of the artist, to exploit connections. You see, I speak on behalf of the world of the artist without hesitation! People don’t realize that the part of the playwright is finding something for people to talk about. If you are writing about a historical episode, or two characters in ‘Hamlet,’ you have a structure for free.”
~ Tom Stoppard