By Ray Pride Pride@moviecitynews.com

Mann, Pacino And De Niro Present HEAT at the Academy with Chris Nolan

ONLY AT THE ACADEMY:  MICHAEL MANN, AL PACINO AND ROBERT DE NIRO TOGETHER FOR “HEAT”

Director Christopher Nolan to Moderate Q&A

LOS ANGELES, CA – The Academy celebrates Michael Mann’s 1995 classic, “Heat,” on the big screen onWednesday, September 7, at 7:00 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills with a new 4K DCP restoration.  Following the screening, Oscar® winners Pacino and De Niro, four-time Oscar nominee Mann and other cast and crew will reunite in a conversation moderated by Oscar nominee Christopher Nolan.

The crew of a fierce, professional thief (De Niro) and an obsessively driven LAPD detective (Pacino) are locked in deadly opposition as they vector towards each other.

Taking inspiration from his friend, Chicago Detective Charlie Adamson – who killed Neil McCauley in a shoot-out in 1963 – Mann built a twilight vision of Los Angeles.  With its range of complex characters, epic scale action and dazzling use of the city, “Heat” is as incendiary as it was 20 years ago.

HEAT
Written and Directed by Michael Mann
Produced by Michael Mann and Art Linson
Executive Producers Arnon Milchan and Pieter Jan Brugge
Director of Photography Dante Spinotti
Production Designer Neil Spisak
Film Editors Dov Hoenig, Pasquale Buba, William Goldenberg and Tom Rolf
Music by Elliot Goldenthal
Costume Designer Deborah L. Scott
Sound by Lee Orloff, Andy Nelson, Chris Jenkins and Doug Hemphill
Casting by Bonnie Timmermann
Cast: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Diane Venora, Amy Brenneman, Dennis Haysbert, Ashley Judd, Mykelti Williamson, Wes Studi, Ted Levine, William Fichtner, Natalie Portman, Tom Noonan, Kevin Gage, Hank Azaria, Susan Traylor, Kim Staunton and Jon Voight
Running time: 172 minutes
Format: “Heat” will be presented in a new 4K DCP, restored by Stefan Sonnenfeld (Company 3) and Michael Mann.

Click here for tickets and additional information.

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One Response to “Mann, Pacino And De Niro Present HEAT at the Academy with Chris Nolan”

  1. Peter says:

    Has anyone told Nolan this is a digital screening?

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner