MCN Columnists
Douglas Pratt

By Douglas Pratt Pratt@moviecitynews.com

DVD Geek: Vacation

Only one test is necessary to judge a comedy—does it make you laugh?—and by the conditions of that test, the Warner Home Video release, Vacation, is a success. The slapstick, character humor and absurdist punctuations are plentiful, are linked by a coherent narrative, and are supported by a generally benign premise. There is hardly anything that is alienating about the 2015 feature, and plenty that is amusing. The one problem is that the film is a direct sequel to the original National Lampoon’s Vacation. That 1983 film, feeding a hunger for more movies like Animal House and more films from Saturday Night Live cast members, was a blockbuster, and this Vacation cannot possibly achieve the memories of humor (not necessarily the real humor, just the nostalgic memory for it—the movie itself even makes a direct meta-joke about that) the previous film represents.

Ed Helms stars as a commercial pilot who wants to take his family on a similar vacation to the one—depicted in the earlier film—he went on as a child. Christina Applegate plays his wife, and Chevy Chase and Beverly D’Angelo have an extended cameo when the family stops off at the grandparents’ house. They have two sons, and one of the film’s consistently funny gags is that the younger son utterly dominates the older one, like a Chihuahua terrorizing a shepherd. They go on their trip, disastrous incidents occur, and they bond a little tiny bit from the experience.

The movie has also been issued as a Blu-ray + DVD + Digital HD, with more special features, which is the only real reason to consider it, although the best feature, 12 minutes of fully amusing deleted scenes, appears on both.  If the picture quality is a little sharper on the BD, and the 5.1-channel Dolby Digital sound is a little stronger, that hardly matters.  There is an audio track that describes the action (“Rusty drives as everyone else sleeps.  He looks out his window to see a smoking hot blonde driving a red convertible in the next lane.  She smiles at him flirtatiously.  Rusty points to himself quizzically.  She seductively waves.  He waves back, then playfully points to his wedding ring.  She shrugs, then continues flirting.  Rusty nods with her.  She blows a kiss.  He catches it, then gives a salute.  She keeps flirting.  Rusty smiles bashfully.  He looks away as she changes lanes to the left.  She moves into oncoming traffic, and a huge semi-truck demolishes her.”), alternate French and Spanish audio tracks, optional English, French and Spanish subtitles, and a 2-minute tourism plug for the state of Georgia, where the film was shot.  In addition to that, the BD has Portuguese audio and subtitles tracks, a 2-minute blooper reel with a couple of choice moments, and 28 minutes of promotional featurettes that include a lot of Chase and D’Angelo.

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A Spirited Exchange

“In some ways Christopher Nolan has become our Stanley Kubrick,” reads the first sentence of David Bordwell’s latest blog post–none of which I want or intend to read after that desperate opening sentence. If he’d written “my” or “some people’s” instead of “our”, I might have read further. Instead, I can only surmise that in some ways David Bordwell may have become our Lars von Trier.”
~ Jonathan Rosenbaum On Facebook

“Jonathan has written a despicable thing in comparing me to Trump. He’s free to read or not read what I write, and even to judge arguments without reading them. It’s not what you’d expect from a sensible critic, but it’s what Jonathan has chosen to do, for reasons of a private nature he has confided to me in an email What I request from him is an apology for comparing my ideas to Trump’s.”
~ David Bordwell Replies

“Yes, I do apologize, sincerely, for such a ridiculous and quite unwarranted comparison. The private nature of my grievance with David probably fueled my post, but it didn’t dictate it, even though I’m willing to concede that I overreacted. Part of what spurred me to post something in the first place is actually related to a positive development in David’s work–an improvement in his prose style ever since he wrote (and wrote very well) about such elegant prose stylists as James Agee and Manny Farber. But this also brought a journalistic edge to his prose, including a dramatic flair for journalistic ‘hooks’ and attention-grabbers, that is part of what I was responding to. Although I realize now that David justifies his opening sentence with what follows, and far less egregiously than I implied he might have, I was responding to the drum roll of that opening sentence as a provocation, which it certainly was and is.”
~ Jonathan Rosenbaum Replies

“In my own mind, I’ve always been a writer and the fact that I act is, well… it’s been very enjoyable and I love doing it. It has been good for me, but in my own mind I’m just a writer with a bizarre activity—acting—that I undertake.”
~ Wallace Shawn