MCN Columnists
Mike Wilmington

By Mike Wilmington Wilmington@moviecitynews.com

Wilmington on DVD: Everybody Wants Some!!

EVERYBODY WANTS SOME!! (Three and a Half Stars)
U.S.: Richard Linklater, 2016

Youth is wasted on the young. Maybe. But it definitely wasn‘t squandered on Richard Linklater, that wondrously humane American filmmaker (Austin, Texas-raised auteur of the “Before” Trilogy and Boyhood), who, in his best work, uses his own youth to potently amuse us and brilliantly illuminate the worlds we share. In 1993, Linklater made one of the all-time killer high school comedies with the sublimely goofball Dazed and Confused, and now, in his latest movie, he cooks up an absolutely terrific college sex comedy – with a damned near perfect cast and dialogue to die for. The title, Everybody Wants Some!!, is a little dopey and clunky-sounding (blame Van Halen, who recorded the song that the title comes from). But the picture itself is so gracefully and hilariously executed, exclamation points shouldn’t keep you away.

Does the entire idea of an “absolutely terrific college sex comedy,” also strike you as unlikely and unappealing — especially if the cast is mostly male and mostly jock (with the actors playing the so-called varsity baseball team of fictitious South Texas State University) and if the scenes, in broad outline, are mostly what we tend to see in nearly very other gamey, sex-crazed college high jinx farce from Animal House on. But Linklater has defied expectations and twisted up genres before , and probably will again, and this movie is one that he obviously had a lot of fun making, that I had a lot of fun watching, and that — unless you refuse to give it a chance — you may, despite your better judgment, like too.

The movie takes place in the autumn of 1980 during the three days before classes start at South Texas State. It focuses on the South Texas baseball team in ensemble: a rowdy and fun-loving bunch in 80s duds and hair, and more especially on the newly recruited, somewhat more intellectual freshman pitcher Jake (Blake Jenner), whom we tend to see as the story‘s Linklater surrogate. Jake, like most of his new teammates was a high school star and is now fighting for a spot with other stars — and he arrives on campus with a box full of vinyl records, meets his roommate (a rascal in cowboy boots and underwear) and his other teammates and housemates, and then joins them for half a week of unsupervised revelry.

The fall term is about to start. And after being warned by their unsmiling, killjoy Coach Gordan (Jonathan Breck) not to imbibe anything remotely alcoholic, and not to take young lady guests up to the second floor, for a little S.T.S. R. & R. where the bedrooms are — and therefore not to do the things we absolutely know they will do — the dozen or so players are left coachless and unmonitored to play and misbehave what e’er they will.

For three days, these guys roam and drive around the campus, while Linklater and company spin a tasty play list of prime ‘80‘s rockers (starting off with The Knack’s “My Sharona,” which was also a kick-off fave in Ben Stiller’s youth comedy Reality Bites). They play games, including occasionally, baseball. They imbibe libations with plenty of alcohol content. They escort young lady guests up to the dreaded second floor. While trying a lot of boorish pickup lines (some of which work), and while bar-hopping and crashing various parties on campus, they manage to break every admonition of their tight-ass coach, and a few more besides, including taking a puff or two of the wicked weed.

SPOILER ALERT (roll over to read)

Eventually, one of them finds a neat girl (Zooey Deutch, as a brainy knockout) from the drama department. Eventually, they get around to a little baseball. Eventually, classes start. Eventually, you will not be surprised to learn (spoiler alert or no), that South Texas State is unlikely to win the college world series, or any series of any kind, and that the team roster will probably produce no pros — not even their big battling star McReynolds (Tyler Houchlin), who looks like a cross between a younger Burt Reynolds and Tom Selleck, can split a thrown baseball with an axe, and is the house‘s Alpha Dog of Dogs.

END OF SPOILER

Well, it’s not exactly “The Brothers Karamazov.” It’s not even exactly Animal House (though Linklater himself describes his creation as the “chill Animal House”). But it made me laugh and feel good, as Link‘s shows usually do. Listen, there’s a reason that so many sub-Animal House comedies have been made, even though a lot of them are so demonstrably lousy — a reason why this particular male wish-fulfillment fantasy (which I’ll grant is bro-heavy and in some ways, irresponsibly testosterone-drenched and a little jerky), keeps popping up again and again, providing employment and diversion for all the Will Ferrells and wannabe Will Ferrells of the world.

The basic daydream plot — all about guys and sometimes girls (as in Neighbors 2) running wild on campus — is more appealing than movie people like to admit, unless it’s its dressed up as farce, The reason is that there’s sometimes a grain of truth in these daffy, goofy, sex-crazed college kid movies. And, in the case of Everybody Wants Some!!, there’s more than a grain. Or a tic. Or a toke.

This is the movie all those other half-funny but smash hit groaners, from Revenge of the Nerds to Old School to the recent Seth-Rogen/Zac Ephron Neighbors semi-trilogy, could have been but weren’t. This one is genuinely funny, and unsappy, and human, even occasionally heartfelt, and it’s full of engaging characters and real emotion. And, to repeat the main point, it’s funny! Laughs! Love! The Great American Pastime! The Wicked Weed! Ball Four! Do the Hanky-Panky on the Second Floor! Everybody Wants Some! Excuse me, I meant to say “Some!!”

Comments are closed.

Wilmington

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas