By Ray Pride Pride@moviecitynews.com

Nate Parker To Receive Sundance Institute Vanguard Award

Sundance Institute today announced it will present its Vanguard Award to filmmaker and actorNate Parker at NIGHT BEFORE NEXT, a summer celebration benefiting the Institute and its artists on the eve of Sundance NEXT FEST at the iconic Theatre at Ace Hotel Downtown Los Angeles on Thursday, August 11. Parker’s directorial debut, The Birth of a Nation, premiered to great response at the 2016 Sundance Film Festival, where it won both the Audience Award and Grand Jury Prize. The Vanguard Award will be presented to Parker during the cocktails and dinner portion of the evening.

Keri Putnam, Executive Director of Sundance Institute, said, “NIGHT BEFORE NEXT will bring our community together to celebrate and support independent artists who create bold, original work. In this spirit, we are excited to honor Nate Parker as he prepares to release the extraordinary film The Birth of a Nation, which we supported during development and premiered at our Festival.”

After the Benefit dinner and program, the evening will include an outdoor party with a live musical performance byWhite Sea, fronted by Morgan Kibby, formerly of M83. The outdoor party will feature specialty drinks, desserts and interactive games under the stars on a summer night. Tickets to the outdoor party-only portion of the evening include a Sundance Institute membership.

Nate Parker is a humanitarian, actor, writer, director and producer. Set against the antebellum South, The Birth of a Nation follows Nat Turner (Nate Parker), a literate slave and preacher, whose financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat’s preaching to subdue unruly slaves. As he witnesses countless atrocities – against himself and his fellow slaves – Nat orchestrates an uprising in the hopes of leading his people to freedom. The film opens in theatres October 7, 2016.

The Birth of a Nation premiered at the 2016 Sundance Film Festival and was supported by the Sundance Institute Feature Film Program from development to post-production, through both ongoing mentorship and granting programs. Parker appeared as an actor in several films at the Festival in previous years, including: the Spike Lee-directed Red Hook Summer; Arbitrage, opposite Richard Gere and Susan Sarandon; and Ain’t Them Bodies Saints, opposite Casey Affleck, Rooney Mara, and Ben Foster. Parker is currently developing a number of projects through his production company, Tiny Giant Productions.

The Vanguard Award includes a cash grant and mentorship from industry professionals and Institute staff. Parker will be the fifth recipient of this award, joining past recipients Benh Zeitlin (Beasts of the Southern Wild), Ryan Coogler (Fruitvale Station), Damien Chazelle (Whiplash) and Marielle Heller (The Diary of a Teenage Girl). The Vanguard Award was founded in 2011 to mark the 30th anniversary of the Sundance Institute Feature Film Program and its founding director, Michelle Satter.

NIGHT BEFORE NEXT is supported by two Host Committees. The dinner and cocktails Host Committee is comprised of: Charmaine Bailey & Sean Bailey; Ryan Coogler; Lyn Lear & Norman Lear; Ava DuVernay; Cindy Harrell Horn & Alan Horn; Pat Mitchell & Scott Seydel; Amy Redford; and Nadine Schiff-Rosen & Frederic D. Rosen. The outdoor party Host Committee is comprised of: Katie Aselton, Lake Bell, Damien Chazelle, Lena Dunham, Jay Duplass, Mark Duplass, Joseph Gordon-Levitt, Marielle Heller, Bryce Dallas Howard, Rashida Jones, Franklin Leonard, Justin Lin, Melanie Lynskey and Kevin Smith. Many members of the independent film community will be in attendance including Institute supporters and alumni artists who have participated in Sundance Institute Labs or the Sundance Film Festival.

Tickets to the dinner and cocktail portion of the evening where Nate Parker will receive the Vanguard award start at $1,500. Individuals interested in attending just the outdoor party only can attend and get a Sundance Institute membership for $150. Tickets are on sale now at sundance.org/nightbeforenext.

NIGHT BEFORE NEXT is presented by Acura. For information on additional sponsorship opportunities, contactevents@sundance.org.

Sundance Institute relies on the generosity of supporters who share a commitment to nurturing new artists, supporting unique and diverse creative voices, and furthering the reach of independent feature and documentary films around the world. The celebration event will raise crucial funds to offset the non-profit Institute’s year-round programs for artists, including Labs, grants and the Sundance Film Festival.

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. JoinSundance Institute on Facebook, Instagram, Twitter and YouTube.

# # #

One Response to “Nate Parker To Receive Sundance Institute Vanguard Award”

  1. MM says:

    It is sort of odd that no one is reporting on this guy’s incredibly suspect past…

    http://www.wtae.com/Women-s-Rights-Group-Filed-Rape-Lawsuit-Against-Penn-State-In-02/7705896

Leave a Reply

Quote Unquotesee all »

“A shot is a story. A shot on its own should be a piece of a story. Which is why I talk a lot about watching films, even the films we’re working on, with the sound off. Just to analyze how the film works, because a film should work for an audience without any sound. The biggest problem I see is that someone may have a superficial understanding of what a shot is propositionally, but they don’t have an understanding of how all of these shots are part of a family that needs to connect, and so you’ll get something that’s like a sentence arranged poorly with six nouns in a row. That surprises me, because I think that’s something that can be learned. Some things can’t be, but that can. It’s a grammar. In a classroom I could walk somebody through the difference between a sequence in which the filmmaker has a deep understanding of how images connect, and someone who doesn’t. It’s not really an intellectual process. Some people are just born with it and are just sort of savants at that deep mathematical understanding of shot construction.  I’m better than I used to be, but there are some people I’m just never going to catch. Spielberg. His staging ability. I’m never going to catch him. But when you’re trying to figure out how to get better—I’m not competitive in the sense of looking around at other filmmakers and comparing myself to them. What I do have to think about in trying to navigate myself through a career is: what can I get better at, and what do I have that I can enhance that somebody else doesn’t have?”
~ Steven Soderbergh

“It’s not going to be huge. He and I had been corresponding for a while. When I finally met him, he said, ‘We should collaborate.’ When John Ashbery says that to you, you don’t say when, you just say yes. It has not been easy to conjure this out of nothing. Sean Price Williams and I spent time with him, and it will appear on FilmStruck before the year is out…. I have figured out how to streamline things. I still have dreams of making movies with bigger budgets, and they might be considered to have more of a voice in pop culture. I don’t want to let go of that. I also realize that you grow up a lot of your life with wishful thinking and waiting. I have figured out ways to avoid doing that. I am working on a bigger movie about Nikola Tesla, set in the past, so it is not an easy film to make. I am also working on an adaptation of Don DeLillo’s ‘White Noise.’ That seems more likely to catch fire.”
Michael Almereyda Steps It Up