MCN Columnists

By Laura Rooney laura@moviecitynews.com

Nomination Reactions

“I am sitting in a coffee shop with my mum and just found out I have an Oscar nomination. Feeling very overwhelmed and just can’t believe it. Better pick out a gown.” – Sam Smith

“I am in London and just heard the good news! We gave it our all on this film and this appreciation from the Academy means a lot to me and my colleagues who made it possible. Champagne and Mezcal will run tonight!” – Alejandro G. Inarritu

 

“I am incredibly humbled by this honor. I was not expecting it … especially at this time in my life.” – Sylvester Stallone

“We made this movie with a lot of love: love for science, love for cinema, a sort of radical optimism about human beings. We didn’t know if the world would embrace it. They did, and now I’m so thrilled the Academy has embraced it too.” – Simon Kinberg, The Martian producer
“I don’t think we can expect any Oscars, but we’re perfectly happy just to be invited to the party. I think I’ll just keep looking around and go, ‘Wow. These people are supposed to be my peers?” – Nick Hornby, Brooklyn
“We were screaming like idiots in the pitch black with the smell of waffles in the room.” – Adam McKay, The Big Short
“”I was eating my lunch and the news came through. It gave me indigestion, but it was great news.” – Mark Burton, Shaun the Sheep
From the bottom of my heart thank you to the Academy. You have given our film the strongest of spotlights on a subject matter so cru”cial for many women across the world today. As a female director this support is crucial and I trust the absolute power of cinema to trigger change. Thank you to the five young actresses of Mustang for their courage and their persistence in defending freedom, the entire team of the film and to Cohen Media for having carried Mustang to such a beautiful day. Thank you to France, I am extremely proud and grateful to represent this country here today. This nomination is an absolute honor and a dream come true. ” – Deniz Gamze Ergüven, Mustang

“When we made Brooklyn, we had no idea of what was to come. It is the most personal film I have ever done, the hardest one too. I am honoured to represent this film with my friends – John, Nick, Finola, Yves, Colm, Amanda. This has all been a dream. To see how the film has been embraced has been heartwarming. Thank you so very much to The Academy – you are a group of people I respect greatly and to be recognized by you means so much.” – Saoirse Ronan

 

“I am profoundly honored by this Oscar nomination. Since 2007, over 100,000 people have been killed in the Mexican drug wars and over 25,000 have disappeared. I made CARTEL LAND to put a face to this violence and to examine the ramifications of what happens when citizens take the law into their own hands to fight back.Hopefully, this nomination will give voice to those trapped by this senseless cycle of violence, suffering, and corruption.” – Matthew Heineman, Cartel Land

“This is incredible news to wake up to. I am thrilled. I didn’t think the experience of working with Quentin [Tarantino] and this cast could get any more rewarding….to get this recognition for this role is such a joy.” – Jennifer Jason Leigh

 

“The Oscar noms were announced today. We now know who’s going to be throwing up at the Vanity Fair party.” – Chris Rock, via Twitter

 

“This nomination lends a voice to so many victims and their families around the world. Thank you to The Academy for recognizing the movement of people who have come together around The Hunting Ground and ‘Til It Happens To You’ in the name of sexual assault. Diane Warren and I are simply honored to represent the voices of so many survivors.” – Lady Gaga

 

“It makes it feel very personal, even though that’s kind of silly to say about an animated film with lots of color. It’s completely absurd in that it has emotions as characters, yet at its heart it really feels like this is something that came from my personal experience that was meaningful and difficult for me, both myself growing up and watching my kids grow up, specifically my daughter.” – Pete Docter, Inside Out

 

“I am so grateful to the Academy for their recognition of this film. Making ‘The Revenant’ was one of the most rewarding and collaborative experiences of my life. None of this would have been possible without Alejandro’s talent, vision and determination. Our dedicated crew also deserves to share in this moment. Together, they have created a truly unique cinematic experience. Congratulations to all of my fellow nominees this season. Thank you to the Academy.” – Leonardo DiCaprio

 

“I am beyond grateful and humbled by this nomination. I feel incredibly honored to be recognized among the other amazing women in this category. Joy is an incredibly inspiring story about an ordinary woman who does extraordinary things. For me, working with David O. Russell has been nothing short of extraordinary, and I share this nomination with him as well as our incredible supporting cast. I could not be more proud to be a part of this film and thankful to the producers and Fox for their unyielding support.” – Jennifer Lawrence

 

“I am deeply grateful to The Academy for this honour. To be recognized alongside these actresses and their inspiring performances is humbling. To be a part of bringing The Danish Girl to life was such a gift and to receive this nomination is a thrill.” – Alicia Vikander, The Danish Girl

 

“Wow! Our film #Prologue has been nominated for an #oscarnoms. Mo and I thrilled.” – Richard Williams, via Twitter

 

“This is an incredible day for everyone involved in Room. Thank you to the Academy for honoring us with four nominations — it’s beyond all our wildest dreams. It is a testament to everyone who gave so much of themselves to make this film happen. I am so proud of Emma Donoghue whose incredible novel started the journey, of Ed Guiney, my filmmaking other half who has been with me, driving the train, from the beginning, and to everyone at Element Pictures Dublin, my filmmaking home, of the extraordinary Brie Larson and the prodigy that is Jacob Tremblay. Also love and thanks go to Stephen Rennicks, Nathan Nugent, Ethan Tobman and Danny Cohen, my filmmaking team. What a day for Irish cinema! I am so delighted.” – Lenny Abrahamson, director of Room

 

“I’m unbelievably honored and excited to be recognized by the Academy, and even more thrilled to share this honor with Lenny Abrahamson, Emma Donoghue and the entire ROOM family of filmmakers, cast, and crew. I’m so lucky and humbled to be a part of this beautiful story, in a once-in-a-lifetime role. Congratulations to my fellow nominees. Truly, I am very grateful this morning.” – Brie Larson

 

“It is a delight to be celebrated as a supporting actor in Steven’s beautiful film, Bridge of Spies. I cannot separate my work in the film from the work of my friend Tom Hanks. Every thought, every look, every expression you are celebrating in my portrayal of Rudolph Abel, I found them all in the thoughtful generous presence of Tom Hanks beside me, or behind the camera, yet still with me 100%, every take, every moment. Of course you would witness none of it without Steven, nor are any of the choices of what you witness mine. The performance belongs equally to him and all his wonderful crew, who I am proud to call friends, as I admire them enormously. May I say, I am particularly proud to be nominated as a supporting actor, as I find the level of supporting acting in films these days utterly convincing and very often extremely moving, even the smallest parts.” – Mark Rylance

Leave a Reply

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch