By DP30 david@thehotbuttonl.com
Posted Sunday, December 6th, 2015 - 2 Comments »
August 16, 2018
DP/30
The Pope on: Downsizing, Alexander Payne
Jone Smith on: Molly's Game, Jessica Chastain
MOVIEIRV on: The Florida Project, Willem Dafoe
Arthomas on: The Only Living Boy in New York, Kate Beckinsale
Linda on: Hacksaw Ridge, Mel Gibson (for an hour)
Monco on: Hacksaw Ridge, Mel Gibson (for an hour)
Stephanie on: Telluride: Emma Stone, La La Land
movieman on: Krisha, Krisha Fairchild, Trey Edward Shults, Robyn Fairchild
theschu on: Robert Redford
Mark Ulano on: The Hateful Eight, Quentin Tarantino (spoilers avoided)
see all »
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- RT @RileyKeough: Having one of those days where everything and everybody annoys the fuck out of me.
- RT @russfischer: Wesley Snipes just said of RZA “Actually, we train with the same Shaolin master,” which might be the best thing anyone has…
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Quote Unquotesee all »
“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).
There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader
“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch
Very nice!
David,
Great interview with QT.
Just curious, we haven’t seen the interview you did with Fred Raskin and myself posted anywhere. wondering if it will surface?
Mark Ulano