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By DP30 david@thehotbuttonl.com

CC Clip: Robert Redford, A Walk in The Woods

4 Responses to “CC Clip: Robert Redford, A Walk in The Woods”

  1. Νnatasa says:

    You love what you do and for this reason I’m sure that will be good work…let it to go…I wish you full success……
    Love you natasa..

  2. Yvette Lyons says:

    I would love to have heard Robert speak in more depth about how he uses art to communicate his thoughts and ideas into his films.

    Yvette Lyons, Ph.D.
    Art Therapist

  3. Judie Anderson says:

    Interesting that you should’ve thought of storyboards. As a professional illustrator (your age), I did story boards and every other means of illustration to explain the stories, editorial and educational, that were presented to me.
    Drawing is drawing… if it is within you, it never goes away. You just carried the second dimension into a 3rd and 4th. But do you always successfully carry out what is in your head? I’ve been at this for 60 years, and that blank canvas still scares the hell out of me, tho no one else knows it.

  4. Lonna Saunders says:

    Fascinating! Redford discussing how his art background helped him learn how to direct, in particular how to communicate with the cinematographer to get the shots he wanted.

DP/30

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“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant