MCN Columnists
Ray Pride

By Ray Pride Pride@moviecitynews.com

Sundance Seen Part 1

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Three girl ghosts at dusk.

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Infernal. Everyday sight if you get around town, or if you just like sitting in traffic. (Or don’t take a taxi, or don’t like to say, “We’ll Uber it” or “That your Uber,” two of the more common phrases this year.

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Never an empty rack: is no one picking up the Reporter?

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Up the hill on Main Street, wildposting is done in the proper place for Slamdance in front of the Treasure Mountain Inn. (Chicago filmmaker Michael Olenick, left.)

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A promotion at the International Documentary Association’s fete for the fine, compassionate screengrab-of-our-moment doc by Jill Bauer and Ronna Gradus.

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Don’t ask what happened here. It can’t be unseen.

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The Pulitzer Prize-winning Jonathan Gold, food critic of the Los Angeles Times and subject of Land Of Gold, has a moment with Film Quarterly editor Ruby B. Rich in the Mariott headquarters hallway.

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Breezing past the nineteenth century children’s cemetery.

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And in between movies, slices of the Utah sky.

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Pop-ups everywhere in Park City for the ten days of Sundance. Not all of them connected to Evel Knievel.

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On Main Street, Kevin Smith is smodded by fans outside a popup Tim Horton’s somehow in support of his later-in-the year Yoga Hosers. “I never saw myself making a kid’s movie,” he told me, “but I think it came out kinda good.”

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Pride

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“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant