MCN Columnists
Ray Pride

By Ray Pride Pride@moviecitynews.com

Sundance Seen Part 1

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Three girl ghosts at dusk.

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Infernal. Everyday sight if you get around town, or if you just like sitting in traffic. (Or don’t take a taxi, or don’t like to say, “We’ll Uber it” or “That your Uber,” two of the more common phrases this year.

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Never an empty rack: is no one picking up the Reporter?

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Up the hill on Main Street, wildposting is done in the proper place for Slamdance in front of the Treasure Mountain Inn. (Chicago filmmaker Michael Olenick, left.)

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A promotion at the International Documentary Association’s fete for the fine, compassionate screengrab-of-our-moment doc by Jill Bauer and Ronna Gradus.

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Don’t ask what happened here. It can’t be unseen.

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The Pulitzer Prize-winning Jonathan Gold, food critic of the Los Angeles Times and subject of Land Of Gold, has a moment with Film Quarterly editor Ruby B. Rich in the Mariott headquarters hallway.

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Breezing past the nineteenth century children’s cemetery.

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And in between movies, slices of the Utah sky.

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Pop-ups everywhere in Park City for the ten days of Sundance. Not all of them connected to Evel Knievel.

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On Main Street, Kevin Smith is smodded by fans outside a popup Tim Horton’s somehow in support of his later-in-the year Yoga Hosers. “I never saw myself making a kid’s movie,” he told me, “but I think it came out kinda good.”

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Pride

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A Spirited Exchange

“In some ways Christopher Nolan has become our Stanley Kubrick,” reads the first sentence of David Bordwell’s latest blog post–none of which I want or intend to read after that desperate opening sentence. If he’d written “my” or “some people’s” instead of “our”, I might have read further. Instead, I can only surmise that in some ways David Bordwell may have become our Lars von Trier.”
~ Jonathan Rosenbaum On Facebook

“Jonathan has written a despicable thing in comparing me to Trump. He’s free to read or not read what I write, and even to judge arguments without reading them. It’s not what you’d expect from a sensible critic, but it’s what Jonathan has chosen to do, for reasons of a private nature he has confided to me in an email What I request from him is an apology for comparing my ideas to Trump’s.”
~ David Bordwell Replies

“Yes, I do apologize, sincerely, for such a ridiculous and quite unwarranted comparison. The private nature of my grievance with David probably fueled my post, but it didn’t dictate it, even though I’m willing to concede that I overreacted. Part of what spurred me to post something in the first place is actually related to a positive development in David’s work–an improvement in his prose style ever since he wrote (and wrote very well) about such elegant prose stylists as James Agee and Manny Farber. But this also brought a journalistic edge to his prose, including a dramatic flair for journalistic ‘hooks’ and attention-grabbers, that is part of what I was responding to. Although I realize now that David justifies his opening sentence with what follows, and far less egregiously than I implied he might have, I was responding to the drum roll of that opening sentence as a provocation, which it certainly was and is.”
~ Jonathan Rosenbaum Replies

“In my own mind, I’ve always been a writer and the fact that I act is, well… it’s been very enjoyable and I love doing it. It has been good for me, but in my own mind I’m just a writer with a bizarre activity—acting—that I undertake.”
~ Wallace Shawn