MCN Columnists
Ray Pride

By Ray Pride Pride@moviecitynews.com

Sundance Seen Part 1

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Three girl ghosts at dusk.

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Infernal. Everyday sight if you get around town, or if you just like sitting in traffic. (Or don’t take a taxi, or don’t like to say, “We’ll Uber it” or “That your Uber,” two of the more common phrases this year.

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Never an empty rack: is no one picking up the Reporter?

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Up the hill on Main Street, wildposting is done in the proper place for Slamdance in front of the Treasure Mountain Inn. (Chicago filmmaker Michael Olenick, left.)

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A promotion at the International Documentary Association’s fete for the fine, compassionate screengrab-of-our-moment doc by Jill Bauer and Ronna Gradus.

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Don’t ask what happened here. It can’t be unseen.

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The Pulitzer Prize-winning Jonathan Gold, food critic of the Los Angeles Times and subject of Land Of Gold, has a moment with Film Quarterly editor Ruby B. Rich in the Mariott headquarters hallway.

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Breezing past the nineteenth century children’s cemetery.

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And in between movies, slices of the Utah sky.

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Pop-ups everywhere in Park City for the ten days of Sundance. Not all of them connected to Evel Knievel.

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On Main Street, Kevin Smith is smodded by fans outside a popup Tim Horton’s somehow in support of his later-in-the year Yoga Hosers. “I never saw myself making a kid’s movie,” he told me, “but I think it came out kinda good.”

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Pride

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“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish