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David Poland

By David Poland poland@moviecitynews.com

BYOB 8814

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14 Responses to “BYOB 8814”

  1. Mike says:

    I’m running out of movies on my Netflix queue. Any suggestions?

  2. Triple Option says:

    Did you ever see “Tell No One”, French film? Came out 8-9 years ago. “Departures” is available for streaming as well. It was a best foreign film from like 6-7 years ago. Four Minutes was a German film that you might not have heard of. I got that one on disc. You didn’t specify disc or streaming. maybe some parameters in style or genre would help.

    I haven’t seen Turtles yet but I was wondering if this’ll do anything for Megan Fox’ career. Then I was wondering if she hadn’t been booted from Trans3 would that have done anything for her besides the big payday itself. Prolly likely she wouldn’t have done the last one. Jonah Rex and Jenny’s bod didn’t do anything. How much ahead of where she’s at do you think she would’ve been? Do you think there’s any linger poison about her? I don’t know how good or bad she may really be. Articles will mention her past w/Bay but nothing to point to the overall blowback she may’ve experienced.

  3. movieman says:

    2 largely overlooked gems eminently worth watching on Netflix:

    Jaco van Dormael’s “Mr. Nobody” w/ Jared Leto in an even better performance than his Oscar-winning turn in “DBC.”

    Arnaud Desplechin’s “Jimmy P.” (Benicio del Toro has never been better).

  4. Mike says:

    I’m not too picky on genre, and prefer disc to streaming. Here are some recent ones I watched and liked: Robot & Frank, Pariah, Ernest & Celestine, Devil. Maybe no docs. I tend to catch the big ones that seem worth watching, but there are so many foreign, indie and dependent ones that slip through the cracks now. I’ve seen Tell No One, but not the others – they’ll go on the queue. Thanks.

  5. doug r says:

    I dunno if it’s still in rotation, but Shakes the Clown is the Citizen Kane of alcoholic clown movies. And I saw Fantastic Voyage got added recently.

  6. cadavra says:

    Track down John Sayles’ HONEYDRIPPER. A remarkable film.

  7. Mike says:

    Seen Shakes. Loved some of Sayles, but sort of lost track of him. Passion Fish is a personal favorite.

  8. SamLowry says:

    MR NOBODY also showed up in my “recommend” queue and I agree that it’s a good movie; someone even came up with a PDF to explain all the possible timelines, which comes at the bottom of a lengthy article discussing the film.

  9. SamLowry says:

    Okay, it’s a jpeg, of a flow chart. My bad.

    Just don’t look at it until after you’ve seen the movie, not because it’ll reveal any shocking secrets but it’ll make you wonder “WTF is this?” and you might not want to watch it.

  10. Mike says:

    Triple Option, Departures was excellent! I’ll try Four Minutes soon.

    Also happened on Submarine, which knocked the socks off me. Then watched Cashback, which was god-awful.

  11. Triple Option says:

    Glad you liked it, Mike! Thanks!

  12. Hcat says:

    I couldn’t get through cashback either, but given the poster how do you not give it a shot. I’m a weak weak man

  13. Mike says:

    I kept waiting for Cashback to realize its whole premise was a setup for a darkly comedic rumination on working retail, and it just took itself SO seriously. Such an empty film.

    Departures has made me go back and watch After Life again, another Japanese movie about death and life. I haven’t seen it in years, but remembered loving it.

  14. movieman says:

    Another Netflix streaming title that’s definitely worth checking out is Zack Parker’s “Proxy.”
    It’s seriously fucked-up, but I mean that it in the nicest possible way.
    If Ti West is this generation’s John Carpenter, Parker could very well be the Millennial answer to Brian DePalma.
    And “Proxy” just might be Parker’s “Sisters.”

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas