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By Ray Pride Pride@moviecitynews.com

Screen Acting: Bob Hoskins in the final scene of THE LONG GOOD FRIDAY (2’12″)

And he was, of course, a dancer. From Shane Meadows’ 24/7:



One Response to “Screen Acting: Bob Hoskins in the final scene of THE LONG GOOD FRIDAY (2’12″)”

  1. The Pope says:

    Interesting that Hoskins was a Royal Shakespeare Company trained actor and from the third clip you could hear his RSC voice/accent. So it is a nice irony that Hoskins reached maturity and success when he resorted back to his true vernacular and accent.
    Many great performances, by all accounts an all-round nice chap and while we mourn his passing may we be grateful for the moments he gave us.

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A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver