By The Daily Buzz davidpoland@sbcglobal.net

The Daily Buzz podcast from South By Southwest (3/8/14)

thedailybuzz_sxsw14

Today’s Show Rundown, March 8, 2014

HOT TOPICS/TEXAS ROUNDTABLE
Kim Voynar/MOVIECITYNEWS
Eric Kohn/INDIEWIRE
Dave Karger/FANDANGO
Marjorie Baumgarten/AUSTIN CHRONICLE
Michael Tully/HAMMER TO NAIL
Holly Herrick/AUSTIN FILM SOCIETY
Joe Leydon/VARIETY
Jette Kernion/SLACKERWOOD.COM

INTERVIEW SEGMENT
Jason Bateman/BAD WORDS

UTAH at SXSW ROUNDTABLE
Hoby Darling/SKULLCANDY
Judy Robinett/JROBINETT ENTERPRISES
Deirdra Burgess/JROBINETT ENTERPRISES

DOCUMENTARY FILMMAKER SEGMENT
Michael Obert/SONG FROM THE FOREST
Alexandre Tondowski/SONG FROM THE FOREST

INTERVIEW SEGMENT
Larry Levine/WILD CANARIES
Sophia Takai/WILD CANARIES

NARRATIVE SPOTLIGHT
Bryan Reisberg/BIG SIGNIFICANT THINGS
Harry Lloyd/BIG SIGNIFICANT THINGS

EVOLUTION OF SX
David Madgael/DAVID MAGDAEL & ASSOCIATES
Irene Cho/DAILY BUZZ
Kim Voynar/MOVIECITYNEWS

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“The worst thing that we have in today’s movie culture is Rotten Tomatoes. It’s the destruction of our business. I have such respect and admiration for film criticism. When I was growing up film criticism was a real art. And there was intellect that went into that. And you would read Pauline’s Kael’s reviews, or some others, and that doesn’t exist anymore. Now it’s about a number. A compounded number of how many positives vs. negatives. Now it’s about, ‘What’s your Rotten Tomatoes score?’ And that’s sad, because the Rotten Tomatoes score was so low on Batman v Superman I think it put a cloud over a movie that was incredibly successful. People don’t realize what goes into making a movie like that. It’s mind-blowing. It’s just insane, it’s hurting the business, it’s getting people to not see a movie. In Middle America it’s, ‘Oh, it’s a low Rotten Tomatoes score so I’m not going to go see it because it must suck.’ But that number is an aggregate and one that nobody can figure out exactly what it means, and it’s not always correct. I’ve seen some great movies with really abysmal Rotten Tomatoes scores. What’s sad is film criticism has disappeared. It’s really sad.”
~ Brett Ratner Has A Sad

“The loss of a local newspaper critic is a real loss. People who know the local audience and know the local cultural scene are very important resources. You can’t just substitute the stuff that comes in from nowhere through syndication or the wire. I think at the same time, some of the newer outlets have really beefed up and improved their coverage and made room for criticism. The real problem is in the more specialized art forms — fine arts, classical music, dance and jazz, say. There is a real slowing of critical voices, partly because those art forms have smaller audiences. Newspapers and magazines can say that doesn’t get enough traffic, so we don’t have room for that. To me, that’s especially worrisome. This is the opposite of what newspapers are supposed to do, which is not to try to figure out what people are already interested in and recite that back to them, but to hopefully guide them to something that they should be interested in, connecting potential audiences with more interesting work.

“Then again, not everyone needs a critic. People have been going to movies for more than 100 years now, and probably the vast majority of those people have not read movie reviews or cared what critics thought. But there has always been an important subset that wants to know more, that wants to think about what they’ve seen and what they’re going to see, and wants someone to think along with. I think critics are important, not just as dispensers of consumer advice — though that’s certainly part of it, too — but as trusted voices and companions for people to argue with in your head when you’re going to movies or afterwards.”
~ A. O. Scott