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David Poland

By David Poland poland@moviecitynews.com

Friday Estimates by Non-God Klady

Friday Estimates 2014-03-01 at 8.55.04 AM

Liam vs Jesus. It’s a Beatle-tastic showdown.

First round (Friday) goes to Non-Stop, but I expect Son of God to end up taking the weekend… or at least making it a very, very close race.

Oscar weekend tends to be a little soft, especially for holdovers. Basically, it kills the Sunday because if you are a frequent moviegoer, you are likely an Oscar watcher. But this weekend, we have a religiously themed film in the game, so Sunday may be a strong day for that film. And The Lego Movie may score family dollars early in the day and not lose much on a softer Sunday afternoon and evening.

About Last Night will pass the opening weekend gross of Ride Along today (day 16 of the run). The film opened to $25.6m, which felt like a show of strength by Kevin Hart, but this gross, while a success, feels more stuck in the niche. There is no question that a white guy generating similar numbers would get HUGE opportunities. We’ll see how this works for Mr. Hart.

6 Responses to “Friday Estimates by Non-God Klady”

  1. EtGuild2 says:

    Congrats to Robert DeNiro on his 6th theatrical release in the past 10 months (7th if you count “American Hustle.”), “The Bag Man.” Next up: playing a boxing trainer in a movie where R&B superstar Usher is Sugar Ray Leonard. This is what we’ve come to…

    Will “Noah” or “Exodus” match the opening weekend of the spliced-together mess “Son of God.” Not so sure about Aronosky’s pic, though I’ll be first in line.

  2. Spacesheik says:

    Saw ‘Non-Stop’ last night at a packed theater, who seemed to enjoy it. Pretty slick who-dunnit-actioner that managed to pack a lot of wallop in it’s mostly interior airline set. A pretty decent cast (Julianne Moore, Michelle Dockery, Lynus Roache, Anson Mount etc) and some welcome nods to ’70s aerial drama/disaster flicks such as ‘Airport’ ‘Skyjacked’ and ‘Airport ’75’ – also a bit of that ‘Nightmare at 20,000 feet’ George Miller kinetic segment from ‘Twilight Zone: The Movie.’

    Only thing missing was George Kennedy as ‘Patroni.’

  3. Joshua says:

    It looks like the R-rated version of “Anchorman 2″ will not be a major factor in this weekend’s box office results.

  4. Joe Leydon says:

    Not to nitpick, but isn’t it Odd Thomas, not Old Thomas?

  5. Chucky says:

    Missing from the arthouse list is “The Wind Rises”, which Disney took national yet promoted with the nefarious “Academy Award Winner” like it was another movie for mouth-breathers. Disney’s newspaper ads also don’t specify which theaters have the Japanese version.

  6. christian says:

    Chucky, don’t you have some non-branded, non-violent, wholesome sports to watch on TV?

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Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
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