Z
MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

BYOB: Is The Light Winning?

byob_truedetective

12 Responses to “BYOB: Is The Light Winning?”

  1. leahnz says:

    i’m more into ‘Murdoch Mysteries’ personally

  2. Amblinman says:

    Watching some corners of the internet go into hyper-whine mode because the series didn’t end with Cthulhu molesting a kid in a bathtub has been great.

  3. EtGuild2 says:

    So, early reactions are in for “Captain America” and “Noah” and they are fantastic for the former, and very good for the latter, though critics are warning that many conservative Christians will HATE “Noah.”

    Also, the two highest profile SXSW movies got very good, if somewhat disposable notices….the Favreau/Downey Jr. “Chef” and Rogan/Efron “Neighbors.”

    I’m a big fan of Warner Bros.’ recent run…but major props to Paramount for standing by Aronofsky’s vision, especially in the wake of WB’s abandonment of the Brad Pitt/Cate Blanchett production of “The Fountain.” This could flop hard. Aronofsky made “Black Swan,” “Pi,” “Requiem,” and “The Wrestler” for $26 million combined and has 5 times as much money to play with here. Anytime one of the majors puts art ahead of pre-screenings though, it deserves to be recognized.

  4. Hcat says:

    When Black Swan was released someone more astute than myself noticed that each DA release makes more than all the previous ones combined. That puts Noah at a completely doable $150 million.

  5. cadavra says:

    “many conservative Christians will HATE ‘Noah.’”

    Many conservative Christians will hate ANYTHING. Some have even attacked “Son of God.” There is no winning with these people. None.

  6. Hcat says:

    Conservative Christians are simply another stripe of fanboy who will never be pleased with hollywood interpretation of their beloved property. Just as there could never be a watchman adaption that will please the most rabid fans, there is never going to be a biblical movie that is up to snuff for a portion of those folks.

  7. SamLowry says:

    This is a joke, right?

    4 Reasons This New Movie Is Everything Wrong With Hollywood.

    Santa Claus versus the Vikings? Wasn’t Pia Zadora in that one?

  8. hcat says:

    So I am glad that television is better than it was (though this has always been the case), but articles like this one from the vulture drive me a little batty;

    http://www.vulture.com/2014/03/tv-stars-dont-need-a-movie-career-anymore.html

    Maybe the reason that Williams, Clooney, and Aniston got lead roles instead of the supporting ones offered to Cranston and Hamm is that the first group where household names that were watched by 30 Million people every week, while this new breed of crowned king if they hit three million viewers? The whole article reads like it was from someone in an insulated bubble where Taylor Kitsch and Benedict Kumberbatch are actual recognizable stars as opposed to good actors who where in strong quality marginally successful shows.

  9. YancySkancy says:

    The title of the Vulture article is absurd as well, since it seems to imply that Williams, Clooney, Aniston, et al, “needed” to have movie careers. Obviously, the networks would have been just as thrilled back then to keep TV stars on TV.

  10. cadavra says:

    Nothing wrong with being a TV star anymore. There are plenty of actors who’ve remained on TV (with an occasional movie role tossed in) and have maintained their popularity and stardom. Ted Danson, Tom Selleck and Betty White are three of the most obvious examples.

  11. SamLowry says:

    I wonder how many studios are trying to snatch up the rights to The Night They Took Miss Beautiful.

    Has anyone checked the manifest of flight MH 370 to see if it was carrying anything interesting? Wouldn’t it be a hoot if there was nothing thrilling on board and the hijackers just wanted to sell everyone into slavery?©

  12. SamLowry says:

    It’s always stunning when you read a piece like “The Sex Scene Is Dead”, you Google the writer and discover they’re not a kid.

    While slagging NYMPHOMANIAC and BLUE IS THE WARMEST COLOR, this thirtysomething twit presents his thesis, which is that widely available internet porn has desensitized folks to the point where sex scenes in movies are no longer shocking, without realizing that a) mainstream directors put sex scenes in their movies even after porn was available at video rental stores across the country, long before wieners and clits appeared on the internet, and b) who said sex scenes are supposed to be shocking?

    It comes off as unintentionally humorous hand-wringing, like the assertion that 9/11 killed irony forever. Grow up, kid. Even after porn becomes tactile and fully interactive, sex scenes will still appear in mainstream movies.

Leave a Reply

The Hot Blog

Quote Unquotesee all »

“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

Z Z