Vancouver Film Critics Awards 2013

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INTERNATIONAL AWARDS BEST FILM

12 Years a Slave

BEST ACTOR

Oscar Isaac, Inside Llewyn Davis

BEST ACTRESS

Cate Blanchett, Blue Jasmine

BEST SUPPORTING ACTOR

Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS

Jennifer Lawrence, American Hustle

BEST DIRECTOR

Alfonso Cuaron, Gravity

BEST SCREENPLAY

Joel and Ethan Coen, Inside Llewyn Davis

BEST FOREIGN FILM

The Hunt

BEST DOCUMENTARY

The Act of Killing

CANADIAN AWARDS BEST CANADIAN FILM

The Dirties

BEST ACTOR IN A CANADIAN FILM

Matt Johnson, The Dirties

BEST ACTRESS IN A CANADIAN FILM

Sophie Desmarais, Sarah Prefers to Run

BEST SUPPORTING ACTOR IN A CANADIAN FILM

Alexandre Landry, Gabrielle

BEST SUPPORTING ACTRESS IN A CANADIAN FILM

Lise Roy, Tom at the Farm

BEST DIRECTOR OF A CANADIAN FILM

Jeff Barnaby, Rhymes for Young Ghouls

BEST CANADIAN DOCUMENTARY

My Prairie Home

BEST FIRST FILM BY A CANADIAN DIRECTOR

The Dirties

BEST BRITISH COLUMBIA FILM

Down River

IAN CADDELL AWARD FOR ACHIEVEMENT

Al Sens

AWARD FOR ACHIEVEMENT

Corinne Lea

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray